We had a lot of good guesses on our tenth “How Was This Picture Made” article, including a couple that were almost entirely spot-on. Congratulations to Photography Life reader Goh Wei Jun for his guess — he will receive a copy of our upcoming eBook, Creative Landscape Photography, as a prize. So, how was this photograph made? This article dives into the entire process.
Our landscape photography tutorial has taken us from Colorado to Wyoming to Montana, and we have filmed in some amazing locations along the way. Cell coverage is hard to find in this area of the country, but there is no shortage of beautiful landscapes to photograph. After packing up and heading out of Grand Teton National Park, we took a short detour through Yellowstone on the way to Montana. This was the first visit for both John and I, and it did not disappoint – I wish that we had more time to spend in such an amazing place! Still, with our filming schedule, we had to make the most of the couple of days that we had.
After almost a week of filming, we just packed up and left Grand Teton National Park. We were very lucky to capture some great light, and we had a few clear nights to take good Milky Way photos as well. We’re now heading to Yellowstone for some photos — hopefully avoiding the crazy tourists — and then going north to film some videos throughout Montana.
A couple days ago, John Bosley and I flew out to Colorado to meet up with Nasim. We’re in the first stages of another exciting video for Photography Life: an advanced landscape photography tutorial. We’ve had this particular project in mind for a while, and it feels great to start putting our plans into action. After landing in Denver, the three of us stopped for some food and camping supplies, and then we hit the road to Grand Teton National Park. [Read more…]
After a week in Ireland, I have seen some incredible sights. This is a beautiful country, and the people are incredibly warm and welcoming. Although most days here have been rainy, I’ve tried to make the most of foggy landscapes and simply enjoy my time in such a unique place. However, the weather has made it difficult to take colorful sunrise and sunset photos, which is a bit unfortunate — it is no secret that golden hour is a wonderful time to take pictures. Still, there has been one incredible morning for photography so far. In just a few minutes, the sky turned from a dull sheet of gray into a magnificent show of color, and a rainbow appeared during the best light. In this article, I’ll cover the entire story and thought process behind my favorite photo from this beautiful sunrise.
I arrived in Ireland a couple days ago, and I have been taking plenty of photos along the way. I’ll post them in future articles, but there is something more important to discuss for now: the dangerous, idiotic behavior I saw at the Cliffs of Moher.
This is the tenth post in our “How Was This Picture Taken” series, and this one features a photograph I took at Great Sand Dunes National Park in Colorado. Since this is the tenth installment in our series, and because we have a number of exciting projects coming up, we’d like to do something a bit special this time:
The reader with the closest answer will receive a free copy of the eBook that Nasim and I are writing: “Creative Landscape Photography: Light, Vision, and Composition.”
The answer has been posted here.
I am sad to say that the world of photography lost one of its true masters this past Sunday. Chinese photographer Fan Ho, known for his intimate street photographs of 1950’s Hong Kong, died of pneumonia at the age of 84. His photographs are more than simply beautiful; they show an understanding of light and composition is truly unparalleled. I cannot write anything that does justice to work like this, so I will leave with one of Fan Ho’s quotes – among the most beautiful sentiments I have heard from a photographer: “I put my whole life into a single photograph.”
Few topics in photography are as important – and as personal – as the composition that you choose. Composition has the power to convey exactly what you want to say with a photograph, guiding a viewer’s eye seamlessly across the frame. It has been called, with good reason, the strongest way of seeing. This article revisits some previous Photography Life articles on composition, covering the most important elements and discussing how they relate to one another.
The more you edit a particular photo, the more likely your eye is to grow weary of the changes that you make. Personally, after spending a few hours editing a single image, I begin to lose my ability to tell a good edit from a bad one – presenting a clear problem for making more edits. To some degree, this is even true after a two- or three-hour break; the photo is still too familiar to see with a fresh eye. In this quick article, I will cover a couple ways to look at your photos from a different perspective, including my personal favorite tip in photography.