It has been a little over a year since Sony announced world’s first fixed lens 35mm full-frame mirrorless camera, the Sony RX1. Shortly after, Sony released another version of the same camera without an anti-aliasing filter and gave it a slightly different name – Sony RX1R, similar to what Nikon did with the D800 and the D800E. And with Sony’s hard push on the NEX-series cameras, we thought that it was a matter of time until Sony announces a full-frame interchangeable lens mirrorless camera system. Back in 2012, we predicted that Sony would release a full-frame camera in 2013 and it seems like our predictions were indeed true. Today is a very exciting day for the world of photography, because Sony has just announced world’s first full-frame interchangeable lens mirrorless camera with autofocus capabilities. Sony is shaking up the industry once again with a breakthrough product that will lead the way for others in the future. Some might say that this is the beginning of the end of DSLRs. Read on to see what we think.
Sony has just announced two cameras, which happen to be world’s first full-frame interchangeable lens mirrorless cameras with autofocus capabilities and also world’s lightest full-frame cameras – the Sony Alpha 7 (A7) and the Sony Alpha 7R (A7R). Featuring high resolution 24 MP and 36 MP sensors, a fast hybrid autofocus system with phase-detection AF, a high contrast 2.4 million dot OLED electronic viewfinder, Wi-Fi connectivity, Full HD movie recording with uncompressed HDMI output, weather sealing and a low price of $1699 (A7) and $2299 (A7R), the two cameras are meant to shake up the photography industry.
This is an in-depth review of the Sony NEX-7 mirrorless camera that was released on August 24, 2011, so this is obviously a long delayed review that I have not had a chance to publish due to time constraints. I decided to finish it up and get the review published before the highly anticipated full-frame Sony A7 and A7r are announced later this week. The Sony NEX-7 is considered to be the top of the line NEX-series camera, with the highest resolution 24 MP APS-C sensor, built-in OLED electronic viewfinder, tilt-screen, three dial interface and the highest price tag in the line. In this review, I will go over the features and capabilities of the camera and compare it to other mirrorless options, including the Olympus OM-D E-M5, Canon EOS M and other Sony NEX cameras.
Today, Sony has made quite a bold announcement. It was hardly unexpected – rumors about QX10 and QX100 have been floating around the internet for a while now. And yet these rumors hardly undermine the strangeness of these products. Because you see, QX10 and QX100 are cameras that attach to your smartphone. The camera modules are controlled via WiFi connectivity or NFC and use the screen of the smartphone itself (via dedicated app). Both camera modules look much like point-and-shoot camera lenses that were cut off from the rest of the camera body. They feature their own batteries and memory card, and, most interestingly, sensors.
Most photographers, whether professional or amateur, as much as they love their photographic gear, loathe the notion of lugging around tons of heavy equipment. What’s the solution, you may ask? Well, some would say, “why don’t you get a portable point-n‐shoot”, or “invest in one of those smaller mirrorless cameras”. Others disagree amusingly and grab their bulky DSLR with a smug on their face!
You might have found yourself in one of those tricky scenarios, where you really wanted to carry your bulky camera and yet you wished it was a few pounds lighter, a tad bit smaller but still gave you pleasing results. Thanks to technology whiz-kids in the camera land, we have had a ﬂurry of compact cameras being introduced recently that oﬀer plenty of bells & whistles to satisfy even the most demanding consumer / prosumer, and professionals alike for their speciﬁc needs. Having said that, I admit these cameras may not entirely deliver quality that rivals pro level DSLR’s yet it’s suﬃce to say they pack quite a punch for intended purposes.
A quick reminder to those of you who were planning on purchasing new photographic equipment from B&H. Instant rebates from Nikon, Fujifilm and Sony will end tomorrow (06/29/2013). A quick recap on the rebates programs. If you buy a Nikon DSLR body, you have the option of purchasing as many lenses or speedlight units (SB-700 and SB-910) with up to $300 off per each product. While this means that you have to purchase at least one camera to qualify for additional lens rebates, some lens rebates are significant and were not part of any rebates in the past (like the new Nikon 70-200mm f/4G VR lens that I reviewed earlier this year). So this will be a great program for those that want to buy a new DSLR or want a backup camera.
