Wondering about photographing fireworks on 4th of July, New Year or some other event / occasion? In this article, I will provide some basic tips on how to best capture fireworks, what type of equipment to use and what camera settings to use during the process. Although the process is relatively simple, there are some things that might be worth considering, as outlined below.
Tamron announced yet another new-generation lens for both Nikon F and Canon EF mounts, the Tamron SP 24-70mm f/2.8 Di VC USD G2. The new professional-grade lens sports an impressive optical design, with a total of 17 elements in 12 groups, four of which are aspherical elements, two have extra refractive and three have low dispersion properties. Just like the recent “G2” series lenses from Tamron, the SP 24-70mm f/2.8 Di VC USD G2 comes with eBAND and BBAR coatings to reduce ghosting and flare, and fluorine coating has been applied to the front element to protect the lens against dust, dirt and smearing. Sporting an advanced image stabilization system, the lens is capable of reducing camera shake by up to 5 stops. Lastly, the lens is weather sealed and is compatible with optional TAP-in Console for fine-tuning the focusing properties of the lens and updating lens firmware. All this technology available at a very appealing price point of $1,199, making the Tamron SP 24-70mm f/2.8 Di VC USD G2 even cheaper than the recently introduced Sigma 24-70mm f/2.8 DG OS HSM Art. This is a very exciting release and I am looking forward to testing and reviewing the lens later this year, as soon as it becomes available.
With the release of the much anticipated Canon 6D Mark II, one might be wondering how it stacks up against the three year old Nikon D750 in terms of specifications and features. Since the 6D Mark II has a similar feature set and price point as the D750, it makes sense to compare these two cameras, even though Nikon has not announced a replacement yet. While I am planning to work on a detailed review of the 6D Mark II, along with high ISO comparisons later this year, I thought it would be interesting to see the strengths and weaknesses of each camera when put side by side.
Earlier today Canon unveiled the much anticipated Canon 6D Mark II, which offers a number of incremental updates over its predecessor. The new 6D Mark II comes with a slightly higher resolution 26.2 MP full-frame sensor featuring Dual Pixel AF and its image processor has been also bumped up to DIGIC 7. But the more exciting news has to do with the autofocus system – the 6D Mark II comes with a powerful 45-point all-cross-type AF system, which is significantly better than the 11-point center cross-type AF system found on its predecessor. With a native ISO range of 100-40000, a 7560-pixel RGB+IR metering sensor, a tilting LCD screen, continuous shooting speed of 6.5 fps and an MSRP of $1,999, the 6D Mark II is aimed as a great all-around camera for Canon shooters.
In this article, we will go over what exposure compensation is on a digital camera and how you can take advantage of it to make adjustments to your exposure when shooting in camera modes such as aperture priority, shutter priority, program mode and other scene modes of your camera. Every modern camera today has a built-in capability to adjust exposure settings in order to make it easier to properly expose images. In simple terms, the idea is to be able to control the brightness of an image, so that it does not end up looking too bright or too dark. To be able to do this, one has to use the Exposure Compensation feature, which is typically provided either as a dedicated button on a camera, or as a dial that one can move from positive exposure compensation to negative. Let’s take a look at how you can utilize this great feature on your camera and take a full control of your exposure.
It is a fact that as content creators, we are always in need for more storage. Thanks to all the latest and greatest cameras on the market that offer incredible detail with their high resolution sensors, we find ourselves constantly reassessing our storage requirements. Old computers are getting too slow to handle all the media and data we have to deal with, while storage solutions that used to be good enough a few years back do not seem to cut it anymore. Our clients have become technology-savvy and they are now demanding to see high resolution media files to deliver exceptional experience to their viewers, so we have to keep up. While building a fast computer for photography needs is definitely not for everyone, one does not have to go through the same process when assessing storage needs. Since there are a number of great, low-cost storage solutions out there that do a phenomenal job and provide excellent connectivity options, I have been in favor of such arrays instead of running a beefy tower computer. One such array that I recently have been introduced to, is the QNAP TVS-882T. In this review, I will provide detailed information about the TVS-882T and compare it to my Synology DS1815+ that I have been running for the past few years, along with the latest DS1817+ that I will be thoroughly testing soon.
We are happy to announce a big change to the way we handle and process email subscriptions for our readers. As of today, we have completely switched to a new system and migrated away from two previous email subscription systems, which will hopefully alleviate all the frustrations our readers have had with our newsletters. While we have been relying on free email delivery services from Google and WordPress for the past few years, they have proven to be very limited in terms of delivery and customization options. One service in particular would send an email as soon as content was posted, so if we posted several articles within a short period of time, it would result in practical spamming of the mailboxes of our readers. Going forward, we will no longer have these issues, as emails will only be delivered once, no matter how many times we post content on a given day. In addition, we have made it easy to both subscribe and unsubscribe from our email newsletter, so we are hoping that you will take a moment to try this new service out.
One topic that many of us Nikon shooters often discuss between each other in local groups, online forums and various photography clubs, is lenses that we wish Nikon had. Sometimes a desired lens comes from our experience from using a lens from another brand, sometimes it is something that does not exist, but we wish existed to make our photography easier, more fun, etc. While Nikon has been doing a great job filling in the holes during the last several years, there are still plenty of lenses that Nikon should update or have in its arsenal. In this article, I will go over the most desired future Nikon lenses, the ones that have not been released yet, but I really wish to see come to life soon. I guess you can also call the below a “wishlist” of unannounced Nikon lenses.
Over the past few months, I have been testing the new generation NAS storage array devices with 10 Gigabit (Gbit) network interfaces to see how they perform when compared to 1 Gbit network. While I am pretty happy with a standard 1 Gbit NAS setup for photo storage, any time I have to deal with stacking large panoramas, saving large TIFF files with several layers in Photoshop or doing any video work, my performance starts to go down the drain due to the 1 Gbit network bottleneck. As a result, whenever I deal with such projects, I have been using my local SSD storage for working on files and after I am done, transferring images and video back to the NAS storage for future access. So when I found out about 10 Gbit options on new storage arrays from QNAP and Synology, I decided to try them out in a productive environment. In this article, I will go over my current 10 Gbit Ethernet setup with a QNAP TVS-882T and compare its throughput to 1 Gbit setup when copying both RAW images and video, then list out the costs associated with implementing 10 Gbit Ethernet to see if is a viable solution for working professionals.
Many photographers and videographers often rely on using local storage within their computers to store media files. Once their computer drives fill up, they often end up purchasing external hard drives to offload some or all of the data, segregating the data and making it difficult for quick access and backup. Others choose dedicated storage arrays that handle all the data in a single location, albeit at a higher cost and sometimes questionable results. For a person who is not technology-savvy, choosing a proper storage solution can be a difficult task. With so many different DAS (direct-attached storage) and NAS (network-attached storage) solutions on the market, one can get quickly confused, ending up with many storage issues. Since mismanaging storage can potentially lead to data loss and other problems, it is always a good idea to revisit your storage needs and choose the best solution that will not only address the storage requirements you have today, but also help with growing your data in the future. In this article, we will go over different storage solutions in detail, identify pros and cons of each and hopefully help you in selecting the best storage solution for your needs.