I know, I know. After the 2012-2017 Great Equivalence War, photographers everywhere agreed never to utter that word again. Nasim’s famous quote, “Everyone is right, everyone is wrong,” has been etched both into the peace treaty and into the hearts of millions. However, as we near the two-year anniversary of the ceasefire, it seems that isolationist thoughts – i.e., that equivalence is isolated just to focal length – are resurfacing again. Let’s stop this madness before it’s too late.
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Lightroom vs ON1: Should You Switch?
I’ve recently been looking at alternatives to Adobe Lightroom for photographers who are considering switching, and one name that keeps coming up is ON1 Photo RAW. Like Lightroom, ON1 is both a photo organizer and a photo editor, although it also differs from its Adobe cousin in some major ways. Is ON1 viable post-processing software? If so, who might find it useful for their photography? The comparison below includes everything you should know if you’re considering a switch.
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Venus Optics Laowa 12mm f/2.8 Zero-D Review
One of the widest lenses on the market today is the Laowa 12mm f/2.8 Zero-D, made by Venus Optics. Not only is this lens rectilinear (not a fisheye), but Venus Optics claims it has almost no distortion whatsoever. With so few 12mm lenses available today, anyone who needs an ultra-ultra wide has likely considered this one with some interest. Our review below covers everything you need to know about the 12mm f/2.8, both good and bad.
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Making Sense out of Chaos
The natural world can be a chaotic place. If you’re a landscape photographer, you’ve probably found yourself taking pictures of scenes that seem too disorganized and overwhelming to work right no matter what you do: forests, canyons, coastlines, and so on. You’re chasing the elusive gem of simplicity within a landscape that is anything but simple. How do you make sense of things and capture good photos anyway?
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Nikon Z6 Review
The Nikon Z6 was announced in August of 2018 alongside the higher resolution Z7. Both Z-series cameras marked the company’s entry into the full-frame mirrorless market, a category of camera that many Nikon shooters had anticipated anxiously for years. But it was always a question of “when,” not “if” Nikon would satisfy the mirrorless hunger, as the demand for such cameras remained steady and even increased despite the camera market’s overall decline. The Nikon Z6 in particular – being the…
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How to Take Better Black and White Landscape Photos
Landscape photography goes hand in hand with black and white. It isn’t just because of famous landscape photographers like Ansel Adams, but also because the intricate shapes that attract our attention in nature often “just feel right” in monochrome. Want to take better black and white landscape photos? This article explains why such images work so well, including how to make your own black and white landscape photography as strong as possible.
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Don’t Update EOS R Firmware to Version 1.1.0
Yesterday, I posted an article comparing the banding noise on today’s mirrorless cameras. The results showed the Canon EOS R to have a bit more such noise than Nikon or Sony. However, one Photography Life reader, Todd (thanks!), noted Canon released a firmware update last week to fix horizontal linear noise. I downloaded it and re-ran the test today, and the results turned out much *worse* – our analysis is below. For now, don’t update your EOS R firmware.
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The Reality Behind Nikon Z Banding Issues
One of the big headlines when the first Nikon Z6 and Z7 tests appeared online is that they exhibited a pattern of “banding,” or line pattern noise, when recovering shadows too much. Although most reviewers were quick to point out that 5-6 stops of shadow recovery is excessive, this issue nonetheless drew a lot of attention. But now that we have performed complete dynamic range tests on today’s mirrorless cameras at Photography Life, my question is… why?
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Canon EOS RP vs EOS R
Now that Canon has released its full-frame mirrorless EOS RP camera for just $1300, let’s take a look at how it compares head-to-head against the Canon EOS R. The two cameras actually have a lot of differences under the hood, both minor and major, in everything from autofocus to sensor characteristics. The EOS R comes out ahead of the EOS RP in most respects – but at $2200, is it worth the difference in price?
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Six Canon RF Lenses Under Development
Alongside the headline-stealing EOS RP announcement, Canon also released details on six upcoming RF mirrorless lenses: a 15-35mm f/2.8 L IS, 24-70mm f/2.8 L IS, 70-200mm f/2.8 L IS, 24-240mm f/4-6.3 IS, and two 85mm f/1.2 primes (one normal, one “Defocus Smoothing” version optimized for bokeh). These are great additions to Canon’s growing RF lens lineup, especially for photographers interested in pro-level glass. The lenses will be released throughout 2019, but Canon hasn’t announced specific dates yet.
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