Sony NEX-6 Announcement

Sony, rather unexpectedly for some, has just announced a Wi-Fi ready NEX-6, which slots in the middle of the recent NEX-5R and the flagship NEX-7 mirrorless camera, combining features of both. Based on the familiar 16 megapixel sensor, the new mirrorless offer hybrid AF system and camera applications. Along with these useful features of the NEX-5R, it also boasts an OLED EVF with 2.36 million dots (same one you can find in many mirrorless cameras, like the new Fujifilm X-E1 and Sony’s own NEX-7). Another interesting move by Sony is to incorporate the standard flash and accessory hotshoe found on almost any other camera – previously, Sony would use their own specific hotshoe.

Sony NEX-6

Curiously, if you take a closer look at the camera body, you will find “APS-C” written at the lower right corner at the front of the camera. Why would Sony specify sensor size on NEX-6, when the whole system consists of APS-C sized sensor cameras only? I’m not familiar with mount design and least of all would want to start a hot debate on this, but it got me curious if Sony is planning a full-frame NEX camera (if it’s even possible).
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Sony Announces 10-18mm, 16-50mm and 35mm f/1.8 lenses for NEX System

One of the biggest criticisms towards Sony NEX system has always been lack of high quality, fast lenses. While they certainly make very competent and attractive from a technological standpoint mirrorless cameras, lack of decent “glass” has put off a lot of potential buyers. It seems, however, Sony is not just about superzooms and kit lenses. Today, they’ve announced three new additions to their lens lineup, and it should please some owners and, possibly, attract new ones.

Sony E 35mm f/1.8

All lenses seem to offer something likeable – the new kit zoom offers pancake design and is both affordable and compact, and thus will suit small NEX system cameras very well. With 35mm f/1.8 lens Sony has finally given it’s E-mount users a (relatively) cheap, fast normal prime – let’s just hope it’s good! And, finally, the ultra-wide 10-18mm f/4 zoom lens offers constant aperture – something not always found even in older APS-C DSLR systems. All lenses feature in-built optical image stabilization.

We will have these lenses reviewed as soon as we get our hands on them.
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Nikon Still Shipping D4 with Sony 16GB XQD Card and Reader

While the first batches of the Nikon D4 cameras included a free Sony 16GB XQD card and reader, it was reported later on that the new shipments of the D4 did not include the card or the reader. Early speculation was that only the initial shipments to Nikon Professional Services (NPS) members included the XQD card and the reader.

Sony 16GB XQD Card and Reader

Today, I received my D4 and included inside were the card and the reader, so I called the store where I bought it and was told that Nikon is still shipping some with them. They said that their Nikon rep indicated that there is no different part number or special order number differentiating between camera only and camera with XQD card bundle. The representative indicated to them that he does not know when or how the card/reader promotion will end.

It appears that there may be an inconsistency in how Nikon is handling the Nikon D4 shipments. For now, I can confirm that some of us are still receiving the Sony XQD card and the reader, at least here in the US.

We will have a full review of the Nikon D4 within the next few weeks.

What is the Future of DSLR Video?

The video recording capabilities in DSLRs have been the subject of lively discussions ever since video-capable DSLRs have been introduced (with Nikon D90 being the first). At first, some thought it was unnecessary and too cumbersome to be of any practical use, while others embraced the new possibilities and the small (in comparison to high-end video cameras) price they came with. Regardless, the first full-frame camera to do video (and Full HD, at that) – the Canon 5D Mark II – quickly became very popular among amateur cinematographers that could not afford high-end RED cameras. A compromise, but not a too painful one. Both the D90 and, slightly more so, the 5D Mark II offered a very broad lens selection, good to great low-light capabilities and, more importantly, brought aesthetics and shallow depth of field of modern photography into the world of videography.

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Canon is Winning the Camera War?

