While I do a fair amount of still photography, the majority of my client work is shooting video with my DSLR and mirrorless cameras. When buying tripods and heads I need to consider their functionality from both perspectives. As I recently added a camera jib to my video equipment arsenal, I started seriously considering a heavier capacity tripod and head. My current tripods, which are capacity rated to 17.6 lbs. (8.8 Kg), were falling a bit short in terms of providing the degree of stability that I need when shooting video. And, my existing fluid video head wasn’t quite able to provide the stability I needed when using my slider kit loaded with my D800 and a heavy FX lens. I also felt that a taller tripod would allow me to get the most out of my camera jib by capturing higher, more dramatic video scenes.
There are times when virtually every photographer or videographer could make use of a small, lightweight, easy-to-use table top tripod. Like that time you were on holidays and missed that spectacular sunset in fading light. Or, that unique angle shot that would have added a lot of production value to a client video, but your regular gear was too big and bulky to get into the tight spot needed to capture it.
As smaller, lighter gear grows ever more popular – some mirrorless systems, while capable of delivering brilliant results in knowing hands, weigh half as much as DSLR systems – it is only natural for smaller bags to get more popular as well. Already you can see retailers and online stores offering a wide array of “for mirrorless cameras” bags and the selection will only grow wider. Even though I haven’t bought into a mirrorless system (yet), I, too, was on a lookout for a small, unassuming bag. The main requirements were simple: it had to look like anything but a camera bag and thus also work as a simple shoulder bag when needed; it had to be small, yet big enough to fit a mirrorless body with a couple of small lenses and, until such a time arrives, big enough to fit a D700 camera with a 50mm lens attached; and, if at all possible, accommodate my Mamiya RZ67 – not a small camera, mind you – and a roll of film for those quiet evening walks in the old city.
This is an in-depth review of the Fujifilm X-T1, a weather-proof mirrorless interchangeable-lens camera from Fuji that was announced on January 28, 2014. Previously known for its popular X-Pro, X-E and X-M lines, the new “T” line is specifically made to be “tough”. With its all magnesium-alloy body, sealed buttons and compartments, the X-T1 is Fuji’s first attempt at a fully weather-sealed mirrorless camera. Although Fuji’s recent cameras have been quite popular, it had nothing to offer against the OM-D E-M1 and OM-D E-M5 Micro Four Thirds mirrorless cameras from Olympus. With the latter two offering weather sealing, in-body image stabilization (IBIS) and a whole slew of lenses to choose from, Fuji wanted the X-T1 to offer similar features at a competitive price. With a larger APS-C sensor and a huge, high-resolution electronic viewfinder (EVF), the X-T1 was also meant to appeal a bigger audience from professionals and enthusiasts that want a lighter and more compact setup than their DSLRs.
About a year ago, I reviewed an Impact background (Impact reversible muslin background). Out of curiosity, I decided to grab another one. This time instead of one that was reversible, I chose the Impact Crushed Muslin Background in Grey Mist. What’s the difference you might ask? Let’s just see…
Sometimes when I travel or just have a portrait session in town, I don’t want to bring all of my camera gear with me. At times like this, I’ve always thought it would be really nice to have a smaller bag I could bring along and leave my big bag at home. Enter this shoulder bag from Ruggard… big enough to hold a body and a few lenses but not so big that it becomes just as heavy as my normal camera bag.
Many years ago I bought a Nikon 55mm macro lens. This was an older, manual focus lens. It came with an older extension tube that did not communicate with the camera, meaning that any lens that was attached to it lost all communication with the camera, meaning it also became a manual focus lens. Worse yet, newer Nikon AF-S lenses that do not have an aperture ring weren’t usable at any aperture besides completely stopped down.
I really liked the idea of having an extension tube for more regular use, so I was always interested in trying extension tubes that would communicate with my camera and that I could use with all of my lenses. When I came across this set, they seemed like exactly what I was looking for. Will they find a permanent home in my camera bag or will they have a place in storage gathering dust next to my old extension tube?
If you do photography in a studio, you probably have a few shot bags laying around. This very small shot bag has a variety of uses.
I never thought that I would be reviewing an Apple Mac Pro, since I have never owned a Mac and was always a PC user. In fact, the last time I really handled a Mac was about 14 years ago, when I worked as an IT tech at the University of Colorado, servicing campus computers. Since then, aside from occasional encounters at local stores or friend’s houses, I have been keeping myself away from Macs. Although I have nothing against Apple in general, there were a number of reasons why I kept myself on the PC platform. The first and the biggest reason was personal preference – having been “PC-savvy” for many years, building computers and providing support for them (whether it was for my family, friends or work), I was pretty content with what I had and never really had much interest in Macs. Second, having spent the majority of my adult life working for various companies and organizations, I took part in building PC and server networks based on the Microsoft OS platform, as Macs have just not been very popular in the corporate world. Lastly, cost was also an issue – for the price of a Mac, I could easily build a PC or buy one at half the cost.