Without a doubt, the biggest surprise today is the announcement of the Nikon D500. Just like Nikon did it back in the day with the D3 and the D300, Nikon decided to release both the top-of-the-line D5 and the smaller DX version, the Nikon D500 on the same day. While we have been waiting for the flagship DX camera to appear for too long now (remember those D400 rumors?), Nikon finally decided to unleash the beast. The long-awaited Nikon D500 is finally here and it is promising to be damn good. It is surely Nikon’s best DX camera created to date, thanks to its amazing 153-point AF system (same as on the Nikon D5), 10 fps continuous shooting speed, 200 shot RAW image buffer, 4K UHD video recording capability, Bluetooth connectivity, 100% viewfinder coverage and 1.0x viewfinder magnification (more on that below). Sports and wildlife shooters will surely be attracted to this camera, since it is priced way lower than the D5, at $1,999 MSRP and offers many similar features. Let’s take a look at the D500 in more detail.
It is just the beginning of the year and we are already getting treated with some huge announcements, thanks to the CES show that is taking place in Las Vegas. One of the biggest and most anticipated announcements is surely Nikon’s flagship DSLR, the Nikon D5. Many sports and wildlife photographers have been waiting to see what kind of a beast Nikon would unveil in its new generation, top-of-the-line DSLR and it looks like the D5 is indeed a performance monster that sets a new benchmark in a number of ways. First, the AF system received a complete overhaul. While Nikon has been shipping a 51-point AF system since the original D3 series cameras (with tweaks in between), the new D5 literally triples that number to a staggering 153! That’s right, the brand new AF system will feature a total of 153 AF points, 99 of which will be cross-type. Compare that to the 15 cross type points we see on the current Nikon D4s and you will quickly realize just how huge that number really is. And for those who shoot with long lenses coupled with teleconverters, the number of focus points available to use at f/8 will be expanded from 11 to 15 AF points. That’s just the start – check out all the other impressive specifications of the new D5!
Many of our readers know how much we at PL love Samsung’s tiny SSD external drives. We have written a review of the Samsung T1 SSD device and praised it for its incredible performance, tiny form factor and its ability to add plenty of fast storage to laptops and devices like Apple’s iMac (see our recommendations on choosing an iMac). Today, Samsung announced a new line of portable SSD drives that provide up to 2 TB of storage. The new Samsung Portable SSD T3 drives will measure only 74x58x10.5mm and weigh just 51 grams, which makes them extremely portable – a perfect travel companion. With up to 450 MB/sec read and write speeds via USB 3.1 Type C interface, these cards will deliver exceptional performance, even for the most demanding applications.
It is the first day of the new 2016 year and I would like to wish a very happy New Year to our dear readers and our amazing team of writers at PL! May 2016 be a very prosperous, healthy, joyful and successful year for you and your family. I hope you realize your dreams and discover new goals worth pursuing in the New Year!
Earlier this year, we launched our first photography course, the PL Level 1 Photography Basics. Big thanks to everyone who purchased this course to support our efforts! You have given us tremendous support and now it is time to give some of it back. If you have previously purchased our course, by spending a few minutes to rate it and write some feedback on what you think about it, you will be entered to win a brand new Sony A6000 mirrorless camera!
In this article, I will be responding to a detailed email from one of our readers, John D, who had a bad experience moving up from a CX to a DX camera. John started out with the Nikon 1 J1, then with hopes that he would get better results, tried out a Nikon D3300. After facing a number of issues listed below, he ended up returning the D3300. Since this type of a situation often happens to many photographers, whether they move from a cropped sensor camera to full-frame, from a mirrorless camera to a DSLR or the other way around, I thought it would be useful to share my thoughts on the matter with our readers.
We are continuing our series on how to choose and buy computer hardware for photography needs and today we will be providing suggestions on what Apple laptops are worth looking into. First, we will do a quick overview of the Apple line of MacBooks, then we will provide our top recommendations for doing post-processing work. This article has been written in collaboration with our team members who use Apple’s MacBook products exclusively and extensively for their photography work.
Big thanks to everyone who participated in our recent ZTE Spro 2 review and giveaway! We love giving out prizes to our readers and this time we have a superb prize – a great portable projector and a mobile hotspot worth $500. Our random number generator gave us five comments from which we will be picking a winner.
When it comes to photo editing, both PC and Mac platforms can be very powerful and highly capable, with each having its own list of pros and cons. Choosing one platform over the other can be a difficult choice, because there are so many different aspects and variables to consider. Hardware, software, operating system, cost, design / aesthetics, simplicity, ease of use, stability, upgrade options, resale value, size and weight are some of the factors one might look into on both PCs and Macs to make the ultimate choice. And what makes it even tougher, is that some of these factors can carry very different weights. For example, cost and hardware are often the two major factors that influence purchasing decisions the most. So let’s take a look at a number of above-mentioned factors and see which platform is potentially a better choice for photography needs.
We have written quite a bit about building PCs here at Photography Life, but sadly, we have not given nearly as much attention to Macs. Part of the reason is the platform of choice – a few of the PL’s team members have been using PCs for many years, including myself, and as a result, we have not had a chance to write much about Apple products. But things will hopefully change going forward. Earlier this year, I purchased my first iMac Retina and I have been exploring the Mac world ever since. While I am planning to write a separate article on my thoughts about Mac vs PC and some of my personal experiences with potentially switching to a different platform, in this particular article I want to focus on one topic, which is purchasing an iMac for photography needs. I have had quite a few requests from our readers on this topic and many wonder what type of an iMac would suffice for photography work without breaking the bank. After doing quite a bit of research before purchasing my iMac and consulting with other Mac experts, I believe I found a couple of configuration options that are optimal for photography work for the next few years.