I received an email today with the title “Canon is Winning the Camera War”. I opened the email immediately to see what it was about, because it had such a bold subject line. Canon winning the camera war… I have not seen any market share reports lately, so this was an interesting read. Apparently, a company called “Sortable” has recently conducted a massive survey with over 275,000 people over a period of 6 months, which showed that more than 33% of consumers favor Canon over other brands when making a camera purchase, including Nikon. Check out this interesting graph:

Popular Camera Brands

Here is some more information from this announcement:

In a brand war traditionally fought between Nikon and Canon, it appears that Canon now has the upper hand, with 33 percent of consumers indicating it as their preferred camera choice according to online consumer buying trends drawn from Sortable’s partner, Snapsort, a web site that allows people to analyze, compare, and recommend digital camera options. Nikon falls to second place with 26 percent, followed by Sony at 15 percent, Panasonic with 7 percent, Fujifilm at 5 percent, Olympus at 4 percent and Pentax at 3 percent. Other manufactures make up the final 7 percent.

With a range of camera options available, survey data shows consumers remain split in their preference between Point and Shoot and DSLR cameras. Data shows 36 percent of consumers are searching for both. Most surprising in the survey was the rising popularity of Mirrorless cameras, a relatively new technology in the camera market. Mirrorless cameras stuff a DSLR size sensor into a small portable package, with interchangeable lenses for greater flexibility. Sortable’s survey identified that 22 percent of consumers are searching for Mirrorless camera options, leaving the leading brands in a bit of a deficit position. Canon has yet to enter the Mirrorless market, and Nikon has just entered. Sortable believes this emerging trend gives Sony, Panasonic and Olympus the opportunity to take brand share.

That’s an interesting analysis, given the large number of respondents. Mirrorless is on the rise, and we know it. Canon historically has been dominating the DSLR market, so no surprises here, although Nikon has been catching up pretty quickly ever since the Nikon D3 came out.

I say that folks at Sortable are just trying to bring attention to their websites with such a headline. Canon winning camera war? I did not know there was one. With so many new innovative and wonderful products from all manufacturers, there is room for everyone. What do you say?

Sony NEX-5N Review

Overview

This is an in-depth review of the Sony NEX-5N mirrorless camera that came out on August 24, 2011 along with the Sony NEX-7 flagship mirrorless camera and three E-mount lenses. I had a chance to test the Sony NEX-5N, along with its kit 18-55mm f/3.5-5.6 OSS lens while reviewing the Nikon 1 camera system. My initial intent was to only use this camera for lab tests, to see how it would fare against the new Nikon mirrorless cameras. But after just a day of pleasant shooting with the NEX-5N, I realized that I wanted to take it for a real spin and do a full review instead. In this Sony NEX-5N review, I will talk about my experience with the camera and provide some feedback on its features and capabilities, along with comparisons to Nikon 1 V1 and Olympus E-PL3 cameras.

Sony NEX-5N

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Lens Stabilization vs In-camera Stabilization

While I am currently working on a couple of Sony camera and lens reviews, I decided to write a quick article on differences between in-camera and lens stabilization. As you may already know, Nikon and Canon are both big on lens stabilization, while other camera manufacturers like Sony and Pentax have been pushing for in-camera stabilization technology (also known as body stabilization). I have had a few people ask about differences between the two and I thought that a quick article explaining the pros and cons of each stabilization technology would be beneficial for our readers.

Lens Stabilization vs Sensor Stabilization

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Sony A77 Review

Overview

This is an in-depth review of the new Sony SLT-A77 digital SLR camera that was announced together with the Sony SLT-A65 in August of 2011. I had a chance to test both cameras, along with a number of Sony / Zeiss lenses for the Sony mount, while reviewing the Nikon 1 camera system in late 2011. While I concentrate most of my gear reviews around Nikon cameras and Nikkor lenses, I got really excited about these Sony cameras after seeing the press release and decided to try them out.

