Our newest video tutorial is now on YouTube, and this one covers the critical topic of lens filters for landscape photography. There’s a ton of information in this video that you may not have heard before, even if you’re an advanced photographer, so go ahead and take a look!
Post Archive By Spencer Cox - Page 8
In my four most recent articles, I’ve written about the story behind some of my landscape photos. I re-edited each picture specifically for its tutorial, and I’ve now realized that I like all four newer edits more than their respective older versions.
Death Valley National Park has more extremes than almost any other place on earth. The weather is harsh and the landscape unforgiving. It’s a brilliant combination for landscape photography.
In today’s article, I’ll go into the story, camera settings, and post-processing behind this photo I took of Iceland’s Vestrahorn Mountain. From a technical standpoint, it wasn’t too hard to take, but a decent bit of luck went into this photo as well.
One of the coolest sights I’ve seen in a long time is a desert landscape immersed in fog, which I photographed from the perspective of a drone. Hopefully this article gives you a better understanding of how the photo came to be.
In today’s article, I’ve explained the entire process from start to finish behind one of my landscape photos. I tried to cover as much as possible – the story behind the photo, camera equipment, settings, refining the composition, post-processing, and so on. I hope you find it useful!
I’ve always enjoyed seeing alternate versions of famous photographs. Maybe frame #22 is the photo everyone knows about, while frames #18-21 have faded into obscurity – despite showing the same subject with minor variations. Of course, it’s not just famous photographers. Every photographer out there has an “almost portfolio.”
Most recommendations for ETTR (exposing to the right) require you to use the histogram and “blinkies” on your camera to judge overexposure. And while this method works fairly well and has plenty of benefits, it isn’t flawless. Here’s an alternative method involving spot metering, which works better in many cases.
In my opinion, a bridge exists between the heart and the head in photography, just as it does in many other areas of life. I use “bridge” rather than a word like “battle” because they aren’t really at odds with each other. They’re just two parts of the photographic process.
One thing I've wanted to do recently for our readers who are staying at home, while I'm staying at home myself, is to make a (free) complete video course to Lightroom so you can hone your skills if you like. I've published the first chapter (three videos) so far, so...