In this article, we will go over what exposure compensation is on a digital camera and how you can take advantage of it to make adjustments to your exposure when shooting in camera modes such as aperture priority, shutter priority, program mode and other scene modes of your camera. Every modern camera today has a built-in capability to adjust exposure settings in order to make it easier to properly expose images. In simple terms, the idea is to be able to control the brightness of an image, so that it does not end up looking too bright or too dark. To be able to do this, one has to use the Exposure Compensation feature, which is typically provided either as a dedicated button on a camera, or as a dial that one can move from positive exposure compensation to negative. Let’s take a look at how you can utilize this great feature on your camera and take a full control of your exposure.
It is a fact that as content creators, we are always in need for more storage. Thanks to all the latest and greatest cameras on the market that offer incredible detail with their high resolution sensors, we find ourselves constantly reassessing our storage requirements. Old computers are getting too slow to handle all the media and data we have to deal with, while storage solutions that used to be good enough a few years back do not seem to cut it anymore. Our clients have become technology-savvy and they are now demanding to see high resolution media files to deliver exceptional experience to their viewers, so we have to keep up. While building a fast computer for photography needs is definitely not for everyone, one does not have to go through the same process when assessing storage needs. Since there are a number of great, low-cost storage solutions out there that do a phenomenal job and provide excellent connectivity options, I have been in favor of such arrays instead of running a beefy tower computer. One such array that I recently have been introduced to, is the QNAP TVS-882T. In this review, I will provide detailed information about the TVS-882T and compare it to my Synology DS1815+ that I have been running for the past few years, along with the latest DS1817+ that I will be thoroughly testing soon.
We are happy to announce a big change to the way we handle and process email subscriptions for our readers. As of today, we have completely switched to a new system and migrated away from two previous email subscription systems, which will hopefully alleviate all the frustrations our readers have had with our newsletters. While we have been relying on free email delivery services from Google and WordPress for the past few years, they have proven to be very limited in terms of delivery and customization options. One service in particular would send an email as soon as content was posted, so if we posted several articles within a short period of time, it would result in practical spamming of the mailboxes of our readers. Going forward, we will no longer have these issues, as emails will only be delivered once, no matter how many times we post content on a given day. In addition, we have made it easy to both subscribe and unsubscribe from our email newsletter, so we are hoping that you will take a moment to try this new service out.
One topic that many of us Nikon shooters often discuss between each other in local groups, online forums and various photography clubs, is lenses that we wish Nikon had. Sometimes a desired lens comes from our experience from using a lens from another brand, sometimes it is something that does not exist, but we wish existed to make our photography easier, more fun, etc. While Nikon has been doing a great job filling in the holes during the last several years, there are still plenty of lenses that Nikon should update or have in its arsenal. In this article, I will go over the most desired future Nikon lenses, the ones that have not been released yet, but I really wish to see come to life soon. I guess you can also call the below a “wishlist” of unannounced Nikon lenses.
Over the past few months, I have been testing the new generation NAS storage array devices with 10 Gigabit (Gbit) network interfaces to see how they perform when compared to 1 Gbit network. While I am pretty happy with a standard 1 Gbit NAS setup for photo storage, any time I have to deal with stacking large panoramas, saving large TIFF files with several layers in Photoshop or doing any video work, my performance starts to go down the drain due to the 1 Gbit network bottleneck. As a result, whenever I deal with such projects, I have been using my local SSD storage for working on files and after I am done, transferring images and video back to the NAS storage for future access. So when I found out about 10 Gbit options on new storage arrays from QNAP and Synology, I decided to try them out in a productive environment. In this article, I will go over my current 10 Gbit Ethernet setup with a QNAP TVS-882T and compare its throughput to 1 Gbit setup when copying both RAW images and video, then list out the costs associated with implementing 10 Gbit Ethernet to see if is a viable solution for working professionals.
Many photographers and videographers often rely on using local storage within their computers to store media files. Once their computer drives fill up, they often end up purchasing external hard drives to offload some or all of the data, segregating the data and making it difficult for quick access and backup. Others choose dedicated storage arrays that handle all the data in a single location, albeit at a higher cost and sometimes questionable results. For a person who is not technology-savvy, choosing a proper storage solution can be a difficult task. With so many different DAS (direct-attached storage) and NAS (network-attached storage) solutions on the market, one can get quickly confused, ending up with many storage issues. Since mismanaging storage can potentially lead to data loss and other problems, it is always a good idea to revisit your storage needs and choose the best solution that will not only address the storage requirements you have today, but also help with growing your data in the future. In this article, we will go over different storage solutions in detail, identify pros and cons of each and hopefully help you in selecting the best storage solution for your needs.
We still have a few spots left in our 2017 Colorado Fall Colors Workshop and 2017 Jordan Photography Workshop, so if you would like to join us for the amazing learning experience in some of the most picturesque locations in the world, let us know! Please note that our 2018 Death Valley Workshop is now full, but we can still add your name to the waiting list in case someone else cancels.
I have recently been invited to visit and experience Israel by a non-profit, non-political and non-religious organization called “Vibe Israel“, which gathered four influential photographers from all over the world to come together to a week-long event, during which we were given a tour of the country and what it has to offer. I have been wanting to visit Israel for many years now, so when folks from Vibe Israel contacted me and explained what the organization and the tour were all about, I told them that I would love to be a part of it. I knew that it was going to be an amazing experience being in the company of three other talented photographers, taking pictures of some of the most ancient and historic places in the world. Having previously been to the region (I have previously visited the neighboring Jordan several times in the past few years, check out my article on photographing Jordan), I was aware of what to expect, but I also understood that there was much new to see. And I knew for sure that a week in Israel would not be enough, especially considering how packed the tour schedule was going to be. Therefore, I decided to stay for an extra week by myself in Israel and experience it firsthand – something I really enjoy doing when traveling overseas. In this article, I would like to give you a tour of what I have experienced in Israel through pictures and hopefully inspire you to visit this beautiful country and the region.
Technically, the article is supposed to be called “Nikon Speedlight Comparison”, because Nikon calls their flash units “Speedlights”. This article is written as an introduction to the current and older line of Nikon Speedlights, specifically the Nikon SB-300, SB-400, SB-500, SB-600, SB-700, SB-800, SB-900, SB-910 and SB-5000. In addition to some basic information on each Speedlight, I will provide a comparison chart on the bottom of this article as well, to make it simpler for our readers to understand the differences.
Most camera manufacturers are currently offering a number of deals and rebates this summer to promote their products. Nikon has already been promoting its DSLRs with instant rebates and free camera grips and now new lens-only rebates are added to the list. Fuji has also extended a number of instant rebates for its APS-C cameras like Fuji X-T2 with a free grip option, in addition to other cash rebates. Other manufacturers like Sony and Sigma are also offering great rebates for their camera gear. To sweeten up the deals, B&H is also pitching in their part by giving 2% back in rewards. Below you will find the best deals we could find for our readers from these manufacturers.