There’s no real upper limit to how large a camera sensor or film can be. Full frame cameras are smaller than medium format digital, which itself falls behind most medium format film – and so on. At the high end of the scale are Ultra-Large Format (ULF) film cameras.
Post Archive By Spencer Cox - Page 27
Range Masks Explained: One of Lightroom’s Most Powerful Tools
For years, Lightroom’s tools for selective adjustments left something to be desired. The “detect edges” feature often adds noise to soft areas like clouds, whereas the standard brush and gradient tools can affect too much of the image. Range masking fixes those problems.
Canon EOS R3 Announcement
Canon just announced its highest-end mirrorless camera ever, the $6000 EOS R3 (shipping November). The R3 has a 24 megapixel stacked BSI sensor and is capable of capturing blackout-free 30 FPS with full autofocus and auto exposure. Perhaps the most exciting feature is the eye-sensing autofocus that positions the initial...
Canon RF 16mm f/2.8 and 100-400mm f/5.6-8 Announcements
Today, alongside the big EOS R3 announcement, Canon announced two new lenses for their RF mirrorless mount: a 16mm f/2.8 and a 100-400mm f/5.6-8. Both aim to be lightweight and portable (at least for their type of lens) and pretty inexpensive at $300 and $650 apiece. They ship in October.
Nikon Z 40mm f/2 Formally Announced + Pre-Order Links
A few months after announcing its development in June, today Nikon formally announced the compact Z-series 40mm f/2 lens and revealed its full specifications. The lens will go on sale “later this fall” according to Nikon, with a suggested retail price of $300.
How Much of a Gap Between Focal Lengths Is Too Much?
When you’re assembling a set of lenses, it can be tempting to try to cover all the important focal lengths without any gaps between them. A kit of 14-24mm, 24-70mm, and 70-200mm lenses is a popular one. So are sets with overlap, like a 16-35mm, 24-105mm, and 70-200mm.
Best Lenses for the Nikon Z5 / Z6 / Z6 II
I chose to have an arbitrary cutoff when making the list above: There must be at least one focal length/aperture combo at which the lens scored at least 2900 in the center, 2200 in the midframe, and 1900 in the corners in our Imatest tests. These numbers aren’t special in and of themselves except as a way to create a hard cutoff that is neither too strict nor lenient.
When and How to Upsample an Image
Upsampling is a tool in most post-processing software that allows you to increase an image’s resolution after taking it. Upsampling lets you boost, say, a 24 megapixel image to 48 megapixels, 96 megapixels, or 240 megapixels! But doing so doesn’t mean you’re actually capturing more detail.
How to Make Photos Feel More Deliberate
Most of the time, when you see a good photo, you’ll get a sense that the photographer took it deliberately. But how can you tell that? What subtle things about the photo make it appear deliberate rather than random? That’s what I’ll cover today.
10 Things I’ve Learned in 10 Years as a Photographer
I just realized that I’ve been doing photography seriously for ten years (plus some change). So, I’d like to take this chance to look back and share ten of the most important things I’ve learned along the way, in chronological order.