One of the most exciting news from today is Sigma’s announcement of the 50-100mm f/1.8 DC HSM Art lens designed for APS-C sensor cameras like the Nikon D500. That’s another f/1.8 constant aperture zoom lens from Sigma with a groundbreaking design! With an equivalent field of view of 75-150mm, this lens will surely be a popular choice among sports and portrait photographers, especially when working in low-light situations. Thanks to the complex optical design that incorporates 21 elements in 15 groups, the Sigma 50-100mm f/1.8 DC HSM Art is optimized to yield excellent sharpness at its widest aperture throughout its zoom range. And with its MSRP of $1,099, this looks like a killer offering for cropped sensor cameras. The only downside is its weight – at 1,490 g (3.28 lb), the lens is almost as heavy as the Nikon 70-200mm f/2.8G VR II! But what did you expect from a constant aperture f/1.8 telephoto zoom lens?
Thanks to the CP+ Camera & Photo Imaging Show 2016 that is taking place in Japan this week, we have a slew of exciting announcements from different camera manufacturers. Tamron was the first to make a big announcement last night, presenting two brand new lenses designed for full-frame cameras. The first one is a significant release, because it is world’s first image stabilized 85mm f/1.8 lens for full-frame DSLRs, the Tamron SP 85mm f/1.8 Di VC USD. This is an important release, because Tamron is now upping its game like Sigma has done with its latest-generation lenses, allowing both lens firmware and AF fine tuning to be performed using an external USB dock.
Having been using the Microsoft Surface Pro for several years now, I was psyched to see the launch of the Surface Book, along with the Surface Pro 4. When I first heard about the Surface Book, I thought “here goes another laptop again”…until I saw the screen detach from the keyboard, revealing that it was a two-in-one hybrid machine. That was certainly unexpected. A laptop and a touchscreen tablet hybrid with a powerful 6th generation dual core Intel CPU, dedicated NVIDIA GPU, up to 1 TB of SSD memory and up to 16 GB of RAM. A true powerhouse in a very compact form factor, ideal for traveling and photo editing on the go. I knew it was something I had to test and review.
Every once in a while, I come across gadgets that sound promising, because they serve a specific purpose that I have needs for. When browsing the web last July, I came across a post on a popular site that praised a smart tracker called ANKR. The post started out by talking about stolen gear and how unfortunate the incidents were. Then it went on to introduce ANKR and how amazing of a find it was to be able to “geolocate” (those were the words used) items such as the camera bag in case it got stolen. It all sounded really good, because it seemed to address my particular fear of getting my gear stolen, especially when traveling overseas.
Canon has just announced its long-awaited update for the existing EOS 70D, the Canon EOS 80D. With a brand new 24.2 MP APS-C sensor, 45-point AF system, built-in Wi-Fi, updated Dual Pixel AF for live view shooting and improved HD video recording features, the 80D seems like a fairly solid incremental update to the popular camera line. While it is not by any means a significant upgrade, there are some important updates that might be worth moving up to, especially for sports and wildlife photographers. The new 45-point AF system with all cross-type focus points is a huge upgrade from the previous-generation AF system on the 70D (which only had 19 AF points), not only because of the bigger number of focus points, but also because of the much larger spread of those focus points in the viewfinder. Additionally, the center focus point on the 80D is now of dual cross-type and sensitive down to -3 EV, which should allow the camera to focus in very low-light environments. The camera will be available sometime in March for an MSRP of $1,199 for the body-only version.
Today is a big day for Pentax fans, because the company has finally announced its much anticipated full-frame DSLR, the Pentax K-1. Featuring a 36.4 MP CMOS sensor with a native ISO range of 100-204,800, PRIME IV Image Processor, 5-axis in-body image stabilization (IBIS), 33-point AF system, 3.2″ Cross-Tilt LCD, 4.5 fps continuous shooting, built-in Wi-Fi, built-in GPS, dual SD card slots, a fully weather sealed magnesium alloy body, full HD video recording and a few other extra features like AstroTracer, the K-1 looks like a tool that packs practically every feature a DSLR shooter could think of. And the best part isn’t even the list of features – it is the price! At $1,799, the Pentax K-1 is the cheapest professional-grade DSLR ever made; even Nikon’s entry-level full-frame DSLR, the Nikon D610, had an MSRP of $1,999 when it was launched. Pentax users have every reason to rejoice, because the K-1 is without a doubt, the most feature-rich and value-driven DSLR we have seen to date…
Having been to Jordan several times, I have absolutely fallen in love with this country – not only for its limitless photographic opportunities, but also because of its rich history and culture, its warm and welcoming people and its amazing food. After my last trip to Jordan, I really thought about not only sharing images from my trip, but also about organizing a photography workshop with some of our readers to tour, photograph and explore this stunning country. I am happy to announce that I was able to come up with an amazing workshop package: a 10-day photography-only workshop to showcase some of the most scenic places in Jordan and to teach everything I know about travel and landscape photography. In short, it will be an intensive, yet fun workshop that will leave you with the most amazing memories, experience and pictures. The only issue is timing – the workshop will take place from May 10 to May 20 of this year, so I need to know exactly how many people are going within the next 10 days in order to be able to book everything in advance.
Note: Please note that PL workshops typically sell out within 24 hours, so make sure to reserve your spot as soon as possible!
Although Sony has already made the fourth iteration of its RX100 camera, sadly, I have not had a chance to test and review any of the earlier models. After the Sony RX100 IV was announced, I told myself that I had to give this camera a try. Partly because our readers have been asking about it and partly because it looked like a killer camera based on its long list of features. Right before my trip to Death Valley, I was able to obtain this little monster of a camera for a real field test. I am really glad I did, because I have been really impressed by the Sony RX100 IV – it turned out to be the best pocket-friendly point and shoot camera I have used to date. Let’s take a look at this camera in more detail and see what it has to offer in its tiny body.
It is interesting how just a few years back, one way to spark a debate was to talk about Nikon vs Canon. Websites and forums would be filled with endless discussions when someone would dare to post something like “I dumped my Nikon gear and switched to Canon” (and God forbid if you said anything against Pentax, it would be a quick shortcut to get death threats). Today, it seems like the gears have changed – people are much less enthusiastic about talking about DSLR brand differences. The much bigger war it seems like is now between DSLR vs mirrorless. On one side of the fence, we’ve got DSLR shooters who defend their choice with statements like “you will only be able to take my DSLR when you pry it from my cold, dead hands” and on the other side of the fence, we now have people who say things like “mirrorless is the future, it is time for flapping mirrors to go”. Both sides have their points and arguments that make sense, but once mixed with emotions, such discussions often end up being inconclusive and meaningless. And now we have manufacturers engaging in direct attacks against each other. Sony, Fuji and a few others often compare their systems to DSLRs as part of their marketing campaigns, indicating weight / size and other advantages, whereas DSLR manufacturers keep recycling the same AF speed, reliability and system advantages. But one thing for sure – DSLRs are losing market share and interest in mirrorless technology is steadily growing. Let’s revisit the topic of DSLR vs mirrorless one more time and analyze a few more important factors.