I am very fortunate to be living in a highly photogenic area of the Czech Republic. It is called Bohemian Paradise (Bohemia is the historical name of one of the regions in the Czech Republic). The dominant feature of the Bohemian Paradise landscape is its sandstone rock formations. But since these rock formations are often hidden in woods, the symbol of Bohemian Paradise is an extinct volcano, which rises above the horizon and can be seen from far away. It is called Trosky. This remnant of an old volcano is rather remarkable as it consists of two towers. On top of them, a medieval castle was built in the 14th century. Today, only the ruins of the once beautiful castle are visible.
Have you ever seen a spectacular image and been flabbergasted when you saw that the photographer was an amateur – and they used their phone? Or looked at the website of a pro only to be disappointed by a slew of boring photos? Maybe you know someone who knows everything about photography has has perfect technique, yet still takes lacklustre images. Counterintuitively, being good at photography does not guarantee good photos.
I am an amateur photographer and have had a DSLR for approximately 10 years. It is only in the last 2 years that I have started to get seriously interested in wildlife photography. I feel like I am in the early days of building a portfolio of images. Living in the middle of a small UK town, like most urban locations, there is a surprising amount of wildlife around. Unfortunately, with a full time job and a small baby I found I had limited time to get to know the animals in my neighbourhood let alone the local nature spots. So when we moved house 3 years ago and were discussing what to do with the derelict patch of land out front and the idea of turning it into a wild flower garden was discussed, I thought it might be a great way to learn some macro techniques.
Hi, my name is Giovanni Ruffinengo and I am a student who likes photography. I currently study mathematics in Italy and for me photography is the constant construction of the relationship between the photographer and the images. Anyway, I would love to own an Owl.
Being married to a university professor has its advantages (and disadvantages, but this is not the time or place…), the most important being the international conferences and research trips. After-all, if one airline ticket and hotel is already paid for, it makes sense to buy another ticket and make a holiday of it, right? So when my wife announced a research visit to Chile in 2013, I didn’t need much encouragement to join her once most of her work was done. The only condition was that she would still need to spend several days of our time together working, and during that time I would be her “official photographer”. Since these “work days” would be at abandoned nitrate mines in the middle of the Atacama desert, you might wonder what the attraction was – but the prospect of “leisure” days looking at volcanoes, salt lakes and mountains soon persuaded me.
Recently I returned to one of my enduring passions: shooting film. I’m Italian and I recently moved to California. In Italy, it’s really hard to find a good lab to develop film and it’s even more difficult to find rolls of film of the brands I like. Here in the US, I felt reborn with new joy: everything is so much easier when it comes to shooting film. All over the world shooting film is getting more popular, it’s in fashion again, and it’s even possible to find photographers returning to analog, ditching digital for paid jobs. In Italy, the business of photography completely revolves around shooting digital: almost no one thinks about film anymore. So for me, it was amazing to take my four 120 rolls to the lab to discover they could be processed only after the order for the previous customer was finished… the lab told me a well-known company with a blue logo based in the Bay area had just delivered a big batch of 70 rolls for processing! I was kind of sad when I discovered my batch was delayed by 48 hours (beyond the usual 24 hours needed for developing, printing the contact sheet and scanning everything in high resolution), but I finally received my processed rolls and you can see some results in the images of this article.
Hi. My name is Elliot Madriss and I teach a successful class at the continuing education facility as part of the University of New Mexico called “Stop Taking Crappy Pictures!”. This class was created as a direct result of my reaction to the very poor quality of images being posted on the Internet and on many professional sites – in my opinion, collectively we are losing our ability to take great photographs. With the advent of incredible cell phone technologies as well as the great sensors that now populate most DSLRs, taking snapshots has been made much easier. However as always, photographs (which are great works of art) are still difficult to take. But don’t blame yourselves, its in your DNA not to see photographically!
On May 15th I graduated from Carnegie Mellon University in Pittsburgh, PA. Pittsburgh is a vibrant city, known for its industrial heritage. Downtown is located at the convergence of the Allegheny and Monongahela Rivers into the Ohio River, called “The Point.” The hills surrounding the city offer excellent viewpoints for photos. I spent my last two semesters at CMU (August through May) creating images of Pittsburgh’s skyline and architecture during my free time. Twenty of my favorite images are shown below accompanied by a discussion of my creative process.
Yellowstone National Park. That is really all one needs to say to get the message across. What could very well be the most photographed National Park in the world needs no introductions. Yellowstone harbors all of the elements that make the “West” of the United States such a compelling area for photographers. It’s combination of landscapes, geothermal activity and wildlife is a photographers dream. And yet, for a place with so many splendors, you would think I would not get so many questions on how and when to photograph massive park.
Lens distortion is a common issue we photographers deal with on a daily basis. It can be split into two groups – distortion by perspective and distortion by optics. Be it one or the other, it often causes unnatural-looking deformation of photos we take. As a result, we end up searching for ways to address distortion issues in the field, or afterwards in post-production. Usually lenses with longer focal lengths produce less distorted results than wide-angle lenses. And as you might already know, distortion is much more noticeable closer to the edges of the frame than in the middle. If you shoot landscapes or cityscapes at wider focal lengths and you have straight vertical elements near the corners of the frame, distortion might significantly bend and skew those elements, making them look very strange. There are several ways you can address such problems, so let’s talk about those now.