Many photographers who are new to super-telephoto lenses quickly discover that tripod feet supplied by all manufacturers on modern lenses are simply not suitable to be mounted on regular tripod heads. Unfortunately, whether it is Nikon, Canon, Sony or a third party lens manufacturer like Sigma, they all supply non-standard tripod feet with their lenses.
For new lens owners, it can be a rather frustrating experience trying to figure out which tripod head would fit their large and heavy lenses because nobody wants a lens worth thousands of dollars to end up crashing on the ground. And since most tripod plates are only equipped with a single mounting point, it can be extremely unstable and even potentially dangerous to mount anything heavier than a few pounds on them.
The solution, which has become somewhat of a standard nowadays, was developed by a company called Arca-Swiss back in the 1990s and since then has been popularized as “Arca-Swiss Quick Release System”. The idea behind this quick release system is quite simple but very effective. Almost all professional photographers that use super-telephoto lenses have adopted the Arca-Swiss quick release system and more photographers are converting even their regular cameras to this format for ease of use, stability and compatibility reasons.
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What is Arca-Swiss Quick Release System?
The Arca-Swiss quick release system is based on a two-piece mechanism. The first piece, generally referred to as a “plate”, is attached to a camera or a lens (or any other device). It comes in a standard, “arca-style” 35mm wide form with a 45° dovetail and can vary in length. Here is an example of a fairly long Arca-Swiss plate that is used for super-telephoto lenses with two mount spots:
The second piece is the mounting base, generally referred to as a “clamp”, where the plate gets attached and secured (generally resides on the top of a tripod head). The clamp can be fully opened, allowing the plate to be dropped in and secured, or can be partially opened to allow the plate to be slid into the position.
The biggest advantage of the Arca-Swiss quick release system is this ability to slide the plate without having to worry about mounting or dismounting anything. The 45° dovetail on the plate, as pictured above, allows the equipment to be moved across the clamp and secured in a specific location using a side knob or a locking release.
Arca-Swiss Plates for Cameras
Camera plates are typically attached using a single standard screw of 1/4-20 (per ISO 1222:2010 standard). Since plates can be made for specific camera models, they can vary in shapes and forms on the camera mounting side. The bottom quick-release side, however, must always stay the same.
There are a number of different types of Arca-Swiss plates. Let’s go through some of the most common ones out there.
Camera Base Plate
The simplest of all Arca-Swiss plates is the “base” plate, typically a single-piece CNC-machined component that gets mounted on the bottom of the camera. Although there are a number of generic Arca-Swiss base plates available that will fit most cameras, the best plates are those that are specifically manufactured for a given camera body. Such plates have better fit since they are shaped to match the camera, and they often attach more securely than generic plates. However, camera-specific plates often cost more, and cannot be reused with another camera body.
Here is an example of an Arca-Swiss plate from Really Right Stuff for the Nikon D850 DSLR:
And here is how it looks once mounted on the Nikon D850:
L-Bracket
While generic or camera-specific base plates work well, many photographers find them inconvenient to use when switching between horizontal and vertical orientation. For this reason, the “L”-shaped bracket, also known as “L-Bracket” is more practical, because it allows photographers to simply release the plate and reattach it from the side, rather than fiddling with the angle of the tripod head. Here is an example of a single-piece L-bracket for the same Nikon D850 DLSR:
And here is how it looks when mounted on the Nikon D850:
I personally love single-piece L-brackets and buy them for every camera I own. They are lightweight, and they save a lot of time in the field when I need to quickly switch from horizontal to vertical orientation and vice-versa.
Most L-brackets allow for maximum flexibility for mounting cameras, while still allowing access to side panels. However, some cameras make it hard to design L-brackets due to large side panel doors and other issues, which calls for a modular bracket approach.
Modular Brackets
Modular brackets offer flexible design, allowing other bracket components to be added for specific needs. For example, a modular L-bracket usually comes in two pieces – a camera base plate, and a side plate that can be attached to the base plate using screws. Manufacturers like Really Right Stuff provide flexible modular plates that are easy to attach and detach as needed, and they often even provide a Hex Allen Wrench as part of the design of the base plate, as shown below:
If you have the choice between a single-piece L-bracket and a modular L-bracket for your camera, my recommendation would be to go with a single-piece design, because it is going to be smaller, lighter and simpler to use.
