Nikon has a long history of making professional 70-80 to 200mm focal length zoom lenses, but aside from the very old 70-210 f/4 AI-S and AF lenses, it has never had an affordable and lightweight constant aperture f/4 model in its line. With its arch-rival Canon making a 70-200mm f/4L lens since 1999, and the high cost of the 70-200mm f/2.8G VR II model, Nikon was often criticized for not providing an f/4 alternative. After many years of delays, Nikon finally announced a lightweight alternative to the f/2.8 version in October of 2012 – the AF-S Nikkor 70-200mm f/4G ED VR, which is designed to work on both full-frame (FX) and cropped-factor sensor (DX) DSLR cameras.
I know that many of our readers have been patiently waiting for me to publish my upcoming Nikon 70-200mm f/4G VR Review (Update: the review has been posted right here). While the review is under way, I have a lot of gear in my hands that I need to test and hence, it is a little delayed. Thanks to my friend David Bassett, I had a chance to play with the 70-200mm f/4 for the last couple of days until I receive my copy from B&H (should be arriving later this week, along with the Sigma 70-200mm and Tamron 70-200mm). One of the first things I did after I got the lens, was mount the lens on my D800E and test it in a lab environment for its resolution capabilities. As you can see from the below comparisons with my beloved Nikon 70-200mm f/2.8G VR II, the 70-200mm f/4G VR performed incredibly well. I am stunned and seriously in love – wife said that she doesn’t mind :) Once again, Nikon produced an absolute winner, a true gem that will quickly become a favorite lens by many. First, we had the 50mm f/1.8G, then the 85mm f/1.8G and now the 70-200mm f/4G. As I have said before, it is a good time to be a Nikonian! Superb camera bodies, excellent lenses – a great system overall.
So here is the Nikon 70-200mm f/4G VR @ 70mm:
Buying a DSLR often means having several accessories to go with it, among which are lenses. But choosing your first lens isn’t easy – there are so many choices available at so many different price points, which can make it quite confusing for a beginner to find a lens for a particular need. In this article, I will discuss several budget Nikon fast prime lenses most suitable as a first step into the fixed focal length world. Which Nikon prime should you buy first? Which one would make the most sense? You need a lens to stay on your camera for years to come, you need it to be good for family portraits and some occasional snaps. Or maybe even for your future photography business – who knows?
Well, read on as I highlight the strengths of each affordable fast prime Nikon has to offer. I hope this article will help you with this tough choice most of us had to make at one point or another.
1) Why Buy a New Lens?
So you bought yourself a brand spanking new DSLR and now you want better pictures. Where do you start? When our images do not turn out good, we usually blame the camera, without even having the patience and time to learn how to use it. Do you find yourself using the camera in Auto mode all the time? If yes, then why don’t you first educate yourself and learn what those other “PASM” modes are for? We have plenty of beginner tutorials on this website and our photography tips for beginners page is a good place to start.
Just like we covered last week, Nikon today officially announced the Nikon 70-200mm f/4G ED VR lens, a cheaper and lighter version of the Nikon 70-200mm f/2.8G ED VR II. While we knew about the lens and some of its basic specifications, more detailed information, including pricing was not yet available until today. I was really hoping that Nikon would price the 70-200mm f/4G VR right and I am excited to see that the price of the 70-200mm is $1,399.95, right what I thought it would be. This is exciting news for many of us that want quality optics at an affordable price point.
Looks like Nikon is finally going to announce the long-awaited Nikon 70-200mm f/4G VR Lens at the PDN Photo Plus Expo in New York, according to our friends at Nikon Rumors. Many Nikon fans have been complaining for years about not having a cheaper and lighter alternative to the superb Nikon 70-200mm f/2.8G VR II (see our Nikon 70-200mm f/2.8G VR II Review). Nikon has never had a 70-200mm f/4 lens in its history – a 70-210mm f/4 lens was produced way back in 1986, which was later replaced by a variable aperture 70-210mm f/4-5.6 AF-D version in 1993 (discontinued later). Canon has had its 70-200mm f/4 model since 1999 and an updated (current) IS version came out back in 2006. The Canon 70-200mm f/4L IS has been a very popular lens among the Canon user base ever since, because of its excellent price/weight/performance ratio. It will be interesting to see what the Nikon 70-200mm f/4G VR will offer.