Sony’s high-end RX100 and full-frame RX1 have attracted a lot of attention ever since they were released about a year ago. Keeping up with the momentum, Sony just introduced two new cameras. The RX100 II replaces its predecessor and adds latest technological bells and whistles. RX1R, on the other hand, will be sold alongside the “older” RX1 in Sony’s compact camera lineup.
The biggest difference RX100 II has over its predecessor is a new sensor. It’s still 1″ size CMOS unit(like those used in Nikon series) with 20.2 megapixels, but is now back-illuminated. Sony claims a 40% improvement in light sensitivity over the old, regular CMOS sensor in the RX100. As with many compact cameras these days, Sony’s new Cyber-Shot also has built-in Wi-Fi connectivity. Unlike many compacts, however, Sony went one further with NFC connectivity to make transferring images to your smartphone even easier. More importantly the 3″ screen can now be tilted up or down, which should aid shooting from difficult angles. Other than that, improved video and some additional functionality added to the hot-shoe (now accepts EVF and external microphone), it’s basically the same camera as RX100.
When my article on field curvature was published a while ago, where I talked about how one could do a quick analysis of lens MTF data and determine if it exhibits any field curvature, some of our readers expressed interest in understanding how to read MTF charts. Since we talk quite a bit about lens performance and MTF data here at Photography Life, I decided to write a detailed article on the subject and do my best to thoroughly explain everything related to MTF curves, charts and all the verbiage that comes with them.
Previous Sony SLT-A58 and NEX-3N announcement may not have been all that exciting for the majority of current Sony users, but new and updated lenses usually make a more interesting topic. After all, cameras come and go. As of late, they seem to come and go rather too often – almost as if manufacturers decided to race each other and see who can push more “new” cameras into the market in the shortest amount of time. But good lenses, they tend to stay a while longer. Fine as your camera may be, it doesn’t exactly change the way you photograph all that much, be it a new D7100 or an older D7000, while a new lens – often and quite understandably – can make a much more worthwhile addition to your camera bag. Sony has made sure at least two of the three new lenses are of that kind. Let’s start with the smaller one.
1) Carl Zeiss Planar T* 50mm f/1.4 Lens
If there was ever a serious reason why I considered Sony DSLRs (namely, the Alpha A850 model), it’s Carl Zeiss lenses. Don’t get me wrong – Nikkor and Canon L lenses can be just as good and, perhaps, even superior. There’s more of them. More choice. Broader second-hand market. But somehow I always admired the legendary German manufacturer. There isn’t any real reason I can base my preference on – it’s neither sharpness nor price. But the few Carl Zeiss lenses Sony did have on offer were, in my opinion and experience, spectacular – the 85mm f/1.4 and 135mm f/1.8 most of all. Now, a new prime joins their ranks, and it’s a standard 50mm f/1.4 class lens. For around $1500.
Following Nikon’s announcement of the D7100 DSLR, Sony introduced a new SLT camera, called A58, along with their newest entry-level mirrorless offering, NEX-3N. As before, Sony is pushing a lot of innovative, consumer-friendly features into both cameras to attract customers. Not having all that much pedigree as a camera maker (at least when it comes to DSLR or, in their case, DSLT), features and numbers is their surest way of shifting attention of a potential buyer away from better-known camera manufacturers, such as Canon, Nikon and, perhaps, even Pentax.
1) Sony SLT-A58
The new SLT-A58 is a replacement for two older Sony cameras, A37 and A57, which is a good thing – I’ve always found they had too many models not that different in their positioning. Luckily for current Sony users and temptingly for potential new ones, however, the camera fitted with the usual 18-55mm kit lens will cost around $600, which is on par with Nikon’s lowest-end D3200 camera (while on $100 rebate program). Mind you, on paper, SLT-A58 is no slouch against its competitors.