This is a quick review of the FotodioX Nikon F to Fujifilm G-mount adapter, which allows mounting Nikon G-type lenses on the new Fuji GFX 50S camera. While it is always ideal to use native lenses on any camera system, the idea of using a lens from a different camera system on a mirrorless camera can be appealing for a number of reasons. Aside from potential savings, one can take advantage of the mirrorless technology (see mirrorless vs DSLR for details) and use the ability to zoom in on a subject while framing to potentially yield a higher number of in-focus shots compared to a DSLR. In addition, lens adapters also open up opportunities to use specialty lenses that are not yet available for the system, which in the case of the new Fuji GFX 50S, is certainly worth looking into, since the system is very new and only three native mount lenses are available at the moment. While shooting with the Fuji GFX 50S, I wondered how well my Nikon lenses would do on the medium format camera, so I decided to give the FotodioX Nikon F to Fuji G-mount adapter a try.
Love it or hate it, Adobe Lightroom has become one of the most popular post-processing and image management tools on the market. With its simple and intuitive interface, it is easy to learn and our team at Photography Life has provided many in-depth articles on using specific Lightroom features over the years. However, one of the biggest frustrations with Lightroom can be its poor performance, which can be especially disappointing when using the software on an older computer. In this article, we will go over a number of different techniques and settings in order to optimize Lightroom’s overall performance.
Fujifilm has just announced yet another set of “Kaizen” firmware updates that will soon be available for the Fuji X-T2 and Fuji X-Pro2 cameras. This is a major firmware upgrade release consisting of a total of 33 (!) updates and new features, which is very exciting. It is nice to be able to go back to a camera and discover new things you can do with it – almost creates a feeling of owning something entirely new. After seeing the announcement (the details of which are provided at the end of the article), I thought about other camera manufacturers and what they could learn from Fuji.
One of the areas within the camera that rarely ever gets touched, is the camera software, also known as “firmware”. Most modern electronic gadgets provide the ability to update their firmware by downloading fixes and updates through manufacturers’ websites and applying those updates on the devices. The firmware updates not only provide important fixes for identified bugs, but also provide brand new features that were absent when the device was shipped from the manufacturer. This ability to be able to update and run the latest version of firmware has become a standard among DLSR manufacturers, allowing end users to run the latest and greatest firmware on their cameras.
With each new release, Lightroom requires specific changes to the database, also known as a “catalog”, that must be carried out in an upgrade process before the newer version of the software can be used. While the process of upgrading the actual software is pretty straightforward, there are some important steps one needs to take to make sure that the Lightroom catalogs are upgraded successfully. If you are scared about upgrading and have not done it in the past, this guide might assist you in this process. The good news is, Adobe allows keeping both the newer and the older versions of Lightroom on the same machine, which means that you can continue to use your old Lightroom catalog if anything goes wrong. Once you are fully satisfied with the upgrade, you can then remove the old version of Lightroom, along with the old versions of catalogs. In this article, I will guide you through the process of upgrading Lightroom to the latest version.
Without a doubt, the release of medium format cameras by both Fujifilm and Hasselblad have shaken up the photography industry and have sparked interest from many enthusiast and professional photographers, who are interested in moving up to medium format. While Hasselblad delivered the smallest and the lightest medium format camera ever made in the shape of the X1D-50c, Fuji definitely surprised many of us with the low (for medium format) price of the GFX 50S. With both cameras featuring similar Sony-made sensors with the same size and resolution, one might think that the two cameras compete directly with each other. However, once we look at some details and understand the real differences between the GFX 50S and X1D-50c, it becomes more apparent that the two cameras might have been created for completely different purposes and uses. I have been fortunate to have had my hands on these two cameras for the past few weeks and although I am planning to put the two cameras to real use very soon, I have already gathered some thoughts that I would like to share with our readers. Let’s take a look at the two medium format cameras in more detail and compare them side by side.
One of the key features that many high-end Nikon DSLRs hide in their menu system, is the ability to instantly zoom into an image at 100% zoom, or 1:1 magnification. This “one-click zoom feature” can be very useful when reviewing images on the rear LCD, as it saves you from having to press the zoom and the navigation buttons so many times in order to see whether the subject you are capturing is sharp or not – you simply press the center button (which is sometimes marked as “OK”) on the multi-selector and you instantly zoom to the area you focused at. Press it again and you go back to full view. If you shoot with a high resolution camera like the Nikon D810, it will save you a total of 9 zoom presses. Let’s take a look at how you can enable this awesome feature on your Nikon DSLR.
This is an in-depth review of the Fuji X-T2, a second generation mirrorless camera in its class that was announced in July of 2016 as a replacement of the X-T1. It has been a few years since the Fujifilm X-T1 shook the photography world when it was announced, thanks to its amazing ergonomics, superb autofocus system, great image quality and a strong line of lenses, making the X-T1 one of the most desirable mirrorless cameras on the market. It took two years for Fuji to bring out the much anticipated update in the form of the Fuji X-T2 and given the status of its predecessor, the expectations were very high, making it tough for Fuji to deliver something truly outstanding. With the X-Pro2 already out, many of us thought that there would be very few differences between the two. However, Fuji engineers did manage to pack many more features into the X-T2 to make it stand out from the X-Pro2, with 4K video, faster EVF, faster continuous shooting rate with a grip, dual UHS-II memory card slots and a slightly lower price, making it a truly appealing camera on its own. In this review of the Fuji X-T2, I will be taking a closer look at the camera, which I have been heavily using for the past 4 months. The X-T2 was not an easy camera to obtain and Fuji is still struggling with meeting the heavy demand, which speaks volumes about the positive perception of the camera by the photography community.
We are happy to announce a rather significant update to the Photography Life design, which is focused on delivering a much cleaner user experience optimized for both both desktop and mobile use. We got rid of the large headers and the enormous slider on the front page and re-tweaked every part of the website to look very polished and distraction-free. A lot of the older content has been updated with more up-to-date information and we will be continuing our efforts in making sure that all the content stays relevant on the site, whether you are looking at articles published 5 years ago or today.
A polarizing filter is one of the most essential tools in a landscape photographer’s bag. It is typically the first filter landscape photographers buy to instantly improve their pictures by adding vividness and contrast to them. In this article, we will go through detailed information on polarizing filters, what they do, why they are important and why you should consider using them for your landscape photography.