It is also rumored that the new Nikon 70-200mm f/4G VR lens will have a “new generation VR system”. For now I do not know what this truly means and what this new VR system does differently from the current VR II technology, but I am anxiously waiting for details from the official press release. If the VR system does turn out to be new, then we can expect minor updates to the high-end pro lenses fairly soon (Nikon will probably start from the expensive super telephoto lenses like 600mm f/4 first).
My wife, Tanya, and I recently vacationed in the Canmore/Banff area of Alberta, Canada. We settled on this location after reading a variety of reviews and looking over some stunning photos of the many attractions and wildlife. We planned a series of activities that would take us to some of the most scenic, historical, and cultural locations, provide some challenging hiking expeditions, and enable us to take a “few” photographs along the way. After receiving a new Nikon D800 (review), which I tested thoroughly, I was eager to put it to work in the field. Most of the photos in this article were taken with the D800, although some were shot with my infrared D90 (converted by Lifepixel.com). For those of you reading this on an RSS feed, you may want to consider linking to the main Mansurovs site, as there are quite a few photos associated with this post.
From Calgary To Canmore
We flew into the Calgary airport, and after renting a car, began the 74 mile drive from the Calgary Airport to the town of Canmore. This trip is an interesting study in transitions. Near Calgary, everything seems to be under construction. Bulldozers, heavy earth movers, building cranes, and construction signs dot the landscape in every direction. The terrain is pretty flat apart from a gentle mountainside slope on the western side of the city. Off in the distance, we could see some purplish mountains but didn’t have a good sense of their scale. 25 miles or so outside of Calgary, the scenery changes quite a bit. Green rolling hillsides of farm land become the dominant theme, with the familiar golden yellow hay bales lining the bright green fields. The purplish mountains have risen in stature quite a bit and we quickly realize that they are far different than those we left behind in western Pennsylvania. We also unfortunately discover that there are few exits for gas or food!
At the 50 mile mark, the landscape is changing quite a bit. Those little purple mountains seem to grow larger by the minute. Green fir trees that seem to have been cloned, now begin to populate the landscape like huge blades of grass. At the 60 mile mark, we are at the base of the mountains. The term “majestic” doesn’t quite rise to the occasion in describing what we now see. The mountain peaks require you to edge closer to the car window and strain your neck in order to see them. Even in August, we can identify snow patches that never completely melt.
The road begins to roll gently as we wind toward the valley between the mountain peaks. The number of signs warning you about the local wildlife population increase, and based on the fences that line the woods along the road, we suspect that the signs are not to be taken lightly. We had taken 3 exits hoping to find a restaurant or gas station only to conclude that the notion of modern facilities next within 25 miles of the exit is a mirage. We begin to imagine that grizzly bears and wolves have posted these exit signs to lure gullible travelers, low on gas and food, off the main highway where the animals can leisurely dine on them.
Within 5 miles of Canmore, we are deep into the mountains that seem be growing larger before our eyes. I am constantly trying to keep my eyes on the road as the rocky towers on both sides of the road continue to command my attention. By now, we are seriously wondering if we have been transported to another planet, since it couldn’t possibly be part of the one which we came from. Soon we arrived at the Falcon Crest Lodge, which proved to be the excellent “base camp” for our adventures.
This is an in-depth review of the Nikon 24-85mm f/3.5-4.5G VR lens, also known as “AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR”, which was announced together with the Nikon 18-300mm f/3.5-5.6G ED VR DX in June of 2012. The Nikon 24-85mm VR is an affordable consumer-grade lens targeted at photo enthusiasts that need a mid-range zoom lens with optical stabilization for everyday photography. It is an update to the short-lived Nikon 24-85mm f/3.5-4.5G IF-ED that was introduced in 2002 and discontinued in 2006, and it might also replace the older Nikon 24-85mm f/2.8-4D IF that is still in production as of today. With an equivalent focal length of 36-128mm on DX sensor, it is better suited to be used on full-frame cameras. When the full-frame Nikon D600 budget DSLR was announced in late 2012, Nikon included the 24-85mm VR as a kit lens option, so I think we will be seeing this lens bundled with FX cameras in the future.
