This is an in-depth review of the Fuji XF 35mm f/1.4 prime lens, also known as “Fujinon XF 35mm f/1.4 R” that was released initially together with the Fuji X-Pro1 on September 21, 2011. Fuji specifically wanted to target professionals and enthusiasts with its X line, so it first introduced a professional-level mirrorless camera, the X-Pro1, along with three prime lenses: Fuji XF 18mm f/2, Fuji XF 35mm f/1.4 and Fuji XF 60mm f/2.4 Macro. And hence, being part of the Fuji X mirrorless interchangeable lens system launch, the Fuji 35mm f/1.4 played a big role in the success of the product line.
Let me start off this hands-on review of the Nikon 1 V2 with a reminder that no one camera can do everything that an owner may require. Regardless of the price paid, every piece of equipment comes with compromises. And, so it is with the Nikon 1 V2. I should also state upfront that I shoot more client videos with my Nikon gear than I do still photographs, so this review does contain a reasonable amount of evaluation from a video perspective.
Nasim has already provided a list of Nikon 1 V2 specifications and compared them to the previous model, the Nikon 1 V1. For those of you who would like to see a detailed comparison between the two, it can be found here.
2) The challenges and advantages of a CX sensor
The Nikon 1 V2 has a small 1” CX sensor. This gives the camera some inherent challenges when using it in real-life situations such as more noise at higher ISOs, somewhat limited dynamic range, and difficulty in achieving shallow depth-of-field. Some people are quite negative about the V2 because of its sensor size and immediately dismiss it as a ‘toy’. This is very unfortunate because the Nikon 1 V2 does have some wonderful capabilities and I believe it should have a place in the bags of many professional photographers.
We are back again at reviewing some of the lens classics and this time we have the Nikon NIKKOR-S Auto 50mm f/1.4 (Ai modified), which was first manufactured way back in 1962. One of our readers, Joe Ridley, was kind enough to send a number of Nikkor classics, and this lens is the second one that we are reviewing. Nikon has made so many different 50mm lenses its in 80 years of optical history, that the list of just 50mm lenses can get quite overwhelming. Many of us look at the modern 50mm primes without realizing that among all manufacturers, Nikon has the longest history of making these lenses. In fact, the very first Nikkor 5cm lens was made in 1937 specifically for Canon rangefinder cameras! And it is also worth pointing out that Nikon invented the very first 50mm f/1.4 lens after the World War II. This particular NIKKOR-S classic was designed for Nikon’s rangefinder cameras. Today, it is hard to find a converted version that works on modern DSLRs (mostly non-Ai versions), but you can snatch one for about $50 and get it converted for another $20-30. Or if you bought the new Nikon Df, you will be able to use this lens without having to convert it!
1) Overview and Specifications
The NIKKOR-S Auto 50mm f/1.4 is one of the early, Pre-Ai Nikkor manual focus wide angle lenses for the F mount. With its standard focal length of 50mm, the lens was designed as a general-purpose lens on early manual focus rangefinder cameras like Nikon S2 and S3, although its fast maximum aperture of f/1.4 also made it very suitable for low-light situations (especially on B/W film). With 7 optical elements in 5 groups, the NIKKOR-H 50mm f/1.4 has a simpler optical design than the new Nikon 50mm f/1.8G. However, similar to some of the old Nikkor classics, this lens is not about top notch sharpness and rich features. Its corner vignetting, beautiful bokeh and a boatload of optical imperfections is what gives the lens a certain “character” that is so hard to find on modern lenses. As one of our readers pointed out, it is interesting that some people try to imitate such imperfections in post-processing today, because their lenses are so sharp and corrected. Still, despite all its flaws, the lens can produce excellent sharpness results even on some of the best DSLRs like Nikon D800E, once stopped down to f/2.8 and smaller, as demonstrated further down in the review.
Thanks to your support, we will be publishing a lot more reviews of the old Nikkor classics that we either purchased on auction sites, or loaned from our readers. This is a review of a true classic, the Nikon NIKKOR-H Auto 28mm f/3.5 (Ai modified), which was manufactured way back in 1959. One of our readers, Joe Ridley, was kind enough to send a number of Nikkor classics, and this lens is the first one that we are reviewing. Please note that such reviews of classic lenses will be limited to one page, with a small number of image samples. Still, full lab measurements will be performed on each lens for thorough analysis and comparisons.
1) Overview and Specifications
The NIKKOR-H Auto 28mm f/3.5 is one of the earliest, Pre-Ai Nikkor manual focus wide angle lenses for the F mount. Initially launched in 1959, this lens went through several iterations overtime with slightly different optical designs. The lens is available in various auction sites including eBay, but an Ai-converted version is really hard to come by. If you do decide to purchase one, you have to get the lens Ai-converted to properly mount on modern DSLRs. If you do not do this, you risk damaging your DSLR, since the non-Ai version could either break the metering tab / lever on the lens mount, or could get stuck on the mount and potentially cause other damage.
This is an review of the classic Nikon NIKKOR 50mm f/1.2 Ai-S by one of our readers, Christian Duguay from Montreal, Canada. A quick note from Nasim: while I was going through testing some of the older manual focus lenses (including the 50mm f/1.2 Ai-S), Christian contacted me via email and sent some of his thoughts on the lens. After a couple of emails back and forth, I requested him to write a review of the lens, so that we could share it with our readers. Christian accepted the challenge and we both agreed that it could be a good idea if we both worked on it – I would provide all optical test results, while he would write the text and provide sample images. So in a way, this is a collaborative effort between the two of us. Enjoy!
