On Wednesday November 29th I’ll be doing a short presentation for the Grimsby Camera Group. My topic is photographing birds and insects from a beginner’s perspective. [Read more…]
When my wife and I are out and about on a photography tour I like to let my mind wander and keep my eyes ‘fresh’ so I don’t get too locked in on one particular type of image composition. We recently spent a couple of weeks in Nova Scotia doing some field work for an eBook project. Since the emphasis of that endeavour is landscape, seascape and shoreline photography we did focus the majority of our time on those subjects. As a result, visits to Peggy’s Cove, Lunenburg, and many small, seaside communities were on our itinerary. Many of the images captured were fairly complex scenes as could be expected. This article shares a couple of dozen photographs that highlight some of the simplicity, patterns and details in Nova Scotia that we experienced and included in some images.
We’ve all faced situations when we had to shoot hand-held in quite poor lighting conditions using slow shutter speeds, in order to capture a photograph. This challenge is further complicated when using a non-EVF camera since we loose our third anchor point, not being able to bring our camera up against our eyebrow. During a recent photography field-work trip to Nova Scotia I was faced with some very challenging lighting and took the opportunity to use quite slow shutter speeds (and high ISO) with one of my non-EVF Nikon 1 J5 cameras. The objective of this article is to discuss a few of the techniques that can be used when shooting hand-held at slow shutter speeds.
During the Labour Day weekend I spent an enjoyable afternoon viewing the 2017 Canadian National Exhibition (CNE) Air Show in Toronto, and thought I’d share a few images captured during the event. As is my standard practice I went down to one of the Lake Ontario shoreline parks and found a good vantage point just west of the Exhibition grounds and east of Jameson Avenue.
Many photographers have an interest in close-up photography but may find it hard to justify the cost of adding a dedicated macro lens to their existing interchangeable lens camera kit. They may decide to use extension tubes instead. The objective of this article is to demonstrate how extension tubes can be used with a range of different lenses to photograph the same type of subject matter. In this case, I used a combination of two extension tubes (10mm and 21mm) and five different lenses to capture close-up images of bees.
Like many other photographers I enjoy letting my mind wander, seeing if it will lead me to some kind of new photographic experiment that I haven’t tried in the past. The idea of photographing flowers with a prime lens and an extension tube fell out of my old, porous brain this week. So, for a couple of mornings I grabbed one of my Nikon 1 J5s, my 1 Nikon 32mm f/1.2 prime lens (efov 86.4mm) and a 10mm Vello Deluxe extension tube, then headed out for my daily 5km early morning walk. This article shares some images created while experimenting with flower photography at f/1.2. Except for the last image in this article, all photographs are displayed as 100% captures without any cropping.
Before getting into this article, I’d like to state upfront that its intent is NOT to suggest that other people do what I have done in terms of choice of photographic equipment. Just because the 1″ sensor Nikon 1 system is the best choice for my specific needs does not mean it will be appropriate for other photographers. It very well may not be. I regularly get emails and calls at the office from people asking why I prefer shooting with Nikon 1 which I handle on an individual basis. Since I receive a good number of these inquiries each month, I thought I’d also respond in a public forum with this article.
It is always fascinating to contemplate what is beneath the strategy of various companies as they announce new products. Nikon’s official confirmation that it is developing some new mirrorless cameras is garnering all kinds of attention. Rather than add to all of the speculation regarding potential camera specs of these new Nikon mirrorless cameras in development, my first thought was to look at camera industry statistics. A basic question popped into my head…”Was growth in the Asian market the tipping point for Nikon with this new mirrorless camera confirmation?”
Once the good weather breaks, from the late spring through to the fall, many small towns in Ontario hold festivals. Quite often displays of antique and custom cars are featured at these types of events and represent great opportunities for photographing automotive details. This past weekend the town of Smithville held its annual PoultryFest, which I had the opportunity to attend. The day started out with bright, sun-filled skies…a significant change from the torrential rains that had hit much of Southern Ontario on Friday. The heavy rains caused quite a bit of flooding in the areas north of Toronto and resulted in many owners of custom cars changing their display plans and bringing their vehicles to Smithville instead.
On Father’s Day morning we had some very unsettled weather move through our area which brought with it some extremely strong winds. I couldn’t help but grab my camera and go out for a birds-in-flight practice session as I knew the very high winds would create ideal conditions for me. So, I headed out to Eastport Drive by Hamilton Harbour with my Nikon 1 V3 and 1 Nikon CX 70-300mm f/4.5-5.6 VR zoom lens to capture some practice images of birds-in-flight.