It is evident to me that images can carry and convey truth – small and capital T – and that most people aren’t actually talking about truth when they talk about objectivity and subjectivity. Strong statement, I know, but I think as usual, the people using the Internets simply bring their own ideas and not really paying attention to how writers define their terms.
I have been fortunate over the years to see a few of the many great apes in the wild. My work includes photographs of some of the highly endangered species such as the mountain gorillas. In this article, I will present my thoughts on the best places to capture these wonderful animals on camera as well as some of the issues I have faced doing so. Finally, I will outline my suggestions for camera and lens selections.
With almost all of our cameras featuring video capabilities (I’m looking at you, Nikon Df), most of you have probably considered going beyond the occasional family video. However, like photography, video requires post-processing for best results, and the prospect of buying After Effects, Premiere Pro, and SpeedGrade just to get your toes wet is daunting for many photographers. What you may not know is that you already have a powerful video-editing program in Adobe Photoshop CC, or CS6 Extended. This is an easy way for photographers to play around with film without purchasing hundreds of dollars worth of software, and is surprisingly effective. I’m certainly not a professional videographer as my example video will show, but I have enjoyed editing a few shorts, just for fun. The two most critical aspects of editing for video (not including cuts/sequencing) are color-grading and sharpening, both of which can be done relatively painlessly in Photoshop using tools you’re already experienced with.
If you haven’t noticed, camera sales are down. I mean, they’re way down. Unsurprisingly, everyone’s scrambling to find a reason why. There’s a video floating around from Mayflower Concepts that, at the very least, explains what is not the cause for the camera sales drop. If you don’t have 50 minutes to watch it for yourself, here’s the “TL;DR” version: It’s not due to the rise of phones with cameras – at least, not in the way you think. It’s not because the economy is in the tank, as most camera manufacturers claim on their financial reports. There’s simply no strong correlation between any of the global financial crises, or the simple existence of cameras on phones, to have any reason to believe either is the cause for a huge drop in sales.
I still remember the first time I came to PhotographyLife.com. Not the exact date I put my digital feet on the site but how I felt the first time I saw the big header with the nice “PL” logo and a clean layout. I felt relaxed and calm, not feeling the need to hurry up through lots of banners and links. I simply felt good and it was that very nice feeling what I remembered from my very first visit.
When traveling for personal or business reasons, many of us grab our cameras to photograph interesting subjects and places. After-all, we do want to come back with good memories and pictures from our adventures. In this article, we will explore the joy of travel photography and provide some tips on how you can take amazing images while on the road. Unless you have the luxury of close access to National Parks or scenic destinations or can travel during the off-seasons, visiting a destination for the first time is something hard to plan for. Prior to each trip, I always browse the Internet to look for interesting locations I may want to visit. It is especially hard to fully explore some National Parks such as the ones in Utah in only under a week. Therefore, pre-planning some hiking trips doable by the whole family within the limited time is a must.
I have thoroughly enjoyed the response from my first article here at Photography Life – both the encouragement as well as the advice to follow my photographic instincts than to be led sideways. It is nice to have allowed a wider audience a peek at my work and hear some constructive feedback on my images and thought process. This article is a bit of a throwback post and is intended to be a general starter guide to photographing the Northern lights. The title is perhaps misleading as the “Northern Lights” are not just a phenomenon of the Northern hemisphere but also occur in the Southern Hemisphere. In the North, it’s generally referred to as the Aurora Borealis whereas in the south, it goes by Aurora Australis. However, my experience, though not vast, has generally been shooting the Northern Lights in Norway and Iceland and this is what I will now expand upon.
I’m Paolo and I have been a Fuji user for a little over a year now. Just like everyone else I was a DSLR shooter before but the weight got to me and I thought of trying unconventional brands. Started with the awesome but slow to “everything” X100 – that is before the firmware updates that made the X100 what it was supposed to be like, now. Anyway, that’s where my love and hate relationship with Fuji started. Well not really hate, it is such a strong word, more of frustrations which I have already gotten over with. I got my hands on a Fuji XF 18-135mm f/3.5-5.6 R LM OIS WR this February in time to shoot the famous Cebu City’s Sinulog Festival “Pit Senor!”. Thank you Marie Dela Cruz of Fuji Philippines for letting me try one!
This content sharing contest came at a fortuitous time; for a while, I had posted essays on books. I let that lapse because I decided to spend more time on photography. Like many others, I have opinions and have wanted to jump back into writing. Great thing for Photography Life to ask for guest posts!
Recently, I have come realize that Mike Johnston’s phrasing of photography as its own thing, is a profound statement of an approach and appreciation of the craft. He has a whole recent series on it at The Online Photographer. At the very least, it is something that appealed greatly to me.
My name is Ajit Menon and I am a hobbyist photographer from New York City. I started shooting seriously in the summer of 2012 when I procured the Nikon D800. The shift from casual amateur to serious hobbyist is itself an interesting story; however this article is focused more on a subtle shift in focus over the last couple of months and beginning to shoot both with a camera I was (until now) too snobbish to accept and also more casual subject matter which I found hard to fit into my (perceived) style of photography.