Lens Feet and Collars
While such plates work quite well for cameras, they are not suited for lenses with a tripod foot. For heavy super-telephoto lenses, there are special replacement arca-style feet and collars that are also specifically designed for each lens. Some of them are interchangeable (for example, a number of Nikon super telephotos like 300mm, 400mm, and 500mm mount exactly the same way), but mostly, you have to purchase a different model for each super-telephoto lens.
It is best to buy such replacement feet for each lens though so that you don’t need to worry about changing feet in the field with the potential of losing screws and other parts. Here is an example of a replacement foot from Kirk:
And here is how it looks when mounted on a lens and on a clamp:
Gimbal Heads
As you can see, the long foot allows for movement on the base mounting clamp and is designed to balance the camera and lens combination. This is another huge advantage of the Arca-Swiss quick release system, as it could be used with a Gimbal-type tripod head that allows for very fluid motion of the setup for photographing fast-moving subjects.
Once fully balanced, one does not have to worry about securing the tripod head, which saves a lot of time and energy when shooting in the field. Wildlife photographers often choose Gimbal-type heads as their top choice for this reason alone. Here is the Jobu Design’s DMG-HD4 (a great alternative to the famous Wimberley WH-200):
Once a heavy super-telephoto lens is balanced and secured on the clamp through its arca-style foot, both vertical and horizontal movements are possible without the need to constantly fiddle with various adjustments and knobs. While tripod ball heads have the tendency to quickly drop the setup towards the heavy side even at a slight angle, the Gimbal head system does not do that (provided that it is balanced).
Clamps
Over the years, manufacturers have been coming up with more creative ways to design their Arca-Swiss quick-release clamps. Today, you can find everything from the most basic screw-knob clamps to more advanced panning and sliding clamps for different photography needs such as panorama and macro photography. Here is an example of an extended clamp from Kirk:
And here is my favorite Really Right Stuff panning clamp that I have been using for years:
Panning clamps are great for general photography, as well as specialized needs like panoramic photography. With a panning clamp like the one above, you can buy a nodal slide for creating single row panoramas, or you can get a complex and expensive multi-row panorama setup with multiple panning clamps for both vertical and horizontal motion. See my article on how to create panoramas for more details about panoramic photography.
Versatility and Other Uses
Thanks to the versatility of the Arca-Swiss quick release system, it can be effectively used for pretty much any photography needs – from panoramic and 3D photography to complex macro setups. Since the plates can move up and down the clamps, opportunities for different setups are practically limitless. As a result, there are many different products and solutions on the market for all kinds of camera gear. And the best part is that you can mix and match different products without having to worry about compatibility issues because the standard for the plate is mostly the same.
Most Popular Brands
Here is the list of the most popular brands that manufacture Arca-Swiss quick release plates, clamps, ball-heads, and other accessories:
- Arca Swiss (Buy at B&H Photo)
- Really Right Stuff
- Kirk Enterprises (Buy at B&H Photo Video)
- Acratech (Buy at B&H Photo Video)
- Giottos (Buy at B&H Photo Video)
- Jobu Design (Buy at B&H Photo Video)
- Wimberley (Buy at B&H Photo Video)
- Markins
- Novoflex (Buy at B&H Photo Video)
- Hejnar Photo
- Sirui (Buy at B&H Photo Video)
- Sunwayfoto (Buy at B&H Photo Video)
- MeFoto (Buy at B&H Photo Video)
I use Manfrotto tripods and tripod heads. Not compatible with Arca-Swiss, correct? Since when Arca became the “standard?” I really thought/was under the impression Manfrotto was the standard, or that quick release plates’d fit either brand. So for Arca plates I need Arca (tripod) heads?
It should be said that the Arca-Swiss system is a technique and in no way a standard. There are as many sizes of plates and clamps as there are cameras. One size does not fit all.
Hallo!
Have lens SIGMA 105mm with Arca -swiss tripod collar TS-111 and a Manfrotto 190 Go tripod with MH804-3W head. Which platform -clamp is suitable?
Thanks
Stavros from Greece
My guess is that it will be the original Arca-Swiss standard but I don’t know. You could always ask Sigma. If it is, RRS bayonet clamps will not work because they’re not adjustable. Any screw clamp should be OK or a combined screw/ bayonet clamp such as from Acratech.
Are there any L-Brackets that are not Arca-Swiss compatible? I have two tripods, but different plates, neither Arca.
My hope is to find something that lets me screw the plate into the bracket. Not ideal, but cheaper than replacing.
