Announced just eight months after the Sigma 100-400mm F/5-6.3 DG OS HSM Contemporary lens, the Tamron 100-400mm f/4.5-6.3 Di VC USD gives photographers a similarly priced alternative to the highly successful Sigma offering. Both lenses compete in a market segment that remains unexploited by the likes of Canon and Nikon.
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Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Review
The following is a review of the Sigma 100-400mm F/5-6.3 DG OS HSM Contemporary lens which was released in February of 2017 as part of Sigma’s affordable “Contemporary” lens lineup. The introduction of the Sigma 100-400mm F/5-6.3 DG OS HSM C lens is a logical one for the company as it competes in a market segment that remains unexploited by the likes of Canon and Nikon.
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Recommended Sony A7 III Settings
Released five years after the original A7, the Sony A7III marks the third generation of Sony’s ‘entry’ level full-frame mirrorless camera series. Based around an updated 24.2-megapixel back-illuminated full-frame sensor, the A7 III punches well above its weight with a rich feature including a 693 phase-detect autofocus system, 10 frames per second, internal 4k video, and silent operation. With an attached price tag of $1,999, the A7 III might be the most complete entry level full frame camera model on…
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Sony A7 III Review
This is an in-depth review of the Sony A7 III, the third iteration of the company’s ‘entry-level’ full-frame mirrorless camera that Sony released in the spring of 2018. Calling the A7 series ‘entry-level’ is a bit misleading, rather it is less specialized and seeks to appeal to a broader range of photographers at an accessible price point. It doesn’t offer the same high resolution as the A7R series, the same low-light and video-centric features of the A7S series or the…
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Sony FE 70-300mm f/4.5-5.6 G OSS Review
A traditional weakness of Sony’s FE lens lineup has been the number of options available at the telephoto end of the range. The issue has been somewhat rectified in recent years with the release of the Sony FE 70-300mm f/4.5-5.6 G OSS, Sony FE 100-400mm f/4.5-5.6 GM OSS and Sony FE 400mm f/2.8 GM OSS lenses, with the latter two options commanding hefty price tags of $2,499 and $12,999 respectively. Of these three options, only the Sony FE 70-300mm f/4.5-5.6…
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Sony FE 24-105mm f/4 G OSS Review
Announced alongside the Sony Alpha A7RIII mirrorless camera body last year, the Sony FE 24-105mm f/4 G OSS is a significant addition to Sony’s standard zoom lens lineup for their FE mount. Before its release, Sony users had a bit of a tricky choice when it came to selecting a standard zoom lens for their kit. At the top of the lineup was and remains the fantastic Sony FE 24-70mm f/2.8 GM lens. It’s an outstanding performer but an expensive…
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Sony FE 55mm f/1.8 ZA Lens Review
Introduced alongside Sony’s first full-frame mirrorless cameras in 2013, the Sony Sonnar T* FE 55mm f/1.8 ZA lens was the first fast-aperture, “standard” focal length prime lens available for the FE mount. The 50mm prime lens has seen a resurgence in popularity in recent years, with many new lenses in this focal range introduced by lens manufacturers over the last half-decade. Sony themselves now offer four different 50mm prime lens options for the FE mount. Beyond the FE 55mm f/1.8…
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Sony RX100 VI Review
Announced in June 2018, the RX100 VI is the latest iteration of the Sony’s RX100 series of pocketable high-end compact cameras. The last few years haven’t been kind on point-and-shoot cameras with smartphone cameras now the tool of choice for most casual photographic situations. This has nearly eradicated the point-and-shoot camera market, but one niche segment remains seemingly unscathed: advanced bridge cameras like the Sony RX100 VI. With its large 20.1-megapixel stacked 1-inch imaging sensor, the RX100 VI captures more…
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Canon EF 70-200mm f/2.8L IS II USM Review
The 70-200mm focal length f/2.8 lens has become a staple in the photography world with each camera manufacturer offering their variant on this now classic design. The history of the autofocus-capable 70-200mm f/2.8 lens within the Canon universe stretches all the way back to 1989 with the introduction of the Canon 80-200mm f/2.8 L lens, whose high quality and innovative design went a long way in cementing Canon’s strong market position heading into the 90’s.
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Tokina 300mm f/4 ATX Review
Recently, as I packed my cameras for a trip, it dawned on me how much the contents of my camera bag have changed since the first days of my photographic journey. With all the professional grade Canon cameras and lenses neatly tucked in my bag, it was easy to forget that it wasn’t so long ago when my camera of choice was an entry-level DSLR (Sony A100) and a consumer-grade telephoto zoom lens in the form of the Tamron 70-300mm.…
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