Vello LCD Screen Protector for Nikon D800 Review

The Vello Screen Protector for the Nikon D800, at $24.95, is an attractive alternative to the Nikon BM-12 protector, which sells for $16.95. At first glance, I wondered why a third party was offering a product that was priced higher than the Nikon equivalent. I soon realized why.

Vello D800 Box Front

1) Initial Impressions

I have used a number of Vello products over the years and found them to offer solid value for the money. The Vello Screen Protector package actually contained two screen protectors – one for the main LCD, and the other for the top Control Panel. Both are manufactured with multiple layered optical-quality glass – a noticeable difference from other options, including those from the OEMs, that provide plastic LCD protectors and nothing to guard the Control Panel display.

2) What’s In The Box?

2 black-rimmed LCD glass protectors and installation instructions.

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Think Tank Airport Accelerator Review

The Airport Accelerator Backpack is a high quality bag worthy of consideration by anyone that frequently carries a healthy amount of gear through airports and doesn’t wish to check their bag. This bag is also ideal for wedding, portrait, and landscape photographers who often find it impractical to use a roller-style bag on wooded or irregular terrain.

Airport Accelerator Backpack front view

1) Initial Thoughts

My first impression of the Airport Accelerator was similar to that I have of all Think Tank products – well-built and well-designed. This bag uses the same quality nylon materials, zippers, seams, buckles, compartments, padding, and cord as found in other Think Tank products. Think Tank is famous for their quality and the Airport Accelerator lives up to the company’s well-deserved reputation.

2) Dimensions

EXTERIOR:
14.0 x 20.5 x 9.0″ (35.6 x 52.1 x 22.9 cm)
INTERIOR MAIN COMPARTMENT:
13.0 x 18.8 x 6.8″ (33 x 47.8 x 17.3 cm)
Laptop compartment: 11.8 x 17.3 x 1.4″ (30.0 x 43.9 x 3.6 cm)
WEIGHT:
4.1 – 5.5 lb (1.9-2.5 kg)

3) Size

This bag has plenty of room for just about all the gear you might want to take on any photography journey. It boasts the ability to accommodate a 600mm lens, and although I don’t have one, I have little doubt that it would fit comfortably in the Airport Accelerator. If you have read Nasim’s and Tom’s reviews of the Airport Security, and the Airport International, you will notice that these other bags are very similar to one another with respect to dimensions, and to the Airport Accelerator as well. Think Tank also makes another rolling bag named, the Airport Takeoff Rolling Camera Bag. What’s the main differences between these designated “Airport” bags? Wheels and a bit of size. The Airport Security, Airport International, and the Airport Takeoff Rolling Camera bags sport some spiffy wheels much like traditional carry-on luggage, whereas the Airport Accelerator is a backpack design.

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Canon EOS M Review

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This is an in-depth review of the Canon EOS M camera that came out on July 23, 2012, the first mirrorless interchangeable-lens camera from Canon. Along with the EOS M, Canon also announced the first two lenses for the new “EF-M” mount: Canon EF-M 18-55mm f/3.5-5.6 IS STM and Canon EF-M 22mm f/2 STM. Among major camera manufacturers, Canon was the last to enter the mirrorless market. Aside from Panasonic and Olympus sharing the same Micro Four Thirds sensor and Nikon going with a smaller “CX” sensor, all other manufacturers chose large APS-C sized sensors (Samsung, Sony, Fuji and Pentax), each with its own proprietary lens mount. With the introduction of the EOS M system, Canon has officially joined the APS-C club. Instead of developing a new sensor format, Canon chose to reuse the same 18 MP sensor from the EOS Rebel 650D / T4i DSLR camera. Canon also released an EF-M to EF / EF-S adapter for mounting existing and future DSLR lenses on the EOS M, with full compatibility with all lens functions such as autofocus and image stabilization. In this review, I will go over the features and capabilities of the camera and compare it to other mirrorless options, including Nikon 1, Sony NEX series and Olympus OM-D E-M5.

Canon EOS M

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Think Tank Airport 4-Sight Review

This is a review of the Think Tank Airport 4-Sight rolling camera bag. My previous camera bag was the Think Tank StreetWalker HardDrive Backpack and I absolutely loved it. Think Tank has an almost legendary reputation among photographers, but the backpack was the only Think Tank product I had ever used. When it was time for a new bag, I had no doubt in my mind that it would be a Think Tank bag as well. The Airport 4-Sight just recently came out and caught my eye. It looked like it would be easy to travel with and hold all of my gear without being too cumbersome. Did it live up to my hopes and expectations? Read on to find out.

