Later this week Canon will be announcing its first super high resolution cameras, the Canon EOS 5DS and the EOS 5DS R, which will feature a 50.6 MP sensor. After the current 22.3 MP sensor on the 5D Mark III, this will be quite a jump for Canon, something that many did not expect would actually happen. With Nikon dominating the DSLR market with high resolution 36 MP sensors for a number of years now with its D800, D800E and D810 cameras, Canon has been getting a lot of heat from its loyal fan base for not releasing a true competitor. The 5DS and 5DS R cameras are Canon’s response – with the former sporting an anti-aliasing / low pass filter and the latter not having one, similar to what we had previously seen on the D800 / D800E cameras. With such a high resolution jump, it will be interesting to see where the market will trend in the next few years. Sony and Nikon will probably follow suit, releasing their versions of 50+ MP sensors. The megapixel race is still on…
When Canon announced the 7D Mark II in September of 2014, I got quite intrigued by the camera and really wanted to try it out. Like many others, I have been getting pretty tired of waiting for Nikon’s “Pro DX” refresh to replace the D300S, which came out back in 2009 (almost 6 years ago!), so I wanted to see whether such a tool would still make sense for Nikon to release based on specifications, performance and price. Sporting a high-end autofocus system with 65 cross-type focus points, insanely fast 10 fps continuous shooting speed, dual image processors, -3 EV light sensitivity, magnesium alloy construction and weather sealing, the Canon 7D Mark II is specifically tailored at sports and wildlife photographers. And with its price tag of $1799 MSRP, the 7D Mark II sounds much more appealing to budget-conscious photographers who do not want to pay close to 4x more for the much heavier and bulkier EOS-1D X.
Being a specialized tool for sports and wildlife photography, the recently announced Canon 7D Mark II is a popular choice among many Canon shooters, thanks to its impressive 10 fps continuous shooting speed, a sizable buffer, high-end 65-point AF system and a solid weather-proof build. Along with these pro-level features, the 7D Mark II comes with numerous buttons and a sophisticated menu system that can be pretty overwhelming for even intermediate-level photographers. To help guide our readers through these features and menus, we decided to share the settings our team has been using on the camera during the past 3 months while testing the camera. Please keep in mind that the below information is provided as a guide for those that struggle with the camera. While this particular configuration has been working great for our needs (mostly based on wildlife and landscape photography), it does not mean that it is the only way to properly setup and configure the camera.
I am in the process of reviewing the Canon 7D Mark II for which I had to borrow the Nikon D7100 to compare image quality and other camera features, so I thought doing an article on the recommended settings for the D7100 would be useful to our readers. Although the Nikon D7100 is not a direct competitor to the 7D Mark II (many are still waiting for a D300S replacement), it is still a solid camera that is used for a variety of different needs by many photographers. And despite its crippled buffer capacity, the D7100 is often used for both wildlife and sports photography needs. Since the camera is rather sophisticated in terms of its capabilities and features, having many different menu and settings, it can look rather overwhelming for a beginner. In this article, I want to provide some information on what I personally use and shortly explain what some of the important settings do. Please do keep in mind that while these work for me, it does not mean that everyone else should be shooting with exactly the same settings. The below information is provided as a guide for those who just want to get started with a basic understanding of the camera and its many features.
We are once again happy to announce the Colorado Fall Colors Workshop, which will be taking place in one of the most picturesque locations in the world, in the San Juan Mountains of Colorado. A number of our readers have been inquiring about this workshop already, so after working out the schedule, I decided to open up the registration and provide some details about the workshop. This photography workshop will take place from September 24-27, so we are adding an extra day to the workshop to see and photograph more beautiful locations in the area. Get ready to learn a lot, shoot a lot and enjoy quality time with like-minded people that share your passion. And best of all, we will be doing it in a vacation-style environment, not in a typical hotel!
I know it is a last minute announcement, but if anyone in San Francisco area is interested in joining me for night photography tonight, we will be meeting in the parking area of the Treasure Island at 7 PM. We will start at Bay Bridge, then head over to other places to photograph the city. I was hoping to meet for a photo walk this coming weekend, but my wife will be arriving on Friday and we already have plans for the weekend…
So if anyone is up for it, leave a comment below. If you want to exchange contact info, use the Contact Us form please. Looking forward for some fun tonight! And some have already asked me, but there is no fee/cost to come! Don’t forget to bring your photos for some critique, if you are open for that of course :)
I will be heading out to Yosemite tomorrow and will be back on Friday evening. If anyone wants to join me, I will drive – have space for 3 in my car. Planning to do some landscape photography and will do my best to help you out with your photography (for free of course!). Let me know if you are interested – hotel rates are very reasonable right now (got my room for $69 per night). I apologize for posting this so late and I hope to see you guys tonight!
Although I am planning to fully review the Sony A7 II, I decided to share some quick thoughts on this new mirrorless camera which I have been shooting with for the past few weeks and share a photo of the Bay Bridge that I captured at night. I am currently in San Francisco, testing the Sony A7 II with a few Sony / Zeiss lenses, along with the Canon 7D Mark II, which I am also planning to review when I get back (I know, I have been a bit late on that one).
When dealing with slow shutter speeds, a solid tripod is a must-have tool for eliminating camera shake and capturing sharp photographs. Although setting up a tripod and effectively utilizing it for photography needs at first sounds simple and self-explanatory, I often come across photographers that do not know how to properly use a tripod. Even though you could own the most expensive tripod on the market and know exactly what to do to yield razor sharp images, your images could still be suffering from poor framing choices. In this article, I want to explore the proper techniques for setting up, handling and using tripods.
Back in December of last year, we reported the Nikon D750 Flare Shading Issue that occurs on some D750 camera bodies and talked about the cause of the problem. Although we found the issue to be insignificant due to the fact that it only occurs at a particular angle when pointing at a very bright light source, and showed that other cameras can also be potentially prone to the same issue, some of our readers expressed their disappointment and wanted Nkon to address this issue. If you own a Nikon D750 that is affected with this problem and it has been bothering you, Nikon USA today issued an official statement, in which the company announced that it will inspect and service all affected Nikon D750 cameras at no charge starting from the end of January, 2015.
Whether you are just getting into photography or have been shooting for a while, you have probably heard the term “crop factor”. With so many different cameras and camera systems available today, this particular term comes up very often in product specifications, marketing materials, articles, books and you might even hear it in conversations between photographers. If you do not know what it really means or want to get a better understanding of crop factor, this article will hopefully make it easier for you to understand it better. Please keep in mind that this article was written for beginners, so many of the terms and explanations are over-simplified.