Nikon has just announced what is destined to become a classic environmental portrait lens for the Nikon Z mount: the Nikon NIKKOR Z 35mm f/1.2 S. This beautiful high-end prime lens completes the holy trinity of f/1.2 primes, joining the Nikon 50mm f/1.2 S and the Nikon 85mm f/1.2 S....
Post Archive By Jason Polak - Page 2
Nikon COOLPIX P1100 Announced
In 2018, Nikon released the COOLPIX P1000, a superzoom with a massive equivalent focal length range of 24-3000mm. Today, Nikon has just announced its successor, the Nikon P1100. What can users expect with the Nikon COOLPIX P1100? Users of the P1000 will find that the P1100 has very similar specifications...
Five Easy Things to Avoid in Bird Photography
Bird photography seems simple. You see a bird, you take its photo. But birds don’t just move - they can be in different environments and can have endless varieties of light shone upon them. All of a sudden, bird photography starts to get more complex. And in some ways, it...
Small Adjustments Can Lead to Big Changes in a Photo
In photography, you compose shots by moving your camera to a physical position in space and time. That's obvious. But what isn't so obvious is that very slight changes in space and time can substantially alter a composition. As a wildlife photographer, I know it's tempting to take shots immediately...
“How Is AI Different From Autofocus?”
There was a time not long ago when I spent time on photography forums. I joined quite a few debates about artificial intelligence, and in these debates, some people compared new AI tools with other automated camera features. “How is AI any different from autofocus?” is a question I saw in various forms.
Improving Your Photography by Analyzing Your Year
Out of all the pursuits I've tried, I think wildlife photography has got to be one of the most difficult - and I'm including my doctorate in pure mathematics on that list. That's why I like to take some time at the end of the year and go through my...
Getting Closer in Wildlife Photography
Wildlife photography has a difficulty that most other genres lack: It's hard to get close to your subject. Animals are typically wary and will fly or run away if you just walk too close to them - that's why most wildlife photographers carry long lenses in the 400-800mm range and...
Using Panoramas for Wildlife Photography
If you use a prime lens for wildlife photography, the biggest problem is that you can’t zoom out to get the entire animal in the frame when you’re too close. But is there a solution to this problem that doesn’t involve using a different lens? One possibility is to use panoramas!
Sony FE 28-70mm f/2 GM Announced
Along with the a1 II announced earlier today, Sony also released a new FE 28-70mm f/2 GM lens! Although there are already a few 28-70mm lenses for Sony E mount, such as the Sigma 28-70mm f/2.8 DG DN Contemporary, this will be the first with a very bright f/2 constant...
Sony a1 II Announced: The Evolution of a Beast
When it comes to top-of-the-line flagships, the Sony a1 of January 2021 was hard to beat with its 50MP sensor and amazing autofocus. Now, Sony has announced the Sony a1 II, the next step in the camera's evolution. The Sony a1 II improves upon its predecessor with and borrows some...