Think Tank Airport 4-Sight-1

1) Product Specifications

1.1) Features

Holds 2 Standard DSLRs, 3-5 Basic Zooms
Holds 2 Pro DSLR with Smaller Lenses
Holds a 300mm f/2.8 with Body Attached
Rolls on Four Wheels or Two on Carpeting
User Replaceable Handle / Wheels
Zippered Top Pocket for ID, Passport
Two Position Locking Handle
Three Carry Handles/Lockable YKK Zippers
Cable Management Organizer
Rain Cover

1.2) Dimensions

Exterior Dimensions 14.0 x 8.0 x 21.0″ (35.6 x 20.3 x 53.4)
Interior Dimensions 12.3 x 5.0-6.7 x 16.0″ (31.2 x 12.7-17.0 x 40.6)
Weight 8.9 lb (4.0 kg)

2) Overview

2.1) Initial Impressions

The first time I actually saw the bag, I was a little worried that I wouldn’t be able to fit all of the gear that I was used to carrying with me. I had my StreetWalker HardDrive backpack pretty well dialed in and had everything I’d need for a shoot with me all the time. Also, I was pretty used to the larger Think Tank Airport bags that a few of my studio mates use. Would this bag be big enough? Had I miscalculated?

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Sony NEX-5R Review

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This is an in-depth review of the Sony NEX-5R mirrorless camera that came out on August 29, 2012, an update to the existing Sony NEX-5N that I reviewed last year. While I loved the image quality from the NEX-5N, its AF performance was a bit sluggish, certainly not anywhere close to the Nikon 1 series cameras. Sony revamped the NEX-5 series with the 5R, introducing its first hybrid AF system that uses both phase and contrast detect AF to acquire focus, added WiFi connectivity options and a couple of other layout/control tweaks, making the NEX-5R a compelling option for new and existing owners. In this Sony NEX-5R review, I will go over the features and capabilities of the camera and compare it to other mirrorless options, including the Nikon 1 J2, Olympus OM-D E-M5, Canon EOS M, Sony NEX-F3, NEX-6 and NEX-7 series cameras.

Sony NEX-5R

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Nikon 18-300mm VR Review

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This is an in-depth review of the Nikon 18-300mm f/3.5-5.6G DX ED VR lens that was released in June of 2012 along with the Nikon 24-85mm f/3.5-4.5G ED VR lens. Thanks to the popular demand of the 18-200mm and the full-frame Nikon 28-300mm VR lenses, Nikon decided to add another superzoom to the DX line. While the 28-300mm works well on both full-frame and cropped sensor cameras, its 28mm focal length is too long for general use on cropped sensor cameras (with an equivalent focal length of 42mm). Therefore, a redesigned version of the lens with wider field of view makes the 18-300mm VR a more attractive superzoom option for DX users.

Nikon 18-300mm f/3.5-5.6G ED VR

The Nikon 18-300mm DX is a variable aperture lens with a 16.7x zoom range for enthusiasts that need a single, “all-in-one” lens for everyday and travel photography. The variable aperture of f/3.5-5.6 (which changes from f/3.5 on the widest end at 18mm to f/5.6 when zoomed in), along with the lack of the gold ring on the front of the lens indicate that the lens is not on the same level as professional-grade constant aperture lenses in terms of optics, which is quite understandable, considering what it can offer in terms of zoom range.

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Mamiya RZ67 Pro Review

A Very Personal Mamiya RZ67 Pro ReviewIn one of my recent articles I talked about the beginning of the digital age and the consequences it brought to our understanding of photography. With all its greatness, with all the speed and quality and versatility, it became irreplaceable in our everyday lives and businesses. Along with that, however, digital photography also brought up a few problems, likely the biggest of which was the growing interest in new technologies rather than photography itself. This problem seemed to push the very goal of having a camera and a lens completely out of our minds. New gear was the thrilling, fun part. Comparing one to another has become our everyday activity. And yet, if we manage to get past that, if we manage to actually get out there and shoot rather than just read and read and read about new lenses and cameras day after day, we get the point of digital. We get to enjoy it as we should. We get to see digital, in a way, how we see the 18-200 or 28-300 class lenses – the do-everything, good enough for anything, the daily choice. But here lies another potential problem – with all the great all-round lenses, why do we love those boring 50mm f1.4 primes so much? I find myself shooting, and shooting, and shooting again. I find myself having hundreds, if not thousands, of photographs, and I like them. But a super-zoom is no prime lens. There’s always something vital missing. I may have just found out what it was for me. Before we dive into my very personal and subjective Mamiya RZ67 Pro review, lets talk film for a minute.

1) A Couple of Thoughts on Film

Where digital is about speed, you had to take it slow, sometimes even painfully so, with film. Where you had the shot with digital the second you pressed that shutter, you had to carefully store, develop and enlarge the photograph back in the day. Fiddle with the chemistry and red light in complete darkness. And you had, at best, 36 shots before you take a break and change film, whereas with digital, you have hundreds and hundreds before you swap that SD/CF/XQD card and shoot away again, ten frames per second. And every shot had to count. For every exposure, you pay money. You had manual focusing and manual exposure (I’m not talking about automated SLRs – I find them a little too boring, and we’ll talk about it further on) and you never knew if you’d screwed something up in the process. With digital, you can just shoot, adjust, and shoot again. I’m not even going to start on dust and scratches and archiving and having copies and making sure you don’t expose that precious roll to light before you had the chance to develop it.

