Nikon 35mm f/1.8G FX Preview

Nikon 35mm f/1.8G FX Image Sample (3)

A number of our readers have been asking us for some information regarding the new Nikon 35mm f/1.8G FX lens, requesting a review and a comparison with the Sigma 35mm f/1.4 lens (see my in-depth review). While the review is definitely in the pipeline, I thought it would be nice to provide a preview of my observations so far, along with some image samples from my recent trips. At $600, the full-frame Nikkor 35mm f/1.8G is another “value” lens from Nikon when compared to its super expensive brother, the Nikon 35mm f/1.4G. It is $300 cheaper than the Sigma 35mm f/1.4, and both significantly smaller and lighter in comparison. So for those that are looking for a lightweight alternative to the Sigma 35mm f/1.4, the Nikon 35mm f/1.8G FX might be a great lens to buy. Let’s take a look at the lens in a little more detail.

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Nikon 35mm f/1.8G Sample Images

Nikon 35mm f/1.8G Sample Image (2)

I have been playing with the new Nikon NIKKOR 35mm f/1.8G ED FX lens for a week now and have taken it out a few times when the weather got a little better (it has been snowy and extremely windy during the past week here in Colorado). So far the lens seems like another winner. It is small, lightweight and is capable of rendering images with beautiful colors and high contrast. While I have not performed any lab tests, judging from the images I have captured so far, it seems to be very sharp optically, from the center to the corners at infinity:

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Sigma 18-35mm f/1.8 Review

Sigma 18-35mm f/1.8 DC HSM

This is an in-depth review of the Sigma 18-35mm f/1.8 DC HSM Art lens, world’s first constant f/1.8 zoom lens for DSLR cameras that was announced in April of 2013. Despite the recent trend of manufacturers to move their customer base to full-frame format, Sigma took a bold move and announced the professional-grade Sigma 18-35mm f/1.8 Art for DX/APS-C format only. With a focal range equivalent to 27mm-52.5mm in 35mm format, the lens provides a good range to work with for a variety of different needs and applications. And with its fast constant aperture of f/1.8, the Sigma 18-35mm opens up opportunities to shoot in low-light situations, something that was previously only possible with fast aperture prime lenses. Lastly, Sigma’s pricing of $799 MSRP for the lens made it the top choice in terms of value when compared to pro-grade lenses such as the Nikon 17-55mm f/2.8G DX, which sells for almost twice as much and does not offer the same low-light advantages.

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Popular Lens Combinations for Wedding Photography

Nikkor AF-D 85mm f1.4 Sample Image 1

When asked what gear I use most for my work, I will first of all give tribute to the classic fifty and talk about how useful and versatile it is for my style of shooting. And yet I would never willingly rely on that lens alone, no matter how much I liked it. Nor should someone else, really. In this follow-up article I will describe the two most popular lens combinations used among professional wedding photographers. Both of these lens combinations are enough to cover the biggest part of the wedding and, in that context, can be called workhorse lenses. One of the duos is used primarily by fixed focal length lens shooters, the other is very successfully used by photographers who largely prefer zoom lenses. Each of the combinations has their advantages and disadvantages when compared to the other, but whether one is better than the other remains very subjective. Please note that lens choices presented below are a result of a mini-research, where we asked a number of wedding photographers what two lenses were their favorite / most used.

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Official Fujinon XF 10-24mm F/4 Image Samples

Fujinon XF 10-24mm f4 R OIS Lens

The rate at which Fujifilm X-mount compact camera system is growing is simply remarkable. I admit, I am very drawn to the system and really like what Fujifilm is doing (thus pardon any subjectivity that might creep in at times). To think that it was launched such a little while ago and yet already has such a versatile selection of cameras and lenses, it is beyond what we’re used to seeing in modern digital camera market. The two most recent Fujinon lenses – the XF 10-24mm f/4 R OIS and XF 56mm f/1.2 R – filled in what was arguably the biggest gaps in the system. The first one addressed the wide-angle issue in what we think is a very well-sorted package, while the second finally offers both the aperture and focal length suitable for close-up shallow depth-of-field portraiture. We are excited about both these new lenses along with the XF 23mm f/1.4 R and those soon to come.

