The transition from film to digital was one of the most dramatic shifts in the history of photography, and countless new techniques arose along the way. Everything from exposing to the right to the ability to review photos on-the-fly dramatically changed the photographic world. Of all these changes, though, one has transformed landscape photography far more than any other: the advent of digital image blending.
There are very few decisions in photography more personal than picking a set of lenses to use. With the incredible number of options available – no matter which brand of camera you use – it can seem impossible to find the right lenses for your needs. Personally, I have switched out my entire lens kit at least four times in the past four years, and many photographers have done so even more often than that! There are no perfect answers for someone looking for what lenses to buy, but I hope that the tips in this article can shed some light on some of the variables that you need to consider for a set of lenses, whether you use Nikon, Canon, Sony, or any other lens manufacturer.
More than any other fundamental aspect of photography, light is at the heart of every image you take. Without light, photography cannot exist; it is the foundation of every image, giving shape and meaning to each scene in your viewfinder. Personally, as a landscape photographer, my photographic decisions are shaped more than anything else by the lighting conditions that I encounter. From a soft mist to a dramatic sunset, whether at a mountain or a desert valley, my preferred approach to photography is simple: chase the light.
Arguably the most versatile adjustments in Photoshop are the layering and masking tools. Together, layers and masks make up a large portion of the work most photographers do in Photoshop, both for subtle and complex edits. However, if you are just beginning to work in Photoshop, these two irreplaceable tools may not be completely intuitive. In this article, I will cover the basics of using layers in Photoshop and discuss layer masking – laying the groundwork for far more advanced post-processing adjustments.
Sharpening remains a particularly confusing topic among photographers, especially given the tremendous number of post-processing options available. Some post-processing software has so many options that it is hard to know where to start; others do not let you use optimal methods in the first place. If you are trying to use the best sharpening settings – including the lowest possible levels of noise and other artifacts – the ideal method is three-step sharpening.
Have you heard of the Orton Effect? This post-processing technique has been around since the 1980s, if not earlier, but the trend has exploded tremendously in the past few years. If you haven’t heard of it, you aren’t alone – it only recently began to gain mainstream popularity. And yet, in some ways, the Orton Effect is swallowing the modern world of landscape photography. This is barely an exaggeration; after seeing the Orton Effect in practice, you should be able to spot it in at least a third of the trending 500px landscape photos, as well as many winning photo contest entries. This article covers all the basics of the Orton Effect, including a tutorial on how to implement it in your own images – and a discussion on why you may not want to do so.
At the heart of photography is the idea that you are conveying a message to your viewers. Perhaps you want to show the beauty of a waterfall or the drama of an incredible sunrise. Or, you may hope to depict the dark intensity of a jagged mountain peak. A photograph with a clear message can be as effective as possible; its composition, colors, subject matter, and lighting all add to the impression that you are trying to convey. And, more than any other element of composition, the concept of simplicity helps you achieve this goal. In this article, I will cover the ways in which simplicity plays a role in successful photography, including how to implement it to improve your own photographs.
Every so often, the planet Mercury lines up perfectly between the Earth and the Sun. When it does, astronomers and photographers have a relatively rare chance to see and photograph the planet Mercury transiting across the Sun. Next Monday (May 9) is one of those opportunities. In this article, I will cover some tips and techniques for photographing this year’s Mercury transit.
Perhaps the most famous sight in Utah’s Zion National Park is the Narrows, a slot canyon carved by the Virgin River. The dramatic patterns in these sandstone cliffs are some of the most beautiful landscapes in the country, making for incredible images. I had the opportunity to photograph this amazing sight last month, which was not a particularly easy endeavor. Some of the most beautiful parts of the Narrows are only accessible after hiking upstream through the river for several miles.
Many photographers who want to upgrade their tripod are stuck choosing between high-end aluminum tripods and low-end carbon fiber models. These two types of tripod tend to be similar in price, which makes the decision even more difficult. I have been trying out the carbon fiber Oben CC-2461 tripod over the past few months, along with the accompanying BE-126T ballhead. This review covers my experiences and recommendations for photographers trying to decide on a tripod at this price point.