On July 23, London, UK, Canon has finally announced its mirrorless system to compete with Nikon 1, Sony NEX, Samsung NX and other brand offerings. Having neglected this market share for about 4 years now since the introduction of the first Micro Four Thirds camera, the Panasonic Lumix DMC-G1 (which may not have been the first camera to lack a moving mirror and an optical viewfinder, but offer interchangeable lens mount, but it sure was the first to really spark an interest in such a design), Canon seems to have finally admitted the potential behind affordable, small, interchangeable lens, high image quality cameras, and stepped up to the challenge. Lets see what the last DSLR manufacturer to enter this segment has to offer.
One big news that nobody seems to be paying attention to at the moment due to the much-anticipated Canon 5D Mark III release, is the Canon 600EX-RT Speedlite announcement. Why big news? Because it is the first flash unit (speedlite in Canon language, speedlight in Nikon language) that actually has a built-in wireless radio capability. Historically, both Canon and Nikon used flash units that would communicate wirelessly only via infrared signal. While infrared works fine in some environments, it has problems with daylight (sun rays), range and it often requires direct visibility. Because of this problems, many photographers, including myself, have been relying on external radio transmitters and receivers such as PocketWizard for a more enhanced and reliable communication between flash units.
With the introduction of the Canon 600EX-RT flash unit and the Canon ST-E3-RT transmitter, Canonites no longer have to rely on third party radio triggers for reliable communication between flashes. Now you can use all flash features, including TTL flash and trigger up to 15 wireless flash units at a range of 30 meters, without worrying about potential communication issues. Considering that Nikon has had a lead on the flash technology for many years, it is surprising to see Canon release a radio flash first. The bad news for Nikonians is that Nikon has recently updated its high-end flash line with the Nikon SB-910, so we might not see a Nikon flash with radio capability any time soon…
I have already shown you how to take pictures with your pop-up flash and use it as a commander to trigger other remote units. A detailed Nikon Speedlight Comparison has also been posted for those who are looking into buying a flash. This time, I want to show you how you can create some amazing portraits indoors, using a Nikon Speedlight in an off-camera configuration with an umbrella.
1) Getting Started
No matter what flash system you are using, if you want to be able to take great portraits, you want to soften the light that comes out of your flash. Direct light creates harsh shadows, similar to how the sun does when you take a picture at noon. While I have already shown you how to soften the light by bouncing it off ceilings and walls, the light does not always look very natural due to its angle. In addition, bouncing the light off very large surfaces typically does not yield nice-looking catch lights in your subjects’ eyes. There are a couple of solutions to this problem, which require some investment and a little bit of extra effort.
One method I would like to talk about, is to use an umbrella on a dedicated stand to soften the light from your flash – a very inexpensive way to soften the light and instantly improve your images. Lola and I use this method a lot for some of our commercial photography and the results do not disappoint. Let’s talk about the gear you will need to accomplish this:
I have been getting many requests lately to write an article on corporate portrait photography, after my last corporate event photography tips article that I wrote a few weeks ago. Photographing employees for corporate websites and magazine articles is very different from corporate event photography – it is similar to photographing a portrait in a professional studio. Obviously, the atmosphere is different, lighting is different and the gear you use is also very different. You must be equipped with portable lighting equipment that you can assemble and disassemble in minutes. In this article, I will go through the different types of corporate portrait photography and what you can do to get the best possible results with the least amount of money spent on gear and lighting equipment.
There are two types of corporate photography – event photography and portrait photography. Event photography means taking pictures of employees and guests in corporate events such as conferences, birthday parties, Christmas parties, receptions and sales events. Corporate portrait photography means taking formal pictures of employees for websites, magazines and other various publications. In this article, I will provide some tips on how to photograph corporate events.