One of the easiest ways to substantially improve the image quality of your daytime cityscapes is to use a circular polarizing filter. Putting a polarizing filter on your lens is like wearing a pair of polarized sunglasses over your eyes; the polarized glass blocks random light waves from passing through, creating a clearer image. Randomized light tends to be lower quality than direct light. As such, a polarizing filter will help ensure that only the sharpest, most colorful light hits your image sensor.
This post is the last in a three-part series dedicated to teaching sports photography at all levels of competency. In part one I covered the basics for photographers who are just getting started. Part two was geared towards intermediate amateurs who have mastered the basics and want to gain additional competency to bring their images to the next level. This part is for advanced amateurs looking to enhance their existing skills and create professional-looking images.
This is an in-depth review of the Nikon 19mm f/4E PC, also known as PC NIKKOR 19mm f/4E ED, a special purpose wide-angle lens designed for architecture, cityscape and landscape photography. “PC” stands for “Perspective Control”, but I will refer to this type of lens as “tilt-shift” in this article. Architecture and cityscape photographers often work with straight lines and tilt-shift lenses give the ability to avoid the convergence of vertical lines by shifting the lens upwards or downwards. Landscape photographers often want to keep everything in focus, especially when dealing with close foreground objects. Stopping down to very small apertures results in diffraction, which impedes sharpness. Tilt-shift lenses offer an alternative to stopping down by tilting the plane of focus, putting both closest and furthest objects in focus. Focus stacking in post-processing software is another way to achieve maximum focus without stopping down excessively, however, the technique also has its pros and cons, making tilt-shift lenses unique in their own ways. The ability to apply selective focus on a particular part of the image via lens tilting allows distant subjects to appear “miniaturized”, although this effect can be reproduced in image editing software, as well.
Cityscape photography has become increasingly popular in recent years as downtown revival and walkability have been prioritized by city governments. Humans are intrinsically attracted to the patterns, lines, and vivacity of urban landscape images. Additionally, photographing cityscapes requires only a modest investment in camera gear, with a sturdy tripod and a decent wide-to-normal zoom lens being the most critical. Having spent the past five years living close to bustling city centers I have come to love photographing cityscapes. Research and trial-and-error are my teachers. In this article, I will share some common mistakes made by cityscape photographers, including several tips on how to take better cityscape photos yourself.
This post is the second in a three-part series dedicated to teaching sports photography at all levels of competency. In part one I covered the basics for photographers who are just getting started. This article will focus on intermediate amateurs who have mastered the basics, and want to gain additional competency to bring their images to the next level. The final part will be geared towards advanced amateurs looking to build a portfolio.
Have you ever visited a historic landmark or any other beautiful space only to be told that photography is not allowed? It seems that most, if not all, photographers have encountered this situation. In this brief article I will talk about various types of photography policies that you may encounter and how to deal with them. This article will provide practical advise, not a definition of your rights as a photographer. Please understand that my experiences are not a replacement for a lawyer’s, and that my knowledge mostly pertains to locations in the United States.
This post is the first of a three-part series dedicated to teaching sports photography at all levels of competency. In part one I will cover the basics for photographers who are just getting started. Part two will focus on gaining competency for those who have mastered the basics. The final part will be geared towards serious amateurs looking to build a portfolio.
A year and a half ago my family moved from the suburbs of Washington D.C. to Houston, TX. The move came at a good time for me because I was about to enter my final year of college, and I was not spending much time at home. Moving can be stressful, but I quickly learned that Houston is a vibrant city with plenty of photographic opportunities. During the summer of 2016 I posted my first guest article about cityscape and architecture in Pittsburgh, PA. This post will mirror that one as I share my experiences photographing iconic scenes of Houston while imparting some knowledge I learned along the way.
Earlier this summer I posted an article about cityscape and architecture photography in the City of Pittsburgh, Pennsylvania. I am extremely grateful for the positive response that article received; thank you! Many photographers specialize in one genre, but urban environments make up less than half of my subjects. Sports photography is my other passion, and it is what inspired me to begin my journey as a photographer.
On May 15th I graduated from Carnegie Mellon University in Pittsburgh, PA. Pittsburgh is a vibrant city, known for its industrial heritage. Downtown is located at the convergence of the Allegheny and Monongahela Rivers into the Ohio River, called “The Point.” The hills surrounding the city offer excellent viewpoints for photos. I spent my last two semesters at CMU (August through May) creating images of Pittsburgh’s skyline and architecture during my free time. Twenty of my favorite images are shown below accompanied by a discussion of my creative process.