Perhaps the best-known hosting website for photographers is SmugMug, a platform that has been around since 2002. SmugMug acts as an online gallery space, letting you display your photos easily and – relatively – inexpensively. I have been using SmugMug exclusively for almost a year, and I have grown very familiar with its range of tools and capabilities. In general, I have been very impressed by SmugMug; for this review, I will cover some of its main uses and features, as well as the positives and negatives of using SmugMug to host your online gallery.
Adobe Lightroom is a complex piece of software, and it includes countless features that are buried beneath the surface. In this article, I will cover four useful Develop options that aren’t obvious at first glance, ranging from precision cropping to local color adjustments. If you are a Lightroom guru, you certainly may use each of these already; however, for most Lightroom users, these features are somewhat difficult to find.
One of Lightroom’s simplest, most useful post-processing options is the humble split-toning panel. Buried between the HSL and Detail sidebars, split-toning isn’t exactly a go-to tool for most photographers. And why should it be? From tint to saturation, Lightroom already offers several ways to change the colors of an image; another option seems unnecessary. In truth, though, split-toning is far more useful than it may first appear, and certainly more valuable than some photographers believe it to be. In this article, I will cover in-depth the uses of split-toning, as well as the issues that arise from this interesting tool.
As a photographer, it is easy to feel excited about the newest images that you take. After returning from an amazing shoot, there is nothing more fun than loading your photos and sorting through them for the first time. This initial thrill, though, doesn’t always last. If you took hundreds – or even thousands – of photos at a time, sorting through your work can become a tedious task. Sometimes, too, you just aren’t in the right frame of mind to be looking through photos; perhaps you are distracted or simply tired. Whatever the reason, it is deceptively easy to overlook a high-quality photograph if you aren’t paying enough attention – I speak from experience! The only way to fix the problem is to look through the old photos that you have taken. In this article, I will discuss some of the important reasons to revisit your archives from time to time. Along the way, you may find beautiful shots that you never noticed before.
Recently, as part of a photography class at my university, I had an assignment to shoot two rolls of film with the theme “Point of View.” This topic was open to interpretation, but I was encouraged to try something out of my comfort zone. I puzzled over the assignment for a few days – and I almost decided to shoot a roll of typical abstract photographs – but one other possibility began to interest me: With enough effort, could I take realistic landscape photographs from my kitchen table?
This article is the answer to my “How was this picture made?” post from a couple weeks ago. First, an apology – I intended to have this article published several days ago, but my winter classes already have taken their toll on my spare time (and sleep). That said, I hope the answer is worth the wait!
To continue our “How was this picture taken?” series, I would like to invite our readers to analyze this photograph and try to figure out how it was made. It may not seem out-of-the-ordinary at first glance, but this was one of the most technically-difficult photographs I have ever taken. In fact, my post-processing was particularly interesting for this image, and I employed a technique that I have used only three or four other times in my life.
Drones – often called unmanned aerial vehicles – have become vastly more common over the past few years. In the United States alone, the Federal Aviation Administration (FAA) predicts that more than one million drones will be sold over this holiday season; many more will be sold in other countries across the world. Whether you love or hate the growing prevalence of drones, their popularity has never been greater. In this tutorial, I will share some tips that I have learned over the past few months of using a drone for taking pictures. My focus is on still images, but many of these tips apply to drone video and cinematography as well – particularly for people in the midst of buying their first drone.
Aperture is a confusing topic for beginners in photography – it controls so many variables in your images, from exposure to depth of field, which can make it quite difficult to grasp initially. To make matters worse, the F-numbers of aperture are backwards from what you may expect! A small aperture is a large F-number, and a large aperture is a small F-number. I certainly was confused by aperture when I first started taking pictures, and it took me quite a while to really understand how it works. Nasim already covered aperture in-depth for beginners, but I wanted to pass along a quick diagram that I made – hopefully something that you will find useful. This chart covers the most important effects of aperture in photography, as well as common terms that photographers use to describe their settings.
Since the early days of film, panoramic photography has been synonymous with landscape and architectural images, and sometimes with other genres like street and wildlife photography. By combining two horizontal frames of film, typically 120 medium format, some film cameras actually shot panorama photographs by design. Most of these cameras emerged in the latter half of the twentieth century, bringing the panoramic format to the public eye. The panorama had existed long before this time, of course, but its popularity has only grown — and with good reason. Panoramas are fun and dramatic, and their subtleties are just as important in today’s mostly-digital age as they were during the heyday of film. In this article, I will discuss some of the important but less-common benefits of taking panorama images, as well as sharing a set of my photographs from Iceland in the classic 6×17 aspect ratio. If you are new to panoramas, you might enjoy reading our general panorama tutorial first.