Alongside the Z30, Nikon also just formally announced the $3250 Z 400mm f/4.5 S, shipping in mid-July. This lens isn’t much of a surprise since it was already on the roadmap – plus it had plenty of hands-on previews from YouTubers last week – but it’s still an exciting sight.
Post Archive By Spencer Cox - Page 6
Nikon Z30 Announcement: Video-Oriented, Viewfinder-Free, Uninspiring
The Nikon Z30 is the most entry-level camera in the Nikon Z series yet – and the first without a viewfinder. Nikon’s advertising leans heavily on the camera’s video prowess, although its specs frankly aren’t very different from those of 2019’s Nikon Z50. It ships mid-July for $710 body only.
How Many Good Photos from a Trip Is a Success?
I’ve gone on two photography trips recently with very different results. The first trip led mostly to duds, aside from a single portfolio-quality image. The second led to dozens of publishable shots and multiple for my portfolio. It made me wonder what counts as a successful photography trip at all.
Our Most Popular Comment Ever
As I was updating some old articles on Photography Life, I came across what I believe to be the most popular comment anywhere on the site. It concerns a particular lens that Nikon Z users have been asking about for a while now. I’ll let the comment speak for itself:
Blurry Corners in a Photo? Don’t Blame Your Lens
One of the most common image quality challenges in photography is to get sharp corners. Landscape photographers (among others) often pay big bucks for lenses with high resolving power at the edges of the frame. But a new lens may not solve your problem – because blurry corners usually aren’t due to the lens.
When and Why to Make a Photo Black and White
I’m a fan of black and white photography. A lot of subjects that fall short in color look evocative and powerful when captured in shades of gray. But it’s not always easy to decide if a photo should be color or black and white. Today, I’ll explain how I choose.
Recommended Lenses for 14×17 and 12×20 Cameras
Following my article on recommended lenses for 8×10 cameras, today I’ll cover my favorite lenses on two even bigger formats: 14×17 and 12×20. These two ultra-large formats have similar diagonals as each other – in practice, about 550mm and 580mm respectively. Most lenses that work for one will work for the other.
Canon EOS R10 vs Canon EOS R7
Canon’s newly-announced EOS R10 and EOS R7 are both aps-c cameras and part of the mirrorless R System. Although they share some similarities in features, they’re aimed at separate audiences and have plenty of important differences. This article compares the two cameras, including their construction and detailed specifications.
Canon’s R7 and R10 Breathe Life into APS-C
The past several years haven't been kind to the 1.5x crop sensor camera. Other than Fuji, every major manufacturer of aps-c cameras has shifted their focus toward full frame. Canon's most recent aps-c camera was their M50 Mark II in October 2020; Sony's newest (late-2019) a6100 and a6600 have already...
Best and Worst Deals of Nikon’s May Sales
A few times a year, Nikon tends to go wild and put nearly all their current products on sale. Now is one of those times, with a big sale that lasts until May 29. Which deals are worthwhile and which ones are duds? I’ll go through each product one by one below.