1) Overview and Specifications
When I read a few weeks ago at Photography Life that Nasim wanted to review some of the Nikkor Ai-S manual focus lenses, I was really pleased by the idea. In fact, I was longing for that since the summer of 2012. At that time, I was looking for a 28mm prime and although Nikon had launched a new 28mm f/1.8G in April of that year, I opted for an all-manual f/2.8 Ai-S lens. The reviews I read about it were interesting and convincing, so I decided to order one new from the US, because it was not available in Canada. When I received the lens, I was totally amazed by its high quality, intrinsic beauty and special craftsmanship. This was my first contact with these old Nikkor Ai-S lenses.
We’ve all seen the high speed photography shots of bullets piercing objects, water droplets or lightning strikes but maybe aside from lightning strikes, not all of us have had the opportunity to take photos like that. Many of us only get to admire other photographer’s work when it comes to ultra fast action shots like these. I recently got a chance to play with a multifunctional trigger that makes high speed photography easier and fun but also does more than just help with high speed photography. In this review of the Nero Trigger, we will look at some of its modes and how it performs.
1) Size and Construction
The trigger, also covered by a 2 year manufacturer’s warranty, comes neatly packaged in a box with custom fit foam around the trigger giving it excellent protection during shipping which, by the way, is free! The company has shipped mine via DHL and I received it in just a few days. A small, concise, but clear user manual is included and can also be downloaded in pdf format from the company website.
This is an in-depth review of the Nikon D610, a very minor update that replaced the existing Nikon D600. Since full-frame DSLR cameras typically have a 2-3 year life cycle before they are refreshed with newer models, the D610 was an unusual update, as it replaced a camera that was only 13 months old – something that typically only happens with entry-level/consumer DSLRs. The thing is, the Nikon D610 is what the D600 should have been when it was initially launched. Plagued by a shutter mechanism issue which shred small particles from the shutter that fell directly onto the camera sensor (causing “dust bunnies” visible at small apertures), the Nikon D600 got a lot of negative press from its owners and camera reviewers. We were among the first ones to report the dust issue in our Nikon D600 review and later received many reports from our readers that confirmed the same issue. In a couple of months, the Internet was full of all kinds of examples of the same issue. Nikon ended up issuing a service advisory that categorized the behavior as “natural accumulation of dust” and suggested to try using the “Clean Image Sensor” feature of the camera, along with manual cleaning with a blower bulb. As a last resort, if those two options failed, Nikon recommended to consult with service centers to get the camera examined and serviced. Unfortunately, despite all the reported issues, service orders and returns from unhappy customers, Nikon never acknowledged the problem.
The Nikon D610 was announced on October 8, 2013. To make it seem like it was a real upgrade over the D600, Nikon threw in a couple of extra changes to the camera, such as faster frame rate, quiet continuous shooting mode and improved white balance. Nikon also lowered the MSRP price of the camera to $1999 from $2099 that the D600 initially sold for. This was done for two reasons – the Nikon D600 was already discounted by $100 for a while, and Nikon wanted to stay competitive with the Canon EOS 6D during the holiday shopping season.
This is an in-depth review of the Sony NEX-7 mirrorless camera that was released on August 24, 2011, so this is obviously a long delayed review that I have not had a chance to publish due to time constraints. I decided to finish it up and get the review published before the highly anticipated full-frame Sony A7 and A7r are announced later this week. The Sony NEX-7 is considered to be the top of the line NEX-series camera, with the highest resolution 24 MP APS-C sensor, built-in OLED electronic viewfinder, tilt-screen, three dial interface and the highest price tag in the line. In this review, I will go over the features and capabilities of the camera and compare it to other mirrorless options, including the Olympus OM-D E-M5, Canon EOS M and other Sony NEX cameras.
This is an in-depth review of the Fujifilm X100S mirrorless camera, which was released on January 7, 2013 together with the X20 compact camera. After the success of the original X100, Fuji upgraded the sensor and the hybrid viewfinder, added some new features, addressed a few important firmware issues and added the “S” to the label of the camera. The long-awaited Fuji X100S debuted with a lot of fanfare, thanks to its big supporters like Zack Arias and David Hobby that provided plenty of coverage of the camera. Being tied up with reviewing newly released Nikon lenses and cameras, I did not have a chance to test the X100S out until the summer of 2013. Another reason was poor availability – the X100S was in such a high demand, that it was nowhere to be found for a long time. And it is still hard to find even today in the US market, with very few retailers like B&H Photo occasionally having limited stock.
This is an in-depth review of the Fujifilm X-M1 mirrorless interchangeable-lens camera, which was released on June 24, 2013 together with the Fujinon XC 16-50mm f/3.5-5.6 OIS lens. After the success of the X series cameras including the X100, X-Pro1 and X-E1, Fuji decided to expand the line of interchangeable lens mirrorless cameras by introducing a more affordable mid-range version, the X-M1. While the X-Pro1 and X-E1 are targeted at professionals, enthusiasts and serious amateurs, the X-M1 is designed to attract a broader audience.