Fundamentally, landscape photography is about the landscape that you capture. Although your subject isn’t the only important part of a photo — light and composition are also crucial — it is the cornerstone of a successful image. Even the best photographers in the world need to capture interesting subjects, or their work won’t have any appeal. In the article below, I’ll cover some of the top tips to finding great subjects for landscape photography, from in-depth planning to scouting for locations.
ISO invariance is one of the most talked-about topics in photography today, yet most people don’t really understand what it is. That isn’t a surprise; ISO invariance can be very technical and counter-intuitive, and it doesn’t fit well with many photographers’ general understanding of ISO. However, ISO invariance is an important topic, especially since many cameras today are close to being ISO invariant. If you want to maximize your camera’s dynamic range and avoid using “useless” ISO values, this topic is directly relevant to your photos. So, what is ISO invariance, and how can you use it to your advantage in your own photography?
If you want to take your photos to another level, camera equipment is a natural place to look. It’s a very tangible part of photography; we work with our gear constantly. In fact, new equipment often does help you capture certain photos more easily, or it improves the technical quality of the images you take. However, it’s easy to get swept away in this marketing message and forget that there are other, better ways to improve your photos — techniques that don’t require new equipment to put into practice, and tips that are applicable to every photographer.
Telephoto lenses are wonderful tools for almost any genre of photography, but they aren’t necessarily easy to use. In particular, telephoto lenses will magnify any camera shake and provide a much thinner depth of field compared to wide angles. Don’t let that stop you, though. Telephotos have a unique way of showcasing the world — one which may be ideal for your photos. In this article, I’ll go in detail about how to use telephoto lenses, discuss some of their benefits and tips for dealing with their unique challenges. Although I personally tend to take landscape photos, the techniques in this article apply no matter what subjects you like to capture.
If you like taking landscape photos at night, you’ll surely be familiar with one of the main challenges: successfully focusing on the stars. Often, you can’t use autofocus, since there isn’t enough light for your camera’s focusing system to lock onto anything. Unfortunately, even manual focus doesn’t always work, which means you may need to use some out-of-the-box techniques to make it work. This article goes through some of the most useful tools that you have at your disposal.
For landscape photography, most of the time, you’ll end up using your camera’s base ISO. That’s the power of a tripod; it lets you set long enough shutter speeds to capture a bright photo, even in dark environments at low ISO values. However, settings like this do not work for all images. Sometimes, depending upon the landscape, you’ll need to raise your ISO in order to capture a successful photograph. This article dives into the most common of those situations.
Nighttime photography is something that a lot of photographers enjoy; I certainly do, along with countless others. Modern cameras can capture more detail at night than we can see with our naked eyes, revealing entire worlds that couldn’t exist otherwise. However, more than almost any other genre, night photography also challenges your camera equipment to its most extreme. In this article, I will go through some of the top lenses for Nikon cameras if you want to take pictures at night, including information about their low-light performance and depth of field. I cover 20 lenses in this article, so it’s pretty extensive — hopefully, you’ll learn something new about the equipment you need in order to capture good star and nighttime landscape photos.
Everywhere in the world, across the course of a year, the sun will be below the horizon just about 50% of the time. Although it can take a while for sunset to fade away completely, it’s safe to say that we spend a huge portion of our lives under dark skies. Normally, nighttime isn’t something that people equate with being awake, of course, but landscape photographers are strange people. In fact, moonlight and the Milky Way can lead to some of the best photos you’ll take, and they are well worth exploring with your camera. In this article, I’ll go through the characteristics that make some lenses better than others for star and nighttime landscape photography.
Light, shapes, lines, forms — the foundations of photography. No matter what subjects you shoot, you’ll end up working with these features for every photo that you take. Architectural photography, though, takes it to another level, with its perfect geometrical lines and shapes that are hard to find anywhere else in the world. In this article, I will cover everything from indoor architectural photography to outdoor “urban landscapes” and cityscapes, including some tips and tricks that I use all the time in my own photos.
A quick note: Apologies that we have not posted an article this past week. Nasim and I have been in New Zealand since the beginning of December, and it has not been possible to publish anything without a reliable Internet connection. Our articles may still be sporadic until we get home at the end of December, so we appreciate your patience. For now, we have published our backlogged articles from recent days. Hopefully, the photos we bring back from this trip will be worth it!
A lot of landscape photographers are interested in focus stacking — combining multiple images of the same scene, each focused at different distances, into a single photo. This is a useful tool to have at your disposal, since it lets you take pictures in more situations than you otherwise could. For example, if elements of your photo are very close to your camera, focus stacking may be the only way to get a sharp shot. Although I don’t use this technique for every photo, it’s something that I keep in mind when I’m taking pictures in challenging conditions. This article gives an overview of focus stacking for landscape photography, including step-by-step instructions on how to focus stack photos in Photoshop. All of these tips are also relevant for other types of photography, not just landscapes.