Today Nikon revealed three new lenses: AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED, AF-S NIKKOR 28mm f/1.4E ED and AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR. While the latter 10-20mm f/4.5-5.6G VR is an addition to the DX line-up of lenses, the 8-15mm f/3.5-4.5E Fisheye and the 28mm f/1.4E lenses are pro-grade lenses designed specifically for full-frame cameras. Let’s take a look at these three lenses in more detail.
Whether you are traveling domestically or internationally, there is always a chance that you might get mugged or get your camera equipment stolen. As photographers, we tend to explore remote locations, some of which might be unsafe to visit. Unfortunately, many thieves and muggers know the value of camera gear and they often target photographers and photo businesses, since they can quickly resell the stolen goods and make a ton of money. After traveling to a number of different countries, I decided to share a few tips on keeping your camera gear safe when traveling that I gathered myself and from our readers who were generous enough to share them with us.
This is an in-depth review of the flagship Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR lens that was released in October of 2016. Every seven to ten years, Nikon updates its top-of-the-line lenses with the most current technology and tries to push the performance envelope to a whole new level. After a long wait, Nikon finally delivered the new generation 70-200mm f/2.8E FL ED VR in a lighter and more versatile package. Nikon completely redesigned the lens from the ground up, featuring a fluorite lens element to make it roughly 100 grams lighter, an “E” type electronic diaphragm, an updated Vibration Reduction / Image Stabilization mechanism and a drastically different optical formula featuring a total of 22 elements to deliver superior sharpness across the frame. The lens elements have also been treated with all the latest lens coating technologies, including Nano Crystal Coat and fluorine coating in order to reduce ghosting and flare, as well as repel dust and moisture from its front element. Based on user feedback, Nikon also took care of the focus breathing issue that was present on the VR II version of the lens. Ever since the lens was introduced to the market, I have had a chance to shoot with a couple of samples of the Nikon 70-200mm f/2.8E FL VR, so my experience and review are based on many months of shooting with this lens.
I am in Istanbul for a short while with my family and I could not resist shooting the Blue Mosque at sunset earlier today, especially once I saw the potential for some color in the sky. I only took the Hasselblad X1D with two lenses (45mm f/3.5 and 90mm f/3.2) with me, since I have been using the Fuji GFX 50S quite a bit and this time I wanted to shift my attention to the Hassy. So far, I have been pretty frustrated with the Hasselblad for a number of reasons, mainly due to very slow startup, firmware instability and poor battery life. While I really enjoyed the Fuji GFX 50S as a travel camera, I cannot say that I would recommend the X1D as one. I have missed so many moments waiting for the camera to start up – sometimes it does not properly start up, giving me all kinds of strange errors.
Without a doubt, Lightroom is a powerful software package for editing images. But did you know that it is also one of the most preferred tools to stitch panoramic images? Ever since Adobe released Lightroom 6 and CC, the capability to stitch images into DNG files has been integrated right into the product core. If in the past one would have to either use Adobe Photoshop or third party software such as PTGui to stitch panoramas, with the latest versions of Lightroom, one can easily stitch single row and even multi-row panoramas directly from Lightroom. In this article, we will demonstrate how one can successfully stitch panoramas in Lightroom and explain why the use of Lightroom specifically might be a preferred method when compared to other third party tools on the market.
With so many new cameras being released each year that allow capturing images in RAW format using different compression levels, bit-rates and other proprietary data, it is becoming increasingly difficult for post-processing software to keep up with all the changes and provide full support for RAW formats. Although camera manufacturers have been bundling their own image converters, such tools are often underdeveloped, buggy and lack the necessary features to be able to rely on them for post-processing images. Despite the fact that some post-processing software tools as Adobe Lightroom and Capture One provide frequent updates to support new cameras, it is getting practically impossible to provide full support for every new camera and RAW format features. It is time for camera manufacturers to come up with a single universal RAW format that can be easily supported by all post-processing software and we as consumers need to push camera manufacturers to adopt this format.
In this article, I will show you how you can remove unused modules and sub-modules in Lightroom. Although Adobe Photoshop Lightroom comes with a lot of features, many photographers including myself, have particular modules and sub-modules that never get utilized. Instead of having such modules take up the precious space and clutter up the user interface, it might be a good idea to hide them from your view completely.
For our readers in Israel, I will be teaching a class on landscape photography next Thursday, May 4th at Galitz School of Photography at 6:30 PM. It will be a free event that is open to everyone, so if you would like to participate, please make sure to sign up right here. The auditorium has limited space, so I encourage to sign up sooner than later! In this lecture, I will be going over light, framing and composition, so the material is a bit more advanced. However, I will do my best to keep everything as simple as possible, so that photographers of all levels can benefit from the presented material. In addition to the lecture, I will also be doing a photo walk the following day on Friday, on May 5th to meet our readers from Israel and have a chance to take pictures and dine at a local restaurant after the walk. It is also a free event, so everyone is welcome to come and join us!
I am currently in Israel with a few very talented photographers from all over the world, thanks to a photography event organized by Vibe Israel. Although it has been pretty sunny today, two of us managed to get to the other side of Jerusalem and photograph it at sunset. While I have not had a chance to go through the images from today (we toured the city and walked over 15 miles!), I decided to share the last image I captured from the holy city, right after sunset:
It has been a while since we have given away a camera and we are excited once again to host another giveaway for our readers! This time, we are partnering up with our friends at MIOPS to give away a brand spanking new Fuji X-T20! The giveaway rules are going to be quite simple as usual – all you have to do is follow us and MIOPS on Instagram and you will be automatically entered into the drawing. We will announce one lucky random winner at the end of May.