Wide-angle lenses are incredibly popular for landscape photographers, but they can be very tricky to use. The main problem is that these lenses are so different from the way we normally see the world, which makes it easy to use them incorrectly. Still, wide-angle lenses are one of the most important tools that you have at your disposal, and — used well — they can lead to spectacular photos. In this article, I will cover everything you need to know about using wide angle lenses and how to make the most out of them.
Millions — perhaps billions — of people take pictures every day. Famous places and people have been photographed more times than anyone can count. All of this leads to the deluge of images that we are seeing online and in social media. Every time that a photographer visits a beautiful location for the first time, thousands of people already photographed it under the best possible conditions (and the worst conditions, and everywhere in between). Recently, I have heard more than a few people say that photography has become boring to them; everyone copies everyone else, and it doesn’t seem like there is anything new left to photograph and explore. Is that mindset justified? Can photographers still create unique photos?
Most of us think we have a good understanding of the camera settings that affect your RAW photos — it seems like common sense. However, the more that you look into it, the more complicated that this topic gets. In fact, no matter how much you know about your camera, chances are good that you have a few misconceptions about the camera settings that affect your RAW photos. Does high-ISO noise reduction change the way your camera records a RAW file? What about long exposure noise reduction? Color space? Or Active D-Lighting, for Nikon users? The answer to two of these four examples is yes. In this article, I will cover all the noteworthy camera settings that affect your camera’s RAW files, including some that you may not expect.
The name Henri Cartier-Bresson does not immediately remind most people of landscape photography. It shouldn’t; he wasn’t a landscape photographer! Instead, of course, Henri Cartier-Bresson was a street photographer — arguably the founding father of the genre. However, although he rarely took photos of nature, his intimate approach to street photography still has value to people who prefer the company of grand landscapes. One technique is especially worth learning, no matter what genre of photography you do: the decisive moment.
This summer’s Photography Life road trip has come to an end, but not before a final visit to Olympic National Park. After dropping John off at the Seattle airport, Nasim and I spent a couple of days exploring Washington’s dramatic coasts and rainforests, taking some photos and filming the remainder of our Composition chapter. Hopefully you have enjoyed these quick articles from the road. I certainly have had fun sharing our experiences!
One of the largest debates in the world of photography is split into two main camps. On one side are people who strive to take photos with the highest technical level of image quality — in everything from their equipment to their camera settings — for most of their photos. The other side of the debate says that photographs are more about the subject and emotion of the scene, and the image quality is only a minor factor. Neither side is always right or always wrong, of course, but this is a question worth discussing. When does image quality truly matter, and when is “good enough” more than enough?
After a few weeks of travel, the three of us — Nasim, John Bosley, and I — have made it back from our landscape photography road trip through the Western United States. From the Rocky Mountains to the Cascades, we visited some of the country’s most beautiful landscapes, and we captured some footage that we are very excited to add to our upcoming landscape photography video course. We’ve already written about our sunset and nighttime photography in the Grand Tetons, Yellowstone’s dramatic hot springs, and the incredible views at Glacier National Park. As the trip entered its final stages, our second-to-last stop was at Washington’s beautiful Mount Rainier.
In the past month, I have visited more National Parks than in any other time of my life. I have seen some of the most beautiful places in the world under incredible conditions, and I managed to take photos of landscapes that I had heard of since I was a young child. That’s why I am happy to say that today, August 25th, marks the 100th anniversary of the National Park Service in the United States.
Canon’s newest 5D Mark IV camera has a lot of exciting specifications — the fast frame rate and 4K video capabilities, for example — but there is more to this camera than what first meets the eye. One new feature buried in Canon’s promotional material is a technology called Dual Pixel RAW. This isn’t something that we have seen before, but it seems like it could be one of the most interesting features of this new camera. So, what is Dual-Pixel RAW?
The past few days filming our landscape photography video have been fun and exhausting, and we’ve seen some wonderful sights along the way. After leaving Yellowstone National Park, we headed north to film some mountains and snow. For our next stop, we spent about a week in and around Glacier National Park. Although we missed the peak wildflower season in Glacier by a few weeks, the park was still absolutely beautiful — and very nice for photography.