We still have a few spots left in our 2017 Colorado Fall Colors Workshop and 2017 Jordan Photography Workshop, so if you would like to join us for the amazing learning experience in some of the most picturesque locations in the world, let us know! Please note that our 2018 Death Valley Workshop is now full, but we can still add your name to the waiting list in case someone else cancels.
I have recently been invited to visit and experience Israel by a non-profit, non-political and non-religious organization called “Vibe Israel“, which gathered four influential photographers from all over the world to come together to a week-long event, during which we were given a tour of the country and what it has to offer. I have been wanting to visit Israel for many years now, so when folks from Vibe Israel contacted me and explained what the organization and the tour were all about, I told them that I would love to be a part of it. I knew that it was going to be an amazing experience being in the company of three other talented photographers, taking pictures of some of the most ancient and historic places in the world. Having previously been to the region (I have previously visited the neighboring Jordan several times in the past few years, check out my article on photographing Jordan), I was aware of what to expect, but I also understood that there was much new to see. And I knew for sure that a week in Israel would not be enough, especially considering how packed the tour schedule was going to be. Therefore, I decided to stay for an extra week by myself in Israel and experience it firsthand – something I really enjoy doing when traveling overseas. In this article, I would like to give you a tour of what I have experienced in Israel through pictures and hopefully inspire you to visit this beautiful country and the region.
Technically, the article is supposed to be called “Nikon Speedlight Comparison”, because Nikon calls their flash units “Speedlights”. This article is written as an introduction to the current and older line of Nikon Speedlights, specifically the Nikon SB-300, SB-400, SB-500, SB-600, SB-700, SB-800, SB-900, SB-910 and SB-5000. In addition to some basic information on each Speedlight, I will provide a comparison chart on the bottom of this article as well, to make it simpler for our readers to understand the differences.
Most camera manufacturers are currently offering a number of deals and rebates this summer to promote their products. Nikon has already been promoting its DSLRs with instant rebates and free camera grips and now new lens-only rebates are added to the list. Fuji has also extended a number of instant rebates for its APS-C cameras like Fuji X-T2 with a free grip option, in addition to other cash rebates. Other manufacturers like Sony and Sigma are also offering great rebates for their camera gear. To sweeten up the deals, B&H is also pitching in their part by giving 2% back in rewards. Below you will find the best deals we could find for our readers from these manufacturers.
If you have any plans to travel internationally to any of the ten countries that were banned from bringing electronic devices onboard when flying either to the USA or the UK (see the list of banned countries below), you might be wondering how it will affect the way you will be transporting your camera equipment. Unfortunately, the electronics ban includes everything larger than a smartphone, which includes cameras and laptops. Having recently traveled to Turkey and dealing with the ban directly, I would like to share my experience with how airlines are handling the situation and provide some tips on what to do when traveling to those countries.
Today Nikon revealed three new lenses: AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED, AF-S NIKKOR 28mm f/1.4E ED and AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR. While the latter 10-20mm f/4.5-5.6G VR is an addition to the DX line-up of lenses, the 8-15mm f/3.5-4.5E Fisheye and the 28mm f/1.4E lenses are pro-grade lenses designed specifically for full-frame cameras. Let’s take a look at these three lenses in more detail.
Whether you are traveling domestically or internationally, there is always a chance that you might get mugged or get your camera equipment stolen. As photographers, we tend to explore remote locations, some of which might be unsafe to visit. Unfortunately, many thieves and muggers know the value of camera gear and they often target photographers and photo businesses, since they can quickly resell the stolen goods and make a ton of money. After traveling to a number of different countries, I decided to share a few tips on keeping your camera gear safe when traveling that I gathered myself and from our readers who were generous enough to share them with us.
This is an in-depth review of the flagship Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR lens that was released in October of 2016. Every seven to ten years, Nikon updates its top-of-the-line lenses with the most current technology and tries to push the performance envelope to a whole new level. After a long wait, Nikon finally delivered the new generation 70-200mm f/2.8E FL ED VR in a lighter and more versatile package. Nikon completely redesigned the lens from the ground up, featuring a fluorite lens element to make it roughly 100 grams lighter, an “E” type electronic diaphragm, an updated Vibration Reduction / Image Stabilization mechanism and a drastically different optical formula featuring a total of 22 elements to deliver superior sharpness across the frame. The lens elements have also been treated with all the latest lens coating technologies, including Nano Crystal Coat and fluorine coating in order to reduce ghosting and flare, as well as repel dust and moisture from its front element. Based on user feedback, Nikon also took care of the focus breathing issue that was present on the VR II version of the lens. Ever since the lens was introduced to the market, I have had a chance to shoot with a couple of samples of the Nikon 70-200mm f/2.8E FL VR, so my experience and review are based on many months of shooting with this lens.
I am in Istanbul for a short while with my family and I could not resist shooting the Blue Mosque at sunset earlier today, especially once I saw the potential for some color in the sky. I only took the Hasselblad X1D with two lenses (45mm f/3.5 and 90mm f/3.2) with me, since I have been using the Fuji GFX 50S quite a bit and this time I wanted to shift my attention to the Hassy. So far, I have been pretty frustrated with the Hasselblad for a number of reasons, mainly due to very slow startup, firmware instability and poor battery life. While I really enjoyed the Fuji GFX 50S as a travel camera, I cannot say that I would recommend the X1D as one. I have missed so many moments waiting for the camera to start up – sometimes it does not properly start up, giving me all kinds of strange errors.