Sony A77

I have been enjoying shooting with DSLRs for quite some time now and while I am very happy with the cameras and lenses I use, I just think that we have not been seeing major breakthroughs in new DSLR cameras. New cameras pack more resolution, faster frames per second, better video features and other bells and whistles, but nothing innovative and revolutionary that changes the way we shoot. With Sony entering the DSLR market rather late in 2006 (after acquiring Konica Minolta), it was tough to compete against the long-established Canon and Nikon cameras. Sony introduced a few DSLRs with great features at a competitive price and secured itself the #3 market share spot in DSLR sales globally, mostly with lower-end DSLR camera bodies. With a rather slow adoption rate and a limited choice of lenses and accessories available, the company quickly realized that its only way to challenge the big two was to innovate. In August of 2010, Sony announced its first “Single-Lens Translucent” (SLT) cameras – the Sony A33 and A55. While the concept of a translucent mirror is not new (in fact, Sony calls it “translucent” for marketing purposes, because it is actually supposed to be “pellicle mirror”), Sony was the first to design it to work with an electronic viewfinder. Its first SLT cameras were a success, so Sony decided to embrace the technology and take it a step further with the new Sony A77 and A65 cameras. Going forward, we will most likely not be seeing any more DSLR cameras from Sony, since its management already expressed commitment to this new breed of cameras. We should be seeing more cameras from Sony with translucent mirrors, including high-end, full-frame models.

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Nikon vs Canon vs Sony

I have been getting a lot of questions from our readers about whether they should pick a particular camera from Nikon, Canon, Sony, Pentax or some other manufacturer. These inquiries are only increasing over time, so I decided to post an article on what I think about different camera systems and why you should go with a particular brand versus others. Many of the questions are something like “should I go for Nikon D5000 or Canon 1000D” or similar, with readers asking me to tell them why I would recommend or pick a certain brand/type of a camera over another. When it comes to the question of Nikon vs Canon vs Sony, there are lots of heated debates over the Internet, so I wanted to share my personal thought on this subject matter as well.

As you know, I have been mainly writing about Nikon – simply because pretty much all of my gear is from Nikon and it is the system of choice for me. Why don’t I shoot Canon or Sony? Is Nikon superior than these brands? No, not really. Read on to understand why.

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How to buy a DSLR camera – DSLR Purchase Guide

This is a detailed guide on how to choose and buy a DSLR camera. Some of my friends that visit my blog regularly ask me questions about photo gear. The questions range from “what should I get to create good-looking pictures?” all the way to “should I buy Canon or Nikon?” Since I went through the pain of researching on what to buy for myself long time ago and have been constantly keeping track of the developments in this industry, I decided to write this small “FAQ” or “how-to” on buying DSLR cameras.

1) I have never owned anything more than a “point and shoot” camera and want to buy a professional camera to create professional-looking pictures. What do you recommend?

This is probably the most frequently asked question I have gotten so far. First of all, there is a common misconception that one can only create professional-looking pictures with a professional camera. This is absolutely not true. Some of the best photographs out there are shot with point and shoot cameras. People even manage to take awesome pictures using their phone cameras! So, does a camera truly matter? It does and it doesn’t. For most people out there that are just getting into photography, it doesn’t. For professionals who make a living selling pictures, it does big time. See “A Camera is Just a Tool” in my Nikon vs Canon vs Sony article, where I go into more details about this.

Digital photography, first and foremost, is about light. Beautiful light creates beautiful photographs. Once you learn how to manage light, you can start taking stunning photographs and your gear won’t matter that much. Knowing your camera functionality and technique are second. Most people that shoot with point and shoot cameras don’t even know their own cameras! They just put it in “Auto” mode and don’t bother to figure out important camera settings and modes. True, “Auto” modes are great, but if you look back at all your photos, did your camera produce great photographs every time you took a picture? I’m sure it didn’t! There are three common reasons, which apply even to professional cameras:

  • Bad light
  • Bad technique
  • No creativity

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