Kodak BW400CN

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Think Tank Airport Security v2.0 Review

This is a quick review of the Think Tank Airport Security v2.0 rolling bag, one of the most popular and premium bags by Think Tank Photo. Targeted for busy photographers that have to travel on assignments with their gear, the Airport Security line is specifically designed to meet US domestic flight carry on size requirements. The bag also comes with TSA-approved combination locks and has an extra security cable to attach it to a fixed object. Best of all, it is a fairly large bag that can accommodate plenty of photo gear – whether you are storing a single DSLR with a 600mm lens or multiple DSLRs with smaller lenses. I have been personally using the bag to store my DSLRs, lenses and flash equipment and the bag has seen plenty of abuse this past summer during the wedding season.

Think Tank Airport Security

1) General Information and Dimensions

1.1) Features

  1. Meets USA domestic airlines’ carry-on size requirements
  2. TSA approved combination lock secures the main compartment
  3. Security lock and cable built in to the frame
  4. Security ID plate and unique serial number
  5. Holds pro-DSLR and super telephoto lenses up to 600mm
  6. Emergency shoulder straps for occasionally carrying the bag as a backpack
  7. Front stretch pocket holds an optional case for 15″ or 17″ laptops
  8. Optional low divider set allows for up to 17″ laptop to fit inside
  9. Clear Business card holder
  10. Seam-sealed rain cover included
  11. Looks like standard luggage rather than a photo bag

1.2) Dimensions

Internal Dimensions: 13” W x 21” H x 7–8” D (33 x 53.3 x 17.8–20.3 cm)
External Dimensions: 14” W x 22” H x 9” D (35.6 x 55.9 x 22.9 cm)
Weight: 12-14 lbs / 5.4-6.4 kg (weight depends on accessories used)

1.3) What’s in the Bag?

Here is a partially loaded Think Tank Airport Security v2.0 roller bag (click the image to enlarge):

In the bag close

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Think Tank Urban Disguise 60 v2.0 Review

I have to admit that I was a bit skeptical of what I would find during my review of the Think Tank Urban Disguise 60 v2.0 bag. For many years, the Tumi Alpha Large Expandable Organizer Laptop Brief has been “gold standard” of laptop bags for me and many other road warriors. And while not designed for photography, the Tumi bag nonetheless remains the benchmark for quality that I measure all types of luggage and bags against. It was inconceivable that I might find another bag that I thought matched or beat it.

“Quality is never an accident; it is always the result of high intention, sincere effort, intelligent direction and skillful execution; it represents the wise choice of many alternatives.”

- William Foster

Think-Tank-Urban-Disguise-60-V2-Front_View

As I criss-crossed the globe and our country over the years, my original Tumi bag endured more abuse than I had a right to expect of it, often being filled to its limit and being jammed under countless airline seats. For some time, Tumi had free lifetime repairs on its bags. I made good use of the policy. At some point, Tumi ended its generous free lifetime repair policy (I suspect I might have had something to do with single-handedly dragging down Tumi’s profits and the resulting change in policy!), and I started to pay $50 or so per repair. As wear took its toll on my Tumi bag, I eventually had to consider the cost of cumulative bag repairs vs. buying a new bag.

Those of us who travel frequently get attached to our bags. They reliably and safely carry our precious belongings when we are far away from home. When my Tumi bag finally reached its end, I couldn’t dream of donating it or (gulp!) tossing it into the trash. No, the Tumi deserved nothing less than a Viking-style funeral! So one night, as I sipped a glass of wine, my Tumi bag literally went up in a blaze of glory in my fireplace (don’t call the environmentalists!). I drank a toast to it’s many years of dedicated service and recalled the interesting adventures we shared. I slept well that night knowing that the Boatman collected the coins I had placed in the Tumi, and had safely transported it across the River Styx.

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Hitech Neutral Density Master Kit Review

This is a review of the Hitech Neutral Density Master Kit, which contains a number of filters that I use with the Hitech Filter Holder for landscape photography. Since I personally prefer soft edge graduated neutral density filters over hard edge (doing mountain photography with hard edge can be problematic), I decided to go with the Soft Edge ND Kit instead of the Hard Edge ND Kit Density Kit. The nice thing about this particular master kit, is that it contains two sets of filters – one standard set of square ND filters (1, 2 and 3 stop) for slowing down the shutter speed when photographing moving water, waterfalls, etc., and one set of soft-edge GND filters (1, 2 and 3 stop) for those tricky high-contrast scenes during sunrise, sunset, etc. If you do not understand what any of this means, I highly recommend to read my article on Lens Filters, which explains all this in detail.

Hitech 150mm Neutral Density Master Kit

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