Long exposure photography can produce stunning photos. Nighttime shots can bring out unexpected detail and create amazing light effects. Daytime long exposure can create images with haunting moods and ethereal imagery. None of this is actually hard to achieve, but it does take a little thought and preparation. Here are some tips to ease you into long exposure photography.
I’m Paolo and I have been a Fuji user for a little over a year now. Just like everyone else I was a DSLR shooter before but the weight got to me and I thought of trying unconventional brands. Started with the awesome but slow to “everything” X100 – that is before the firmware updates that made the X100 what it was supposed to be like, now. Anyway, that’s where my love and hate relationship with Fuji started. Well not really hate, it is such a strong word, more of frustrations which I have already gotten over with. I got my hands on a Fuji XF 18-135mm f/3.5-5.6 R LM OIS WR this February in time to shoot the famous Cebu City’s Sinulog Festival “Pit Senor!”. Thank you Marie Dela Cruz of Fuji Philippines for letting me try one!
This content sharing contest came at a fortuitous time; for a while, I had posted essays on books. I let that lapse because I decided to spend more time on photography. Like many others, I have opinions and have wanted to jump back into writing. Great thing for Photography Life to ask for guest posts!
Recently, I have come realize that Mike Johnston’s phrasing of photography as its own thing, is a profound statement of an approach and appreciation of the craft. He has a whole recent series on it at The Online Photographer. At the very least, it is something that appealed greatly to me.
I have been a photographer for over 20 years and have worked on several projects here in Brazil. My work is quite diverse, but I love shooting portraits, particularly environmental portraits. I started to like this site back when it was Mansurovs and it helped me a lot in finding out about the Nikon 24-120mm f/4G VR lens, which I use a lot today, despite being a fan of prime lenses.
The growing popularity of street photography is probably best explained with one word: accessibility. Street photography is accessible both because of location (big surprise – there are lots of streets in the world. Go outside. There’s a street. Right there…) – and because you don’t have to be a full-time “professional” photographer with thousands of dollars worth of equipment. Just go out and shoot. Heck, the genre of street photography doesn’t even require you to be on a street. Just go and shoot. Simple, right?
My name is Ajit Menon and I am a hobbyist photographer from New York City. I started shooting seriously in the summer of 2012 when I procured the Nikon D800. The shift from casual amateur to serious hobbyist is itself an interesting story; however this article is focused more on a subtle shift in focus over the last couple of months and beginning to shoot both with a camera I was (until now) too snobbish to accept and also more casual subject matter which I found hard to fit into my (perceived) style of photography.
Antarctica…. a place I never thought I would visit. A place on the bottom side of Earth where few people go. Most of my friends, when they learned I would be taking this trip, asked: “why Antarctica? What’s to see besides penguins, seals and ice?” For me and most photography friends of mine, Antarctica is on our bucket list. Not just for the photographic opportunities, but for the natural beauty all around that cannot be described by any word other than awesome. My partner in this adventure was my 34 year old, world traveler daughter. We are both amateur photographers, me more amateur than her. This was an extraordinary father-daughter bonding trip.
In my dream life, I would be a fashion and documentary photographer, but until that happens, I’m a barista. Every day I show up to work, serve the same customers, make the same drinks, hit the same cash button on the register, wipe the same tables and bake the same pastries. It can get a little mundane after two years. Everyone has to work, pay the bills, put in your due time so you can play later, right? This was my thought process for years. I always thought I would need to work a full-time job in order to support my true passion, creating images. But in reality, why can’t the two go hand-in-hand?
Astrophotography is a hobby rapidly gaining popularity thanks to the fast advancing CMOS sensor technology. Over a decade ago, the light recording material employed in astrophotography was primarily chemical emulsion. Its low sensitivity makes it very hard to record the weak signal from deep space. In addition, the lack of real-time feedback is a huge source of frustration for beginners. Operational errors such as out-of-focus can only be realized after several nights of hard work after the film is developed. In the mid 90s, the advent of cooled CCD cameras provided solutions to both the sensitivity and real-time feedback problems. However, their high prices and miserably small sensor areas limited their uses to only a few kinds of astrophotography and to very enthusiastic astrophotographers. While CCDs revolutionized astronomical research, this technology has never really changed the landscape of amateur astrophotography. The true turning point took place in 2002. After Fujifilm announced its FinePix S2Pro DSLR and showcased amazing astronomical pictures taken by this camera, people started to seriously explore DSLRs for astrophotography. DSLRs can provide real-time feedback, which is very important for beginners. They have sensitivities not much worse than CCDs, and DSLRs with large sensors (APS-C) are quite affordable nowadays. Today’s landscape in astrophotography is shaped by a series of CMOS-based DSLRs from Canon, but DSLRs and mirrorless cameras based on Sony sensors are gaining popularity very quickly.
Earlier this year I had a chance to go on a safari to the Serengeti to see the Great Migration and other wonders. After reading Gord Aker’s excellent article about his trip to Africa I thought it could be interesting to make a field report and share my experience with the brand new Sigma 150-600mm Sport which accompanied me during the trip.