Photographing the humpback whales of Tonga has been on my personal bucket list for a number of years and finally in 2015 I got to spend nearly three weeks in Neiafu, the main town in the Vavu’a island group in the north of the archipelago, where the majority of the whale watching takes place. The 170+ islands that make up the nation of Tonga are stretched out over a 800km long archipelago, located about 1600 km north-east of New Zealand in the western Pacific Ocean and are basically a long way from everywhere – even for Australians like me!
In today’s digital photography age, most novice bird photographers are happy just capturing a bird portrait with their cameras. After a while, the natural progression is to try and capture some action shots of birds in flight, but that is where most avian photographers struggle. Why? The answer is quite simple; they don’t have enough shutter speed!
For those of us living in the US or Europe it can be a daunting challenge to search for a nearby destination in which we may truly immerse ourselves in nature, specifically without enduring months of near bankruptcy directly afterwards. There are still plenty of hotspots left, especially in Northern Europe, but the signs of civilization can leave one feeling placed in an artificial bubble, albeit a beautiful one. Like it or not, this often is translated into the images we take.
The subject of monitor calibration and profiling can be quite difficult to understand not only for a beginner, but also for professionals working in the field. With so many different hardware and software components, color profiles, bit depth and other related terminologies, one can get quickly confused and lost, potentially ending up with a rather poor working environment. Having a badly-calibrated monitor is not only counter-productive, it is also potentially harmful for one’s business, especially when dealing with paying customers and clients. Due to the complexity of the topic, our team at Photography Life requested help from a real expert, who will be providing detailed information on how to properly calibrate monitors for photography needs. But first, some basic concepts need to be understood. This particular article is just an introduction to cover the basics of calibration and profiling, without going into too many technical details.
The questions are as old as the technical advancements that made the mass reproduction of photographs possible in the first place: What are the role and scope of photography? What is it capable of, where do its limits lie? Which contents are acceptable, how does a photographer need to behave with his or her subjects? The relationship between photographers and the people they capture with their cameras has been discussed on numerous occasions, mainly in the context of war or crisis reporting. Social taboos, artistic freedom and the journalistic mission to document are key elements within this ongoing discussion. Objectives, goals and ethical guidelines have to be newly defined over and over again.
Note: Please read the Importance of Ethics in Photography before reading this article.
The nomadic Rautes are the last hunters-gatherers of the Himalayas. The Rautes, who call themselves Kings of Forests, subsist on langur and macaque monkeys, wild yams, rice and a few kinds of vegetables traded from local farmers. Their main occupation is to trade and exchange of wooden items in nearby villages and bazaars. They migrate from river valleys up to middle hills in the Western parts of Nepal living in temporary camps hidden away from the villages in remote parts of the forests.
So you want to get your flash off camera? If you want to improve your flash lit portraits you need to get your flash off the camera. A great way to start is to use Nikon’s own CLS (Creative Lighting System). Since a lot of people will own one of the Nikon Speedlights, getting it off camera and triggered remotely is a very straightforward and relatively inexpensive task. In this article, we will explore the basics of Nikon’s Creative Lighting System and set things up to photograph an image like this:
Street photography is one of the most feared and uncertain types of photography, in which almost nothing is in your control and almost everything is based on luck, persistence and the ability to see and capture the moment. A lot of new photographers who like street photography for its classy/candid look and feel typically get nervous to actually do it, as it demands a lot of time & devotion, ability to interact with strangers and sometimes even ability to handle stress if things go wrong.
LED lights have been a big trend in the last few years in dance parties, Many of us have photographed events where harsh LED light was used on the dance floor, and these LED lights have flooded our images and prevented us from taking available-light photos without them looking over-saturated and alien. One obvious option is to use a flash, whether ON or OFF camera, but you may be losing those moments where the light is causing interesting shadow situations. A second option is to convert the images to black and white, which is also a good solution, however sometimes you want to show certain characteristics, for example showing a party full of people with red-hair :)
I recently sold my D810 to get the Sony A7R II after it was announced by Sony, so I received it less than a week ago after ordering from Amazon. The specs were too tempting, especially with Nikon being somewhat stagnant in regards to innovation on the mirrorless front. Although I loved my D810 for landscape images, lugging the camera and tripod when going on vacation or hiking with a 20 month old child, has it’s challenges. The thoughts of a lighter set-up and the 5-axis image stabilization is what finally pushed me over; the 42MP BSI sensor was just the icing on the cake as I would have gone to Sony even if they stuck with 36MP.