Ignoring price, would you rather have the Nikon D750 or the Nikon D5600? It’s probably no contest. Unless you desperately need the D5600’s lighter weight or tilt-flip screen, the full-frame D750 is ahead in every way. Okay, stop ignoring price. The D750 is cheaper.
Post Archive By Spencer Cox - Page 3
Although it can be tough to take good macro photos, it doesn’t have to be expensive. In fact, a full kit of macro photography necessities can cost less than $100. This article covers my recommended equipment for taking great macro photos, from good values to high-end gear.
Two of the most interesting mirrorless cameras today are the Nikon Z6 II and the Canon EOS R6. Although they target slightly different audiences, they also have a lot of similarities. Today, I’ve put them head-to-head in everything from specifications to image quality.
The Nikon Z6 II and Nikon D780 don’t look similar side by side. The Z6 II is a slim mirrorless camera, and the D780 – though not a huge for a DSLR – is still a DSLR. But beneath the surface, the two cameras have a lot in common.
There are so many ways to edit a Milky Way photo in Lightroom that it can be tough to know where to start. That’s particularly true if you’re after maximum image quality, because some of Lightroom’s sliders can cause unwanted noise or halos that are difficult to remove.
If you’re using a Nikon Z camera, it’s important to check before buying any non-Z-series lenses to make sure they’re compatible with Nikon’s FTZ adapter. This comprehensive article goes into the compatibility of various Nikon and third-party lenses when using the FTZ adapter.
To make the most of the Nikon Z7 and Nikon Z7 II’s high-resolution 45.7-megapixel sensors, it’s best to use suitable lenses. Otherwise, you might as well save some money and get a Z6 / Z6 II instead. I’ll go through my top recommendations for both Z and F-mount lenses below.
You’ve probably heard of Adobe’s new Super Resolution feature, which doubles a photo’s linear resolution (quadrupling the total pixels) with better results than any other upsampling algorithm – at least, that’s the claim. I recently got around to testing it, and here’s how it measures up.
There are many tools in a photographer’s “emotional toolbox” – the things you can do in photography to shift a photo’s emotional message in your preferred direction. The one I’ll be talking about today is texture.
In this article, let’s compare two of Nikon’s high-resolution cameras: the Nikon Z7 II and Nikon D850. Although the two cameras look very different on the surface – the Z7 II being a lightweight mirrorless camera, the D850 being a tank-like DSLR – they’re both intended for similar audiences.