Post Archive By Spencer Cox - Page 5

Living Within Your Dynamic Range

One of the quieter revolutions in digital image quality has been dynamic range. The days of picking between highlight detail and shadow detail are gone; almost any modern camera can capture both simultaneously with ease. But even though this capability is remarkable, it’s also easy to overuse.

Which Tamron Lenses Should Nikon Z Prioritize?

The recent, unexpected announcement of the Nikon Z 28-75mm f/2.8 – with identical optics as the Tamron G1 28-75mm f/2.8 – makes me wonder what’s next. Will Nikon and Tamron work together on any more Z-series lenses? If so, these are the lenses they should prioritize.

How to Take Better Photos of Trees and Forests

Trees and forests are deceptively difficult subjects to photograph. It seems that something is often lost in the process – maybe their scale, maybe their tranquility. Photos of a forest scene can easily turn into nonsensical jumbles even if the subject looks wonderful in person. How do you avoid that?

How to Make Your Tripod More Stable

Some of the most common advice in photography, especially for landscape and architectural work, is to use a tripod. But the story doesn’t end there. Even if you have a top-of-the-line tripod and head, bad tripod technique can result in some seriously blurry shots.

The Features That More Cameras Should Have

It’s easy to look at the impressive slate of cameras today and wonder what more they could possibly do. But there’s always room for improvement, which is why I’d like to go through some of the most useful features found on some – but not enough – cameras today.

What Is Composition? A Photographer’s Guide

I’m in the process of updating Photography Life’s full-length, multi-article tutorial about composition. This article is Chapter 2 of the guide, where I’m introducing and defining composition – including what makes some compositions succeed while others fail.

Nikon Z9 vs Canon EOS R3

The recently-announced Nikon Z9 immediately drew comparisons with Canon’s high-end EOS R3, another mirrorless camera geared toward sports and wildlife photography. While the two cameras have plenty of differences, they’re targeted at similar photographers and both cameras bring a lot of features to the table. I’ll compare them below.