With the arrival of the much-anticipated Canon 5D Mark IV, many photographers might be either moving up to, or upgrading their existing Canon 5D-line cameras to this latest and greatest tool. The 5D line has always been Canon’s stronghold for most types of photography, particularly because of its amazing low-light performance, reliable autofocus, superb ergonomics, solid build and overall stability, making it a preferred DSLR among most professionals. Due to the numerous buttons and the sophisticated menu system of the camera, understanding the functionality of the camera can be rather overwhelming for even intermediate-level photographers. To help guide our readers through these features and menus, we decided to share the settings our team has been using on the camera during the past 2 months while testing out the camera. Please keep in mind that the below information is provided as a guide for those that struggle with the camera. While this particular configuration has been working great for our needs, it does not mean that it is the only way to properly setup and configure the camera.
If you have not heard yet, tonight, we will experience something truly magical – the supermoon of a lifetime! That’s right, the moon will be unusually close to our planet at 356,500 km, so close that we will not see another approach like that all the way until 2034! The size of the moon will be 14% larger than typical full moon. The so called “perigee moon” will coincide will the full moon, making it appear not only unusually large, but also unusually bright (up to 30% brighter than usual). Make sure to be prepared to capture this event, since it is such a unique, potentially once-in-a-lifetime moment! In this article, we have gathered all the important bits of information you will need to capture the supermoon, so read on and let us know if you are planning to do it.
Colorado has been my home for the past 20 years. Having had the chance to travel all over the USA for photography and other personal and professional needs, every time I would come back to Colorado, I would tell myself that there is simply not a better place to live and be. The Centennial State is remarkable in so many ways, that the more I explore it, the more I fall in love with it. Here in Colorado, we have everything from the stunning mountain views of the Rocky Mountains to canyons, plains and deserts – a truly rich and diverse land. Without a doubt, it is a photographer’s paradise. Having been photographing in Colorado for over 10 years now, I decided to show some of its beauty through pictures and hopefully give you an idea about what locations you should visit.
Back in August, we started a guest post challenge with our readers, asking to submit content to get $50 for a published article and get a chance to win a Fuji X-T10 kit. A number of great submissions followed and we published a total of 15 articles in total. While all submissions were great (and we thank everyone who participated), one specific post was surely the most talked about. Everyone I know who regularly visits the website would bring up this particular post, because it was unique and the idea behind it was amazing. So choosing the winner this time was relatively easy!
For most photographers, especially those who shoot landscapes, it is crucial to have a good set of filters at your disposal. Filters come in two types: screw-on filters (attaching directly to your filter threads) and square filter systems (sliding into a holder on the end of your lens). A lot of landscape photographers move to a square filter system over time — they have a wider selection of filters, and they let you move your filters from lens to lens more quickly. The main companies that make square filter systems are Lee, Cokin and HiTech, all of which are well-known among landscape photographers. There are a few other companies in the marketplace, too, including a relatively new brand called NiSi. Recently, NiSi has been contacting photography websites for reviews, and they contacted us as well. I have used the Lee system for a while, and experienced a few problems with it, so I wanted to review these NiSi filters and see how they stack up. This review covers the NiSi filter system, along with a few specific filters.
Landscape photographers often deal with the dilemma of choosing between different types and brands of neutral density and graduated neutral density filters for use in high-contrast situations such as sunrise and sunset, where their cameras might not have enough dynamic range to be able to capture the entire scene. While we are not going to go over each and every brand to see which one performs better, we do want to show the difference in sharpness between glass and resin filters. For this particular test, we used three 0.6 (2 stop) filters from three different manufacturers – NiSi (glass filter), Lee (resin) and HiTech (resin). The latter two are probably the two brands that are used the most among photographers in the field.
Lately, you have probably noticed that we have not posted much content on the website. Ever since we had an attack on the site a couple of months ago (where our site was down for a day), I have been planning on upgrading the server infrastructure in order for us to be able to handle much more traffic and potential attacks. So after I got back from New York, I decided to make all the necessary changes, since we are planning to post a lot of great content very soon and I wanted the site to be able to handle it all. As of today, most of the work is complete and we can now finally get back to work! If you have been browsing the website today, you have probably noticed drastic changes to the overall speed and responsiveness of the site. I am happy to report that we are now running the site on a pretty beefy setup that should be able to handle quite a bit of traffic going forward.
During the past few months, both Spencer and I have pretty much switched from our old Lee filter system to a much better (in our opinion) filter system by NiSi. While I have been a fan of Lee filters, I have had a few problems with it in the field, whether it comes to how I use a polarizing filter, or the fact that I find myself having to re-purchase the resin filters, since they constantly get scratched. On one hand it is nice to have resin filters, since they are light and I can carry a single filter with me in a pouch and I am set. On the another hand, how good are these filters if they easily get scratched up and need to be periodically replaced? I have never tried glass filters, but after obtaining a pack of glass filters from NiSi, I might switch going forward. Well, I will save my thoughts to the upcoming NiSi filter system review, but for now, I would like to share the below interview with Macon Leiper of ikan Corporation, which distributes NiSi filters in the USA.
After we interviewed Fuji on the new GFX 50S medium format mirrorless camera, we also decided to interview folks at Hasselblad on their new X1D-50c. Since both cameras feature very similar sensors and are both mirrorless, they surely do compete head-to-head with each other. However, there are surely some interesting differences worth looking at – the X1D-50c does not have a shutter mechanism (it is integrated into lenses as a leaf shutter), it is a visibly smaller camera in comparison, its ergonomics are vastly different (less buttons and knobs to use) and it looks like it will be priced higher than the Fuji GFX 50S. In our interview with Ove Bengtson, Product Manager of Hasselblad, we take a quick look at what the X1D-50c has to offer:
You might have heard of a company called “FLM” before – it is based out of Germany and it is in the business of making pretty solid tripods and tripod heads, competing against such recognizable brand names as Manfrotto, Really Right Stuff, Kirk and Arca-Swiss. While at Photo Plus, we saw a few FLM ballheads on display and we decided to ask Markus Burklin, Director of Production at FLM to showcase their top ballheads for our readers.