I suspect that many photographers have realized their best photos frequently come after several “getting there” images – scenes where something interesting stands out, and you gradually improve upon your early attempts, creating a composition that looks more and more refined by the end. The trend has been so clear in my personal photography that I thought it would be useful to show some examples, including how to apply this concept to your own work.
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Nikon Z7 First Impressions and Sample Photos
I’m sure you already know that we’re going to test the Nikon Z7 camera to its limits here at Photography Life. We have six orders coming our way in total, and we plan to put each copy through its paces while we travel to Jordan and Turkey throughout October. So far, one copy has arrived, and I’ve shot with it in Colorado for the past couple days. Here, I wanted to share my first impressions and sample images.
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Five Sigma Global Vision Lenses Announced
As part of a slew of Photokina-related announcements yesterday, Sigma has announced five new lenses. Four are for full-frame cameras, and one is compatible with Micro 4/3 and Sony E mount crop sensor cameras. The 28mm f/1.4 Art, 40mm f/1.4 Art, 70-200mm f/2.8 Sport, 60-600mm f/4.5-6.3, and 56mm f/1.4 (for crop sensor only) join Sigma’s growing lineup of “Global Vision” lenses. Pricing and shipping dates of most of the lenses have not yet been announced.
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Fuji GFX 50R Announcement
Fuji just announced their rumored (comparatively) affordable medium format mirrorless camera, the GFX 50R, a 51.4 megapixel camera with a rangefinder design, due in November 2018. The retail price is $4500, which, though not cheap, makes it the least expensive medium format digital camera ever upon launch. The GFX 50R’s specifications match those of the GFX 50S in many ways, with the biggest differences being the form factor – more similar to that of the Fuji crop-sensor cameras – and…
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Recommended Fuji X100F Settings
The Fuji X100F is the fourth in Fuji’s line of X100 cameras – the X100, X100S, X100T, and X100F. Although it has a refined design and fairly intuitive menu, the camera’s large number of options and controls can make it overwhelming for new buyers. Hopefully, this guide will help clear up some confusion and explain how to use the Fuji X100F, including our recommended settings for each option in the menu.
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Peak Design 45L Travel Backpack Review
Carrying the right amount of camera equipment in a comfortable, accessible bag is an eternal problem for photographers, or at least for me. At this point, I’ve settled on a system of a technical hiking backpack with a camera insert for my longer landscape photography trips, but I haven’t yet found the perfect bag for more moderate travels. Enter the Peak Design 45L Travel backpack, advertised as Peak Design’s top travel bag. Does it fit the bill?
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The Most Stubborn Myths in Landscape Photography
Chances are good that you’ve run across plenty of inaccuracies and misinformation in the online world of photography, landscape or otherwise. Some myths, though, stand the test of time, outlasting years of diligent debunking. Below are four of the most common myths and misconceptions you’ll find in the field of landscape photography, including some which are prevalent even among advanced photographers.
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Canon EOS R vs Canon 5D Mark IV
Now that Canon has entered the full-frame mirrorless world with their EOS R, it’s time to see how this new camera compares to Canon’s current generation of professional DSLRs – specifically, the Canon 5D Mark IV. Both the EOS R and the 5D IV share a number of similar specifications, but their differences are enough to target two relatively different groups of photographers. Here’s what you need to know.
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Canon RF Lens Announcements
Along with the EOS R mirrorless camera, Canon just announced four full-frame mirrorless “RF” lenses. Two of them are relatively standard for a new system launch – a 24-105mm f/4L and a 35mm f/1.8 IS Macro – but Canon also announced two very surprising lenses as well. The 28-70mm f/2L will be widest aperture 28-70mm lens in history, while the 50mm f/1.2L joins a highly select club of f/1.2 autofocus lenses. All four lenses have customizable control rings.
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Canon EF-M 32mm f/1.4, EF 400mm f/2.8L IS III and EF 600mm f/4L IS III Announcements
Along with all the new Canon mirrorless announcements today, the company also released three new lenses – one wide aperture prime for their crop-sensor mirrorless EF-M mount and two EF mount telephoto lenses for their DSLRs. First is the EF-M 32mm f/1.4, the widest aperture lens currently available for this system. And for their EF mount, the 400mm f/2.8L III and 600mm f/4L III replace two of Canon’s top-end supertelephotos. Read more and pre-order below:
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