Not another postcard article, surely? Relax, it is in no way attempting to reach the calibre of the excellent recent articles on here. Just think of it as filler or a break from the technical stuff with some images that are merely intended to bring a place to you and to encourage people to go out shooting.
A city I’ve had the good fortune to visit no less than seven times so far, one short article cannot hope to do it enough justice. Having a beautiful female friend there to look after me is obviously a magnetic incentive but Plovdiv itself is Bulgaria’s second city and cultural capital, a juxtaposition of modernity and history with all the amenities one might expect, and simultaneously one of Europe’s oldest continuously inhabited cities.
I recently returned from a few days in Gothenburg and thought I might share some photos from this beautiful Swedish city.
I’ve written before about making the familiar unfamiliar with a view to creating a more original image or a different take on something. An important element of making an image more interesting than a mere capture can be to reveal a story or intrigue within it. In a world awash with random snaps and selfies it can be a challenge to find images that hold our attention.
Better ice up a cold one. It’s hot out there. But the heat is the least remarkable characteristic of Costa Rica, paling into an afterthought behind its truly exquisite flora and fauna. A natural wonderland of incredible wildlife, its inhabitants thrive in mangroves, lakes and under a lush rainforest canopy shrouded in cloud and mist.
So while new gear is released and debated and salivated over this month I humbly submit that it may be worth a reminder as to why it means anything to us at all. Something to do with taking photos, I think, I’m not really sure. But while a newer sensor or greater ISO range or more AF points gets your hearts racing again as when the world was new, at some point we’ll need to remember to take some photos. This is in no way to diminish the enthusiasm people have for new equipment but perhaps I can be a small counterpoint to the frenzied gear fetish and dwell on some images.
As yet another new year beckons (entirely too quickly for my liking; I still vividly remember 1986!) we may be reflecting on the photography we have made this year but also on what we aspire to in the coming year. I’m sure most of us want to improve our skills and produce better images. Perhaps some of us simply want a newer camera and more pixels. Maybe those of you who do it for a living want more clients and more success for your business. Perhaps the hobbyists among us are wondering if we need to specialise in a particular genre. Is our poison landscapes, architecture, wildlife or street? Or perhaps we want to leave the camera on the shelf and spend more quality time with our families.
There must be something very rotten in the state of Denmark when Alpha Whiskey starts talking about gear. Have I completely lost my mind?! Did I give in to the Dark Side of The Force? What’s the matter with me? Joking aside, this isn’t as comprehensive a look at a camera as one of Nasim’s reviews. I’ve always had a tremendous appreciation for the Herculean effort he puts into his reviews; now that I’ve written this brief article about a camera myself that appreciation is infinite. And while our gear is secondary to our creativity, of course the latter benefits from the former; it’s just not something I usually spend my time worrying about.
Less philosophy and more actual photography this time, leading the eye into a scene is one of the tenets of composition (at least for me) and there is a multitude of ways in which this can happen. An image of something or somewhere can be a more rewarding experience for the viewer if they are led into, through or across it, spending longer to absorb and take in the scene. Advanced photographers will (I hope) forgive the simplicity of this article; I am no kind of expert on composition but I thought I would share some ideas.