Ever since Nikon debuted the 24mm f/1.4G ED lens five years ago, the lens has been a popular choice among professionals and serious amateurs, thanks to its excellent optical formula and coating technologies that yield crisp and pleasing images. However, its high price point and the relatively heavy weight made it a rather specialized tool, so a cheaper and lighter f/1.8 version of the lens was much needed to complement the 20mm f/1.8G and the 28mm f/1.8G lenses. Nikon filled this gap with the Nikkor 24mm f/1.8G ED in August of 2015, finally addressing the needs of many photographers like me, who had been wanting such a lens for a while now. When I finally received my copy of the lens, I wondered how it would compare optically not only to its older f/1.4G brother (which I used to own and love), but also to other popular 24mm primes such as the Sigma 24mm f/1.4 Art and the Samyang 24mm f/1.4. After getting a hold of all three, I hit the road with the purpose to find out which lens would serve as my dedicated 24mm prime in the future. In this review, I will not only discuss the Nikon 24mm f/1.8G lens in detail, but also compare it to the above-mentioned 24mm primes.
This is an in-depth review of the Nikon 24mm f/1.4G ED lens that was announced in February of 2010 together with the Nikon 16-35mm f/4G VR lens. The Nikon 24mm f/1.4G lens is a professional-grade lens for enthusiasts and professionals that need the highest quality optics of a fixed wide-angle lens with a large aperture of f/1.4 for low-light situations and shallow depth of field to isolate subjects from the background. The lens incorporates modern optical design and technology, and it is designed for both FX and DX sensors (equivalent of 36mm on DX), yielding amazing clarity and contrast in most challenging lighting conditions. The Nikon 24mm f/1.4G follows the footsteps of the legendary Nikon 28mm f/1.4D lens, which was known for its exceptional quality and sharp optics, even at large apertures. The new Nikon 24mm f/1.4 is no exception – it performs remarkably at most apertures and it has very impressive sharpness from center to extreme corners, especially when stopped down a little. Nikon has incorporated the latest technology and optical formulas to this lens, including AF-S silent-wave focus motor and Nano crystal coating. The lens is also sealed against dust and tough weather conditions. Just like most Nikon professional lenses, the lens has a 77mm filter thread, which is great news for landscape and architectural photographers.
It has been 30 years since Nikon first introduced the original Nikkor 20mm f/2.8 Ai-S lens and long 20 years since the autofocus version, the Nikkor 20mm f/2.8D was released to the market. Since then, the 20mm prime sadly did not receive much attention, so it was about time for Nikon to refresh the line with a modern version. Nikon finally revealed a replacement on September 12, 2014 and the new lens came with a nice surprise – the Nikkor 20mm f/1.8G ED is not only completely revamped in terms of optical design, but it is also 1.3 stops faster than its predecessors. Personally, I have been very interested in checking out the new 20mm f/1.8G lens, because I found the 28mm f/1.8G to be a bit too long for my taste. And although I love my 24mm f/1.4G (see my detailed review here), it is pretty expensive and often quite heavy to carry around. Thus, a wider, lighter and much less expensive lens sounded very appealing to me. I have had the joy of shooting with the Nikkor 20mm f/1.8G for the past three months and as you will see in this review, the lens deserves high praises for its superb optical performance. Without giving any more spoilers, let’s jump into the review and see where and how it shines.
With the total lunar eclipse taking place on January 31 of 2018, you might want to experience watching and potentially photographing this rare and stunningly beautiful phenomenon. I previously had a chance to photograph both partial and total lunar eclipses, so I was able to document my experience and provide information on what challenges I had during the process. In this article, I will do my best to explain how to photograph a lunar eclipse in detail.
ISO is one of the three pillars of photography, along with shutter speed and aperture. Like those two settings, camera ISO controls the brightness of your photos, and it is a crucial setting to use properly if you want to take the best possible images. In this chapter of Photography Basics article, we will explain ISO using simple language and examples so that you can make the most of it for your own photography.
If you are a Nikon DSLR shooter, you most likely came across a camera setting called “Exposure Delay Mode”, which can be very useful in eliminating camera shake from the camera’s mirror mechanism. While Exposure Delay Mode is a wonderful feature, many photographers often misunderstand it and end up either misusing it in the field, or not using it at all. In this article, we will look into Exposure Delay Mode in detail and go through different case scenarios where it can be very helpful in reducing camera shake and yielding sharp images.
A number of DSLRs and mirrorless cameras today come with an important feature called “Electronic Front-Curtain Shutter” (EFCS) or “Electronic First Shutter Curtain” (EFSC), both of which are designed to eliminate camera shake originating from the shutter mechanism of the camera (commonly known as “shutter shock”). Shutter shock is an issue on all modern cameras, both DSLR and mirrorless, particularly when using longer focal length lenses and specific shutter speeds. In this article, we will explore the effects of shutter shock on your images and how you can totally eliminate it with the Electronic Front-Curtain Shutter mode.
Aperture is one of the three pillars of photography, with the other two being ISO and Shutter Speed. It might be the single most important camera setting in all of photography, simply because it affects so many different variables of an image. Aperture can add dimension to your photographs by blurring the background, and it also alters the exposure of your images by making them brighter or darker. In this chapter of Photography Basics, we will cover everything you need to know about aperture, all in very simple language.
Shutter Speed is one of the three pillars of photography, the other two being Aperture and ISO. Shutter speed is responsible for two particular things: changing the brightness of your photo, and creating dramatic effects by either freezing action or blurring motion. In this chapter of Photography Basics, we will explain everything you need to know about shutter speed, in very simple language.
Nikon is under a lot of pressure in 2018, because this is the year that the public is anticipating hot new products from the company, especially the highly anticipated full-frame mirrorless camera that the company is currently working on. The very first product that Nikon has launched in 2018 is a lens – it is the Nikon AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED VR – a beast of a lens targeted specifically at sports and wildlife photographers and videographers. Many Nikon 200-400mm f/4G VR shooters have been waiting for a replacement to the lens and it looks like Nikon didn’t just deliver an update – the 180-400mm is a whole new lens with a completely revamped optical design and engineering. At $12,399 MSRP, it is the second most expensive lens in Nikon’s line-up after the exotic Nikon 800mm f/5.6E VR and for a good reason, if you were to look into what Nikon has packed into it. Without a doubt, it is a marvel of a lens, something that is soon to become one of the most desirable lenses in Nikon’s arsenal. Read on to find out why.