I love Death Valley. Despite its name, it is one of the most stunning places on this planet to visit, enjoy and photograph. While I have been to many areas of the park, every time I visit, I find something new to explore. Since my first visit to Death Valley back in 2009, one place that really got me hooked was Zabriskie Point. Thanks to its vivid colors, delicate shapes and beautiful contours, it is truly a magical place to be. However, in spite of my continuous attempts to capture the place in its grande beauty, I have been constantly treated with bland blue skies, overcast days and whenever I got even a hint of color, it would always seem to be taking place elsewhere – not in the direction where my camera was pointed at. By now, I lost count of how many times I have attempted to photograph Zabriskie Point at sunrise (my guess is over 20), it really has been a place of zero luck for me, my archenemy.
Without a doubt, the Nikon D5 and D500 DSLR announcements have been the center of attention in the photography world this week, probably similar to the impact the Nikon D3 and D300 had back in 2007. The Nikon D5, in particular, is certainly something many sports and wildlife photographers have been waiting for. Thanks to the brand new autofocus system with a whopping 153 focus points, better focusing capabilities in low light, expanded native ISO range, brand new 180,000 pixel metering sensor, faster processor, 12 fps continuous shooting speed and many other tweaks and updates, the Nikon D5 was definitely worth the wait. For many, it will surely be a serious tool to consider moving up to. Let’s take a look at how the Nikon D5 fares against the Nikon D4s and see what advantages it brings in comparison. More details on the camera will be provided in our upcoming Nikon D5 review.
Before the D500 announcement, Nikon’s best DX camera for sports and wildlife photography has been the D7200. While the D7200 is a superb camera on its own, one might be wondering how and where exactly it differs when compared directly to the new Nikon D500. The quick answer to that question is enthusiast-level DSLR vs professional-level DSLR, but there is obviously a bit more than that to talk about. Let’s take a look at both cameras and see how they differ when it comes to ergonomics and specifications.
I am currently in Death Valley NP, shooting with a bunch of new gear including the Nikon 24-70mm f/2.8E VR, so I wanted to provide my early thoughts on this lens. Some of our readers sent me concerned emails, asking what I think about the 24-70mm f/2.8E VR, since apparently some others were quite unimpressed with this lens, even putting it into the category of “one of the worst lens releases of 2015”. I am not sure where these statements come from (sadly, my Internet connection here is really bad), but based on two samples of the Nikkor 24-70mm f/2.8E VR that I currently have access to, the new updated version seems to be an absolute gem. Based on my limited time pixel-peeping some of the images I have captured so far, it seems like Nikon has optimized the new 24-70mm differently when compared to its predecessor.
If you are interested in purchasing the newly announced Nikon D500, D5 or the SB-5000 speedlight, you can support Photography Life by purchasing through the below links. Please note that these are hot products, so the pre-order line is probably going to get huge pretty fast!
The new Nikon D500 surely looks amazing and very promising – much more exciting than the new Nikon D5 in my opinion, which is surely impressive, especially for those who need such a high-end tool. While we have written about the standard specifications of the D500 and its amazing features, like its 153 point AF system and its practically unlimited buffer, there are a few other hidden features that come in the Nikon D500, which are certainly worth looking into. Let’s take a look at these in more detail.
How does the newly released Nikon D500 flagship DX camera compare to Canon’s APS-C counterpart, the 7D Mark II? Canon was first to release its high-end sports camera over a year ago and it reigned supreme for a while, since Nikon had no equivalent product to compete with. Things have surely changed now, since the D500 is finally that long-awaited direct competitor to the 7D Mark II. This means that we can now compare these cameras directly and see which one is a better candidate for sports and wildlife photography. In this comparison, we will take a look at the specifications of the two cameras and see what their similarities and differences are. We will provide real performance differences, along with high ISO comparisons in our upcoming Nikon D500 review.
With the long-awaited and much-anticipated Nikon D500 out, one might be wondering how it compares to its predecessor, the Nikon D300S. Since there has been such a huge delay between the releases, it is a given that the D500 is a much better and more advanced camera. However, how much do these cameras differ really when we look at their specifications and what has changed in the last 7 years? Let’s take a look and see in this Nikon D500 vs D300S comparison.
Without a doubt, the biggest surprise today is the announcement of the Nikon D500. Just like Nikon did it back in the day with the D3 and the D300, Nikon decided to release both the top-of-the-line D5 and the smaller DX version, the Nikon D500 on the same day. While we have been waiting for the flagship DX camera to appear for too long now (remember those D400 rumors?), Nikon finally decided to unleash the beast. The long-awaited Nikon D500 is finally here and it is promising to be damn good. It is surely Nikon’s best DX camera created to date, thanks to its amazing 153-point AF system (same as on the Nikon D5), 10 fps continuous shooting speed, 200 shot RAW image buffer, 4K UHD video recording capability, Bluetooth connectivity, 100% viewfinder coverage and 1.0x viewfinder magnification (more on that below). Sports and wildlife shooters will surely be attracted to this camera, since it is priced way lower than the D5, at $1,999 MSRP and offers many similar features. Let’s take a look at the D500 in more detail.
It is just the beginning of the year and we are already getting treated with some huge announcements, thanks to the CES show that is taking place in Las Vegas. One of the biggest and most anticipated announcements is surely Nikon’s flagship DSLR, the Nikon D5. Many sports and wildlife photographers have been waiting to see what kind of a beast Nikon would unveil in its new generation, top-of-the-line DSLR and it looks like the D5 is indeed a performance monster that sets a new benchmark in a number of ways. First, the AF system received a complete overhaul. While Nikon has been shipping a 51-point AF system since the original D3 series cameras (with tweaks in between), the new D5 literally triples that number to a staggering 153! That’s right, the brand new AF system will feature a total of 153 AF points, 99 of which will be cross-type. Compare that to the 15 cross type points we see on the current Nikon D4s and you will quickly realize just how huge that number really is. And for those who shoot with long lenses coupled with teleconverters, the number of focus points available to use at f/8 will be expanded from 11 to 15 AF points. That’s just the start – check out all the other impressive specifications of the new D5!