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Fujifilm XF 10-24mm f/4 Lens Announcement

Fujinon XF 10-24mm f4 R OIS Lens

Fujifilm has just announced a new addition to its lens lineup – the Fujinon XF 10-24mm f/4 R OIS. Although it came as no surprise thanks to Fujifilm’s official lens roadmap, the lens was still highly awaited, and for good reason. It now offers the widest angle of view of any Fujinon X-mount lens, while still carrying a moderately fast aperture of f/4. In addition to that, it also offers optical image stabilization, which makes it a Fujifilm equivalent to Nikon’s highly regarded AF-S 16-35mm f/4 VR – a lens that helped prove image stabilization is, in quite a few situations, useful even at the widest angles of view.

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Nikon NIKKOR-S Auto 50mm f/1.4 Ai Review

Nikon NIKKOR-S Auto 50mm f/1.4

We are back again at reviewing some of the lens classics and this time we have the Nikon NIKKOR-S Auto 50mm f/1.4 (Ai modified), which was first manufactured way back in 1962. One of our readers, Joe Ridley, was kind enough to send a number of Nikkor classics, and this lens is the second one that we are reviewing. Nikon has made so many different 50mm lenses its in 80 years of optical history, that the list of just 50mm lenses can get quite overwhelming. Many of us look at the modern 50mm primes without realizing that among all manufacturers, Nikon has the longest history of making these lenses. In fact, the very first Nikkor 5cm lens was made in 1937 specifically for Canon rangefinder cameras! And it is also worth pointing out that Nikon invented the very first 50mm f/1.4 lens after the World War II. This particular NIKKOR-S classic was designed for Nikon’s rangefinder cameras. Today, it is hard to find a converted version that works on modern DSLRs (mostly non-Ai versions), but you can snatch one for about $50 and get it converted for another $20-30. Or if you bought the new Nikon Df, you will be able to use this lens without having to convert it!

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Nikon NIKKOR-H Auto 28mm f/3.5 Ai Review

Nikon NIKKOR-H Auto 28mm f/3.5

Thanks to your support, we will be publishing a lot more reviews of the old Nikkor classics that we either purchased on auction sites, or loaned from our readers. This is a review of a true classic, the Nikon NIKKOR-H Auto 28mm f/3.5 (Ai modified), which was manufactured way back in 1959. One of our readers, Joe Ridley, was kind enough to send a number of Nikkor classics, and this lens is the first one that we are reviewing. Please note that such reviews of classic lenses will be limited to one page, with a small number of image samples. Still, full lab measurements will be performed on each lens for thorough analysis and comparisons.

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Nikon 18-35mm f/3.5-4.5D Review

Nikon 18-35mm f/3.5-4.5D

This is an in-depth review of the Nikon 18-35mm f/3.5-4.5D IF-ED, a variable aperture zoom lens that was released a long time ago, in year 2000. The lens has been recently replaced with the Nikon 18-35mm f/3.5-4.5G ED, which I recently reviewed and praised for its superb performance. I decided to post this particular review, because it might be useful for those that are considering purchasing the lens at a bargain price, now that it has been replaced and will soon be discontinued. Plus, I have all the data I need for a detailed review.

Nikon 18-35mm f/3.5-4.5D

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Nikon 18-35mm f/3.5-4.5G Review

Nikon 18-35mm f/3.5-4.5G ED

This is an in-depth review of the Nikon 18-35mm f/3.5-4.5G lens, which was announced on January 27, 2013 together with the super telephoto Nikon 800mm f/5.6E VR. The lens replaces the existing 18-35mm f/3.5-4.5D, an old autofocus lens released back in August of 2000. With its rather weak optical design optimized for film cameras, the old version was never quite considered to be among Nikon’s top performing lenses. It suffered from decreased corner performance, strong distortion, vignetting and chromatic aberration issues, making it a weak candidate for modern DSLR cameras. After 13 long years, Nikon finally completely revamped the design of the lens and reintroduced it to the market as a budget lens for modern full-frame cameras. The AF-S NIKKOR 18-35mm f/3.5-4.5G ED went through drastic changes in optical design and now looks nothing like its predecessor both physically and optically.

Nikon 18-35mm f/3.5-4.5G ED

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