It is no secret that the fall / autumn season attracts many photographers to the most scenic locations of the world. Photographing fall foliage is a rewarding experience, as it presents very unique opportunities when capturing the transformation of otherwise boring locations into stunning displays of color. I have been photographing fall colors for many years now and I have been fortunate to acquire some knowledge on what specific tools and photography techniques work best in the field. Having just come back from a fall photography workshop in southwest Colorado, where I had a chance to spend time with some amazing photographers from all over the US, I wanted to share a few tips with our readers on how to best capture fall foliage.
As a landscape and travel photographer, I heavily rely on tripods. After making a number of wrong purchasing decisions early on in my photography career, I realized that a solid tripod and tripod head are very important – sometimes even more important than choosing a camera or a lens. A poor tripod setup can create many headaches and really mess up images, and tripod heads play a big part of that. Many cheap tripod heads sag even after they are tightened. Some can barely hold gear and shake like crazy in wind or when they are touched. Others have poor plates and attachments, making them very frustrating to use in the field. Unfortunately, many of us go through a number of bad tripod heads before realizing that we should have gotten something solid to begin with. For the past seven years, I have been very happy with the Really Right Stuff BH-55 ballhead. In fact, after using the BH-55 for a few years, I ended up buying a few more ballheads from RRS for other needs such as travel. However, after attending a few trade shows and seeing other options from other companies, I wanted to see if there was something even better than the RRS ballheads that I have come to trust and love. I bumped into FLM at Photo Plus New York last year and after talking to the company, I decided to give their ballheads a try and see how they compare to RRS. Thanks to FLM Canada, I was able to obtain three ballheads to test, the CB-58 FTR, CB-48 FTR and CB-32 F. In this review, I will go over these three ballheads in detail and discuss their pros and cons.
I have been debating for quite some time to write this article. On one hand, I feel like I have an overwhelming responsibility to tell our readers the truth about the camera industry and the economics of running a website, and on the other hand, I know that such a provocative article would probably earn me plenty of hate from the publishing industry. But after seeing a few of the past events related to the launching of a few cameras, the same thoughts kept on creeping up and I finally decided to do it. I decided to write on a topic that nobody wants to talk about – how camera companies and everyone else involved in the camera industry are banking on people, AKA the consumers. I wrote this article primarily because of the sense of guilt I have had for years now and also because I do not want our readers to fall into the traps of consumerism. Grab a cup of coffee, sit back and get ready for some entertainment – I assure you that it is coming!
A friend of mine texted me with a question on how he can upgrade from his Lightroom 5 copy to Lightroom 6 this weekend. He told me that he was frustrated with his online Adobe experience, since he could not find the standalone version – every search lead him to the Creative Cloud (CC) subscription model, which he did not want to buy. I immediately thought that he was simply overlooking something, so I decided to give it a quick go on my mobile phone. I typed “Adobe Lightroom 6 Upgrade” in Google, which took me to all kinds of places, none of which offered an upgrade option to Lightroom 6, only CC offers.
In this article, we gathered and compiled the available information on buffer capacity of all current Nikon DSLRs. The below table outlines many of the current and discontinued Nikon DSLR models, along with such information as sensor resolution, continuous shooting speed (fps) and RAW / JPEG buffer capacities. While most of the RAW buffer information is included, we decided not to bother with smaller JPEG sizes, since most cameras presented below can accommodate 100 or more of smaller JPEG images in their buffers.
One of the most frequently asked questions from our readers and friends is related to picking a good monitor for photography needs. It seems like the market is over-saturated with all kinds of choices, whether you visit a local store or browse through an online catalog. There are so many monitors for different budgets, and some models might leave you wondering why they are so expensive compared to others. Since there is no simple answer to this question, I decided to write a detailed article with my personal recommendations.
We are running a big Labor Day sale at Photography Life with a 33% discount on all PL courses and up to 20% discount on Sensor Gel Stick products. The sale is only good until 11:59 PM MST on Monday, September 4th, 2017, so it is a 24-hour sale. Just a reminder that we have a total of 3 courses that we have produced so far – our Level 1: Photography Basics, Level 1: Workflow and Post-Processing and Level 3: Landscape Photography eBook (we also have a heavy discount on the Level 1 Bundle, which includes both Level 1 courses).
Many beginner photographers often wonder what camera settings they should use to get the best possible results with their current camera gear. While there is no set rule for camera settings that work well in every shooting environment, I noticed that there are some settings that I personally set on every camera I use, which are universal across all brands of cameras on the market. These are the “base” settings I set initially – once they are done, I rarely ever revisit them. In addition, there are particular camera modes that make the process of capturing images easier or quicker, especially for someone who is just starting out. Let’s go through these common camera settings in more detail!
In this Nikon D850 vs D810 vs D800 / D800E comparison article, I will go through all the differences in specifications between these DSLR cameras and talk about what has been added, changed or improved with each generation. While both Nikon D810 and D800 / D800E cameras have been very popular among many enthusiasts and professionals for the past few years, the Nikon D850 is clearly a huge step up in many ways for the D8x0 line of cameras. It is the first high-resolution Nikon DSLR that is aimed at many different photography genres, from landscape and macro, to sports and wildlife photography. Let’s take a look at what the D850 brings to the table when compared to its predecessors.
With the release of the Nikon D850, one might be wondering how the Canon 5D Mark IV would compare to it side-by-side in terms of specifications, since both compete directly with one another. The Canon 5D Mark IV was announced almost exactly a year earlier in August of 2016, so it is a fairly recent release that will most likely not be updated for at least several more years. Now please keep in mind that such camera comparisons do not take into account lenses, accessories and other systems differences, so I ask that our readers take such comparisons with a grain of salt. It would be foolish to change systems every time a better camera comes out, because manufacturers like Nikon and Canon are known to leapfrog each other every few years!