Canon just announced its highest-end mirrorless camera ever, the $6000 EOS R3 (shipping November). The R3 has a 24 megapixel stacked BSI sensor and is capable of capturing blackout-free 30 FPS with full autofocus and auto exposure. Perhaps the most exciting feature is the eye-sensing autofocus that positions the initial...
Post Archive By Spencer Cox - Page 8
Canon RF 16mm f/2.8 and 100-400mm f/5.6-8 Announcements
Today, alongside the big EOS R3 announcement, Canon announced two new lenses for their RF mirrorless mount: a 16mm f/2.8 and a 100-400mm f/5.6-8. Both aim to be lightweight and portable (at least for their type of lens) and pretty inexpensive at $300 and $650 apiece. They ship in October.
Nikon Z 40mm f/2 Formally Announced + Pre-Order Links
A few months after announcing its development in June, today Nikon formally announced the compact Z-series 40mm f/2 lens and revealed its full specifications. The lens will go on sale “later this fall” according to Nikon, with a suggested retail price of $300.
How Much of a Gap Between Focal Lengths Is Too Much?
When you’re assembling a set of lenses, it can be tempting to try to cover all the important focal lengths without any gaps between them. A kit of 14-24mm, 24-70mm, and 70-200mm lenses is a popular one. So are sets with overlap, like a 16-35mm, 24-105mm, and 70-200mm.
Best Lenses for the Nikon Z5 / Z6 / Z6 II
I recently published an article about the best lenses for the Nikon Z7 and Z7 II, but the list expands a bit for lower resolution sensors. In this article, I’ll go through every Nikon Z lens plus some F-mount lenses to see how they perform on the Z5, Z6, and Z6 II.
When and How to Upsample an Image
Upsampling is a tool in most post-processing software that allows you to increase an image’s resolution after taking it. Upsampling lets you boost, say, a 24 megapixel image to 48 megapixels, 96 megapixels, or 240 megapixels! But doing so doesn’t mean you’re actually capturing more detail.
How to Make Photos Feel More Deliberate
Most of the time, when you see a good photo, you’ll get a sense that the photographer took it deliberately. But how can you tell that? What subtle things about the photo make it appear deliberate rather than random? That’s what I’ll cover today.
10 Things I’ve Learned in 10 Years as a Photographer
I just realized that I’ve been doing photography seriously for ten years (plus some change). So, I’d like to take this chance to look back and share ten of the most important things I’ve learned along the way, in chronological order.
Levels of Perception in Photography
If you close your eyes, point your camera in any direction, and take a picture, I’m willing the bet the photo won’t be a success. Unless you’re doing some artsy “blindfolded photography” project, it completely lacks intent or any engagement with the scene in front of you.
Averaged High Dynamic Range Technique (AHDR) Explained
A technique I recently learned allows you to capture lots of dynamic range in photography with better results and fewer downsides than traditional HDRs. I call it “AHDR” for “Averaged High Dynamic Range” photography.