Another big announcement from last week was Zeiss Batis 25mm f/2 and 85mm f/1.8 lenses for the Sony FE mount. Compared to Zeiss Loxia lenses, the new Batis line offers autofocus capability and has a similar focus-by-wire motor as in native Sony/Zeiss lenses. The exterior look of the lenses appears to be similar to the high-end Zeiss Otus lenses, but there is one major difference – the focus scale on the lens is OLED, the first-ever lens to feature it. While I am personally not as excited about the 25mm f/2 lens due to the fact that Sony has already announced the Sony FE 28mm f/2 lens (which you can convert to either a 16mm or a 21mm lens with a conversion lens), the 85mm f/1.8 is something that I cannot wait to try out. Sony has had a major hole in its lens line with the lack of a fast 85mm prime, so the new AF-capable Zeiss Batis 85mm f/1.8 will definitely satisfy many portrait photographers out there. With its $1,199 price tag and Zeiss quality, this will surely be a popular choice among Sony shooters (the 25mm f/2 will sell for $100 more). Let’s take a closer look at these lenses.
Having been out of town for a few weeks, I am just catching up with some major news, so I decided to post some announcements that I consider to be newsworthy. In this particular case, it is the announcement of the Pentax K-3 II, which I believe deserves a spotlight for the innovation it brings. Sporting in-body image stabilization, high-resolution sensor shift mode, star tracking, anti-aliasing filter simulator, built-in GPS and durable construction, the K-3 II brings some great innovative features which we have never seen on a DSLR before. Looking at this powerful APS-C camera, I am excited to see what Pentax will do with its upcoming full-frame camera. And I hope that both Nikon and Canon are taking notes from Pentax, because such innovation is much needed in the DSLR market to keep it healthy, now that the mirrorless market is steadily growing.
San Francisco is such a beautiful city to photograph. Although I have been there for almost two weeks now, my busy and hectic schedule has been preventing me from being able to go out and take pictures. On top of that, late April turned out to be a pretty cold time of the year, with plenty of cloudy days, lots of winds and even some rain. Still, whenever there is a chance for me to get out and take some photos, I always give it a try, even if I come back with nothing.
Since Fujifilm kicked off its X-series mirrorless cameras in 2012, it has been releasing a number of superb prime and zoom lenses to attract both enthusiasts and professionals to its camera system. Although until recently the Fuji lens line-up included a number of great zoom lenses, there was no professional-grade 24-70mm equivalent (in full-frame) choice available. Fuji changed that by introducing the Fujinon XF 16-55mm f/2.8 R LM WR in early 2015 – a high-quality, weather resistant lens with superb optical characteristics and tough construction for the most demanding photographers. Combined with a weather-sealed camera like the Fuji X-T1, the new generation Fujinon lenses like the 16-55mm f/2.8 are the top choices for landscape and architecture photographers who often face challenging weather conditions. I had the pleasure of using the XF 16-55mm f/2.8 lens for several months after it was launched and I was able to take it with me on several projects and assignments, so this review is primarily based on my field experience. Let’s take a look at the lens in more detail.
I am in the beautiful city of San Francisco again and this time I would like to give advanced notice for our upcoming Photo Walk this Sunday, April 26 2015! Although the weather has been pretty miserable so far with cold, foggy days, hopefully things will look better on Sunday weather-wise and we should be able to enjoy a nice evening of shooting. Please note that all Photo Walks we host are free and you are welcome to come and join us for some photography, getting to know each other and talking about all things photography in a restaurant after the walk. As in our previous Photo Walks, you are also welcome to bring your portfolio with you and I can spend some one-on-one time after dinner to do a critique session and discuss your work, which will hopefully help you out in deciding how to take your photography to the next level. I will have a special guest with me, our very own John Bosley, who graciously agreed to help out in doing these one-on-one critique session. So we will not only have a great time together shooting, but it will be also a great opportunity to hopefully improve and advance your photography skills. Bring all the questions you have for us!
Today adobe rolled out the much anticipated update to its Lightroom photo management and editing software. Two new versions of Lightroom are immediately available for both standalone and Creative Cloud subscribers. Lightroom 6 will be offered as an update to Lightroom 5 for perpetual users (both regular and upgrade licenses are already available) and those who subscribe to the Creative Cloud will get a cloud-specific version called Lightroom CC (which in its core is the same as Lightroom 6). This update is a rather significant one, because it brings very important and much-needed performance improvements, new camera / lens support and a few new notable features. Let’s discuss those in more detail now.
Big thanks to everyone who took part in our Content Sharing Contest poll to pick the winner of the Sony A6000. It was a close race, with both Aaron Priest and Spencer Cox dominating the poll for a while. But looks like Aaron still came out first, with 80 votes on his side, only 4 votes higher than Spencer. Congratulations to Aaron for winning the Sony A6000 and big thanks to everyone who participated – your articles generated a lot of great interest and discussions among our readers. As promised, we will be emailing each participant with request to pick their smaller prizes as well.
If you have enjoyed our contest and would like to see more future activities like that, please let us know – your feedback is always appreciated.
Today is a big day for Fuji, because the company has just announced its first wide angle weather resistant prime lens, the Fujinon XF 16mm f/1.4 R WR. This is a pretty significant milestone for Fuji, because the lens is equivalent to a 24mm lens in terms of field of view on full-frame, which is a very popular focal length for many different types of photography such as landscapes, architecture and environmental portraiture. Being a fast f/1.4 lens, it is also a great candidate for low-light photography. On top of that, Fuji made this lens weather resistant to withstand both dust and moisture, so it will couple greatly with the Fuji X-T1 and future weather-sealed cameras.
Big news for our US readers – Nikon has just cut the price of the D750 by an additional $300 instant rebate, bringing the price down to $1,999! And if you need a camera with the 24-120mm f/4G VR lens, you can get the combo for $2,700. If you want to get some additional savings on other lenses, Nikon’s Buy Together and Save program is still on. That’s a pretty sweet deal for what I consider to be the best all around Nikon full-frame DSLR. You can read my detailed Nikon D750 review to learn more about the capabilities of the camera.
One of the biggest complaints the Sony full-frame mirrorless system has been receiving, is lack of good lens choices. With the launch of the Sony FE mount, Sony introduced only two high quality prime lenses in collaboration with Zeiss, the FE 35mm f/2.8 ZA and the FE 55mm f/1.8 ZA, both of which have been designed specifically for the short flange distance of the Sony A7 series cameras and have stellar optical characteristics. In September of 2014, Zeiss introduced two additional high quality primes for the Sony FE mount. Dubbed “Loxia”, these lenses are quite different from the Sony versions in a number of ways. First, they are both engineered and made by Zeiss, which means higher quality build and construction. Second, similar to many other Zeiss lenses, the Loxia line is manual focus only – and it is designed to be so. Third, they are also optimized for videographers, with a “DeClick” feature, which allows for smooth adjustment of aperture right on the lens. A number of our readers expressed interest in the Loxia lenses, so after having an opportunity to shoot with these gems, I was able to measure their optical performance in my lab. In this article, I would like to provide some information on the optical characteristics of the two Loxia lenses. Let’s start with the Loxia 35mm f/2: