Exactly after two years since the Nikon D4 announcement, Nikon made the D4s public at the 2014 Consumer Electronics Show (CES) on January 6, 2014. Although the camera was not ready for a full announcement, Nikon wanted to have something to show at the CES, so it only hinted about the development of the camera and its intentions to preview it. The camera was officially announced at the end of February and the first units started to ship shortly after in March. The Nikon D4s is a modest upgrade over the D4, with very slight ergonomic changes, expanded ISO range, faster image processor, faster wired / Ethernet speed, improved battery capacity and a bunch of new firmware options. As an incremental update, the Nikon D4s basically solidified the already superb D4 and made it even better.
It has been close to three years since Nikon announced the D4 and our readers might be wondering why I am only now reviewing the camera, especially given the fact that it has already been replaced by the Nikon D4s. While working on the D4s review, I thought that it would be a good idea to revisit the older D4 – better late than never! Since the camera came out, I have used it on several occasions for both personal and business needs, and a number of our team members have owned or still own the D4. Hence, the information and images that I gathered for this review represent a collective effort between our team at Photography Life.
Lacrosse, like American Football, is played on a large field, however the differences between the two sports are numerous. The ball used in Lacrosse is quite small, so you need a sharp eye to follow it. The helmets worn by the players cover most of their faces with a grid pattern, yet they are still open enough to get good face shots. Action moves up and down the field, with frequent changes in direction, so be prepared to move around, which is easily done with the large sidelines.
Almost every American High School has a football team, and it is perhaps the major sport for all such schools. Homecoming is almost invariably scheduled for a week when the team has a home game. As such, this sport, perhaps more than any other, serves as a great opportunity for taking pictures. I normally shoot Football with two cameras: one with a zoom lens for the action shots, and one with a shorter fixed lens for the sideline shots. For cameras I used to use a D3S (action shots) and a D800E (candid shots), however I have replaced the D3S with a D810.
After the heat of summer, when students return to school in the United States, Volleyball is one of the sports played in the Fall season. It moves from being an outside sport, to an inside one. This is unfortunate, at least from a photographic point of view, since most High School gyms are poorly lit. However, even in these conditions, with some practice and the right equipment, you can still get good pictures.
In response to requests from comments on my earlier “Sideline Photography Tips“, this article will address shooting High School sports. I have specialized in sports photography for years, shooting almost every High School sport played in Florida. Please note, I am semi-retired, and though I do sell some photos, I don’t make a living at this. These tips are for people looking to shot sports for themselves, their family and friends (and maybe the occasional sale).
As a dedicated sports photographer I have shot many different sports, mostly concentrating on the action. However, some sports require more attention than others, and all of them have “dead” or non-action time. During such time you can either review the shots you recently took, or look for “opportunity” shots; a chance to catch people unawares, to photograph them as they really are, instead of how they look when they pose for a picture. I have always preferred candid shots over posed shots, and feel that such shots are “truer” visions of the subject.
It seems like the debate of DX vs FX for wildlife and sports photography is a never ending one. DX shooters argue that they get more reach, stating that DX is like a “built-in 1.5x teleconverter”, or that DX setups are lighter due to smaller lenses and less expensive, or that DX chops off the corners of lenses, thus reducing vignetting and other optical issues. On the opposite side of the fence, FX shooters argue that they get better image quality at pixel level, better viewfinder, less diffraction issues, better AF performance in low-light, etc. Seems like we have two camps, each defending their own side for various reasons. Having spent a number of years shooting both DX and FX starting from the first generation Nikon FX cameras and every single DX camera manufactured by Nikon to date, and having talked to a number of other photographers that shoot for a living, I came to a conclusion that there are some myths surrounding the DX format that need to be debunked. In this article, I will provide my personal insight to this topic and explain why I believe that FX is always better for photographing sports and wildlife. This article evolved as a result of recent discussions of the subject with some of our readers.
In a rather surprising announcement today, Nikon released a major update to the existing 12 year old Nikkor 80-400mm AF-D lens. The new Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR has a completely redesigned internal focus optical formula with Nano Coating, Super Integrated Coating and extra-low dispersion glass elements. On top of that, the lens sports a second-generation Vibration Reduction (VR II) system for up to 4 stops of shutter speed compensation and a silent wave motor (SWM / AF-S), which means that autofocus will function on any modern Nikon DSLRs, including entry-level models like D3200. This is one of the few Nikkor lenses to have “Super ED Glass”, which has a lower refractive index and light dispersion than ED glass, making the new 80-400mm a premium lens for both enthusiasts and professionals. And with a versatile focal length of 80-400mm, the lens is well-suited for sports and nature photography.
Today’s guest post is by Mikhail Bezruchko on using the Nikon D600 for Sports Photography. Mikhail was kind enough to send his observations on the autofocus performance of the D600 for low-light and daytime sports photography. He photographed a local football game at night and then a local soccer game, using fast telephoto lenses. Although not a pro, Mikhail has had a long history with photography, starting out with Russian-made “Zenit” film cameras a while ago. But his interest in photography spiked up during the last few years and he has been shooting with Nikon D90, D700 and other high-end DSLRs, mostly freelancing. Enjoy!