I’m a fan of black and white photography. A lot of subjects that fall short in color look evocative and powerful when captured in shades of gray. But it’s not always easy to decide if a photo should be color or black and white. Today, I’ll explain how I choose.
Post Archive By Spencer Cox - Page 3
Following my article on recommended lenses for 8×10 cameras, today I’ll cover my favorite lenses on two even bigger formats: 14×17 and 12×20. These two ultra-large formats have similar diagonals as each other – in practice, about 550mm and 580mm respectively. Most lenses that work for one will work for the other.
Canon’s newly-announced EOS R10 and EOS R7 are both aps-c cameras and part of the mirrorless R System. Although they share some similarities in features, they’re aimed at separate audiences and have plenty of important differences. This article compares the two cameras, including their construction and detailed specifications.
The past several years haven't been kind to the 1.5x crop sensor camera. Other than Fuji, every major manufacturer of aps-c cameras has shifted their focus toward full frame. Canon's most recent aps-c camera was their M50 Mark II in October 2020; Sony's newest (late-2019) a6100 and a6600 have already...
A few times a year, Nikon tends to go wild and put nearly all their current products on sale. Now is one of those times, with a big sale that lasts until May 29. Which deals are worthwhile and which ones are duds? I’ll go through each product one by one below.
The bigger your film size, the harder it is to find lenses that work well. For 8×10, the largest common film format, that rings especially true. So, what should you look for in an 8×10 lens? There are a lot of factors, from coverage to lens sharpness. Today, I’ll go through those factors and introduce the best 8×10 lenses.
The lens that I’ve been using the longest as a photographer is the Nikon 105mm f/2.8G Macro – the F-mount lens, that is. Nikon has been selling it since 2006, and in that time it’s gained a lofty reputation (not just among macro photographers, either). Today, I’m reviewing it in full.
Composition, as it’s usually explained, is the way you arrange the visual elements within a photo. But that definition misses something. A large portion of what’s important when composing a photo isn’t within the photo at all. Instead, it’s the bits outside the frame that are completely excluded from the image.
I remember when I was starting out in photography how I looked upon the Nikon D3X in wonder. I could never afford it, but 24 megapixels! Can you imagine? Of course, some medium format cameras at the time had more, but they were as far away from me as the moon.
The consensus seems to be that Nikon’s newly-announced Z 800mm f/6.3 is selling for a good price at $6500. But that assessment only scratches the surface. In fact, for the focal length and aperture it offers, this is the least expensive exotic supertelephoto in Nikon’s recent history, by far.