Although Black Friday is supposed to be “the day” for great deals, I’ll admit that I was not all that impressed with what Nikon had to offer, aside from a couple of fine deals on lower-end cameras. Well, it is Cyber Monday today and things are looking much more interesting, with some great deals from Nikon definitely worth looking at. The Nikon Coolpix A did not sell all that well for $579 on Black Friday, but it seems like Nikon is either releasing a replacement, or just wants to clear off the shelves, since the price has been slashed even more – the Nikon Coolpix A is on sale for $499, for today only until the stock is gone (about 10% of the stock has already been claimed). At this price, the little camera with a large APS-C sensor is a great deal, so if you need a small pocketable travel camera, you might want to check it out! In addition to this, there are a few other deals like the Nikon 1 V2 kit for $499 that I found and picked for our readers. If I find anything else worth posting today, I will update this article.
The shopping craze has started in the United States for this holiday season, so we wanted to do a single post that shows all the best deals we were able to find for our readers. We will be updating this article several times today and we are planning to do another post for the “Cyber Monday”, but only if there is anything worth posting. There are a few great deals going on today, but not anything particularly great from Nikon (sadly), aside from their lower-end DX and CX offers. Sony has some great mirrorless deals and Canon also has a few good lens and camera deals that might be of interest.
The subject of sensor crop factors and equivalence has become rather controversial between photographers, sparking heated debates on photography sites and forums. So much has been posted on this topic, that it almost feels redundant to write about it again. Sadly, with all the great and not-so-great information out there on equivalence, many photographers are only left more puzzled and confused. Thanks to so many different formats available today, including 1″/CX, Micro Four Thirds, APS-C, 35mm/Full Frame, Medium Format (in different sizes), photographers are comparing these systems by calculating their equivalent focal lengths, apertures, depth of field, camera to subject distances, hyperfocal distances and other technical jargon, to prove the inferiority or the superiority of one system over another. In this article, I want to bring up some of these points and express my subjective opinion on the matter. Recognizing that this topic is one of the never-ending debates with strong arguments from all sides, I do realize that some of our readers may disagree with my statements and arguments. So if you do disagree with what I say, please provide your opinion in a civilized manner in the comments section below.
I will be honest, I am not a fan of Adobe as a company. I never liked their business model: their practice of gobbling up competition (sometimes out of fear), their Creative Cloud extortion and their sleazy management that only cares about their next quarter revenues. But most of all, I never liked Adobe’s poor software development practices. In my past tech life, Adobe products were always a big pain due to numerous security holes and huge, frequent updates. In fact, Adobe has been notoriously bad with releasing poorly tested software with too many security holes. In 2011, Adobe dominated Kaspersky Lab’s top ten PC vulnerabilities list, with “extremely critical” security vulnerabilities that allowed attackers to gain access to computer systems and execute arbitrary code. These security vulnerabilities spanned several Adobe products, which most PCs had at the time and even today: Adobe Reader and Adobe Flash Player. No wonder Apple did not want to support flash in its iOS (which thankfully resulted in the slow demise of the Adobe Flash), since Flash was a very badly written, resource intensive platform to begin with. Although Steve Jobs mostly blamed Adobe Flash for being a PC-era platform, two of the biggest reasons why Flash support was excluded from iOS were in fact related to security and stability concerns.
If you have been waiting for Adobe to release full RAW support for the new Nikon D750 (see our detailed Nikon D750 review), for the new Canon 7D Mark II (see our first impressions preview), or for a number of other new cameras from Fuji, Leica, Olympus, Panasonic, Pentax, Samsung and Sony, you will be happy to know that Adobe has just delivered the final production version of Lightroom 5.7 and Camera RAW 8.7 that not only provide the RAW support, but also come with a huge list of newly supported lenses. Along with these updates, Adobe also delivered some updates to the Synced Collections in Lightroom, integrated a utility to import images from Apple Aperture and Apple iPhoto Libraries, enabled support for HiDPI displays in ACR 8.7 and provided a number of bug fixes for both Lightroom and ACR. For those who like to shoot tethered, both the Nikon D4s and the D810 are now fully supported. Another huge news is for Nikon D810 owners – the color profiles have now been finally fixed, so you will not see any banding issues when using Nikon camera profiles anymore!
If you have been checking our site during the past week, you’ve probably noticed that we had a few outages and changes. We have been working hard on migrating the site to a new hosting platform, so we decided to make a few changes while at it. The first major change is security – the site is now fully secured through 2048 bit SSL encryption! If you look at the URL, you will notice that it now starts with “https://”, whether you are looking at an article, or logged into the site with your account. We want to encourage our readers to register and participate in our forums and articles, so we want to make sure that your information is protected. In addition, we want to host a few contests (more on this later) and we want to be prepared!
I had a chance to play with the new Canon 7D Mark II this past weekend and I wanted to provide a little bit of feedback regarding the performance of this speed monster. I received my copy of the camera earlier last week, along with the Canon EF 400mm f/5.6L lens, so that I could exclusively photograph wildlife with this setup. The Canon 7D Mark II is specifically targeted at sports and wildlife photographers, so I did not think it would make much sense to evaluate the camera for everyday photography needs. With the Canon 6D being in the same price range, it is a given that a full-frame camera would be much more desirable in terms of image quality for other photography needs.
Love it or hate it, Facebook has become an important social media platform for not only promoting your work, but also for finding new clients. Whether you choose to create a fan page for your business or just upload your photographs in your own profile, you might be wondering what the best resolution and export settings should be for your images, so that Facebook can display them at the highest quality. In this article, I will not only go over Facebook’s resizing and compression behavior, but also show you the proper settings to use when exporting images from both Lightroom and Photoshop.
I am amazed, honored and humbled to have such amazing readers as you. After I wrote my announcement, so many of our dear readers have provided amazing feedback through comments on the site, through Facebook and I cannot even talk about my mailbox that is overflowing with your beautiful and supportive letters. A big thank you from the bottom of my heart to everyone who took the time to read my letter. What an amazing community! You are the reason why we are here and your feedback is what inspires us at PL to continue educating and learning. Once again, thank you.
When publishing articles on our site, our team always cross-posts links to the same content on our Facebook fan page, where we have close to 250 thousand fans. One of the biggest frustrations we came across with Facebook, is when we post a link to an article that contains images, and Facebook refuses to show the image on top of the link. The strange thing is, sometimes deleting the URL and pasting it again will show images and other times, Facebook completely refuses to do it. And when the image does not show, no matter how many times you refresh the page or paste the link, it will never appear. Since a number of our readers have Facebook fan pages or personal pages where they paste links to their sites or portfolios, I thought it would be a good idea to share the way to force Facebook to show images in links.