There is not a single Arca-Swiss standard. Most American ones diverge from the original Arca-Swiss standard and most Chinese ones conform to it. My solution is to use clamps that have both bayonet and screw modes so anything will fit but you still have the convenience of bayonet. Acratech and Sunwayfoto make them for example.
Hi everyone, well I bought the Arca-Swiss Monoball X-Table System (802330). It took me a while to figure out how to mount this to a tripod without the monoball manufactured by Arca-Swiss. I found a Kirk QRC-3.18 Arca-Type Quick Release Clamp that looks like it will work to secure the X-Table to my tripod.
The second issue is that the camera plate I bought is the Arca-Swiss Cameraplate for SLR Index monoball Fix (802270) and it does slide all the way onto the X-table. There are two pins in the clamp that holds the camera plate to the table. These pins run into the 1/4 screw head that attaches the camera to the plate. Did I purchase the wrong camera plate? I’m using a Canon 5DSR. Thanks ! joe
Thank you Nasim for the useful article. I was wondering if any of these L-bracket could be used in a fluid video head quick release plate of manfrotto video tripod for portrait orientation shots?
Thank you
Hi Nasim,
I came across your ‘What is Arca-Swiss…’ feature whilst looking for information on macro focussing rails, and spotted a typo. You indicate that Arca-Swiss plates are 35mm wide when they are actually 38mm. I have an assortment of ‘Arca-Swiss’ items.Mostly RRS but also some of Chinese and European origin. All measure 38mm within a tenth or two of a millimetre.
You probably realise that, despite the name, Arca-Swiss is actually a French company. They have many other interesting products (with equally interesting prices!!!!) but many of these are not what we would call Arca-Swiss compatible. In fact they have several sizes and shapes of rails etc, depending on the nature of the product.
I looked long and hard at the RRS BH-55 + PCPro but I bought the Surui K-40X and PCPro instead.
The reviews of the K-40X do not do justice to the heft and quality feel of this ball head.
However… both BH-55 and K-40X are very hefty grenades.
They are quite large, heavy and ooze luxuriousness.
I admit being quite surprised at the high quality of the Surui made-in-China product.
At first, I wanted to use the ball head for double-duty on a monopod.
Big mistake. Too big, too heavy, too clumsy.
I bought the Surui L-10 instead, and fitted it with an RRS B2-mAS mini clamp for camera bracket orientation.
I certainly like the RRS stuff, but find it vastly expensive.
My RRS panorama components are superbly made, and priced as such.
I own the PC-PRO panning base, and find it every bit as thick and sticky as the Surui panning base.
That said, Buy Once and Cry Once.
Caveat: Buy Right the first time, or cry repeatedly as you swap equipment.
Carefully examine all your needs and buy components that interchange.
RRS products are Tinker Toys or Erector Sets for Big Boys.
The BH-55 + PCPro is the right idea for panorama work.
My solution was the K40-X and PCPro panning clamp.
The ball levels the panning clamp, which is fast and easy.
Panning from the ball head panning base is an exercise in frustration because you have to level the tripod.
Many thanks to Nasim for his in-depth coverage.
Much appreciated.
I do use RRS L-Plate (for Pentax DSLR camera) together with Arca Swiss Monoball Z-1 equipped with QR clamp (I believe there were also screw-clamp versions sold). RRS plate fix in Arca Swiss clamp is rock solid, but somehow slow, as the small range of QR lever allows only to slide the L-plate into the clamps from the side, but not to put the plate from the top of the clamp and then to fix (like do most of the regular QR systems, Manfrotto/Gitzo including).
I also have Gitzo 2xxx-series rectangular plates, which I found too fiddling with long lenses (esp. when put aside to vertical shooting) used with Gitzo 2xxx-series ballhead so I went into L-bracket and Arca Swiss route, and I also have Manfrotto hexagonal plates designed for medium format which robust are and rock solid with corresponding Manfrotto hexagonal clamps (I have no idea if Manfrotto make them any longer?), but somewhere cumbersome with APSC body due to plate size. The legs are Gitzo 2xxx series.
I find RRS L-Bracket very helpful to keep camera body both in horizontal and vertical (esp. when camera prism is to the right side) shooting, I do not use battery grips as I prefer L-bracket over them.
Anyone have a solution for a L bracket to fit Nikon D7200 with MB-D15 grip using the RRS BH-55 ballhead with the Quick Release Lever.
All I can see on RRS website is the plate only (BMBD15: Plate for MB-D15 grip) L bracket is not made for the Nikon grip.
Thanks for any help.