What are the best Nikon lenses for wildlife photography? Our readers often ask us about lenses for nature photography and while I have already written about which Nikon lenses I consider to be the best for landscape photography, I have received numerous requests to write about lenses for wildlife photography as well. In this article, I will not only talk about which Nikon lenses I believe are the best for wildlife and nature photography, but also when I use a particular lens, along with plenty of image samples from each lens. Please keep in mind that the information I present below is a personal opinion based on my experience so far, which is subject to change. If you have a favorite lens of yours for wildlife photography that is not listed below, please feel free to add a comment on the bottom of the page with some information and links to pictures (if you have any that you would like to share).
When photographing wildlife, whether shooting bears in Alaska, or capturing birds in flight, one of the most important factors in choosing a lens is its focal length. Generally, the longer the lens (in focal length), the better. Unlike landscape and portrait photography, where you could get away with a cheap lens and still get great results, wildlife photography pretty much requires high-quality, fast-aperture telephoto optics. This obviously translates to a high price tag, with the lowest end of the spectrum averaging between $500 to $1,500, and the highest-quality / best reach lenses costing as much as $10,000+. Without a doubt, wildlife photography is a very expensive hobby to have (unless you are so good that you can sell your pictures and make good money), especially once you add up all the gear and travel costs.
1) Nikon 70-300mm f/4.5-5.6G VR
If you want to get into wildlife photography on a tight budget, the Nikon 70-300mm f/4.5-5.6G VR is the lens you want to get. It is a great buy that will get you to 300mm at under $600 USD. Its autofocus is pretty good in daylight and its versatile zoom range of 70-300mm is great for large animals and perched birds. The lens is light and compact, making it easy to carry it around when scouting for wildlife in parks and wildlife spots. It is capable of producing relatively good bokeh, especially on its longest end, although its sharpness performance also drops quite a bit at 300mm. Having VR is a definite plus when hand-holding the lens.
What are the best Nikon lenses for landscape photography? After I posted my last article on “Best Nikon Lenses for Wedding Photography“, I have been getting many requests from our readers to also talk about lenses for photographing landscapes, nature and wildlife (another post on best Nikon wildlife lenses will be published soon). In this post I will not only talk about which Nikon lenses I believe are the best for photographing landscapes, but also when I use a particular lens, along with plenty of image samples from each lens. Please keep in mind that the information I present below is a personal opinion based on my experience so far, which is subject to change. No third party lenses are presented either, although some Zeiss, Sigma, Tamron and Samyang lenses are phenomenal for landscapes. If you have a favorite lens of yours for landscape photography that is not listed below, please feel free to add a comment on the bottom of the page with some information and links to pictures (if you have any that you would like to share).
1) Nikon 14-24mm f/2.8G
I want to start out with a lens that I have a love and hate relationship with. On one side, the Nikon 14-24mm f/2.8G is one of the sharpest lenses ever produced by Nikon. It has phenomenal optics (center to corner, throughout the frame and aperture range), beautiful colors, super fast autofocus and an extremely useful focal range for wide-angle photography. On the other hand, it is a heavy, bulky and expensive lens that cannot accommodate filters. Sadly, not just circular filters and filter holders but pretty much any kind of hand-holdable filter. Its round front element shape and the built-in lens hood just make it impossible to use filters. Sure, you can buy a filter holder system from Lee and other manufacturers for this lens to accommodate filters, but it is not cheap and you would have to purchase a set of large 150mm filters, so forget about using your existing filters. I really wish Nikon allowed us to use small replaceable filters close to the lens mount, just like on telephoto lenses and this lens would have been irreplaceable.
This is an in-depth review of the Nikon 400mm f/2.8G ED VR lens that was released in August of 2007, along with Nikon D3 and two other exotic super telephoto lenses. In this review, I will not only provide general information about the Nikon 400mm f/2.8 VR and its performance, but also how it works with all current Nikon teleconverters (TC-14E II, TC-17E II and TC-20E III) and how it compares to other telephoto lenses such as Nikon 70-200mm f/2.8G VR II, Nikon 200-400mm f/4G VR, Nikon 300mm f/4 AF-S, Nikon 300mm f/2.8G VR II and Nikon 500mm f/4G VR. The Nikon 500mm f/4G VR was kindly provided by Pro Photo Rental – a great lens rental company based out of Boulder, CO.