Are you ready to be “Packed”?

Pack a Photographer

A friend of mine sent me a video from the WSJ called “Don’t Forget to Pack a Photographer” (link to the video, link to the article). Seems like there is a new trend in higher-end markets, where people are hiring professional photographers to photograph their vacations. It is certainly an interesting concept that could create potentially good business for us photographers (if priced right and done right).

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Maximizing Dynamic Range

Doris-Final

The more time I spend in my photography pursuits, the more I appreciate cameras that capture and photos that exploit their maximum dynamic range potential. Digital cameras have undergone dramatic improvements over the last 12+ years, but they still don’t come close to the human eye’s dynamic range capabilities. By some estimates, the human eye can distinguish up to 24 f-stops of dynamic range. Higher end DSLRs such as the Nikon D800 by comparison, can capture up to a theoretical max of 14.4 f-stops of dynamic range. The usable dynamic range of most DSLRs, however, is closer to 5-9 f-stops, considering the impact of noise, which can render some of the DSLRs’ f-stop range impractical to exploit. Thus your eyes – at least for now – are still far more capable than the best DSLR relative to recognizing various tonal gradations. As I will demonstrate via my new model, “Doris” (shown below) of the Pittsburgh Zoo, even photos taken with high quality DSLRs sometimes need a bit of extra processing to match what your eyes can see. The photo below is the result of a processing technique I often employ to boost dynamic range when it is apparent that my camera’s sensor failed to capture what I remember seeing.

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Are You Afraid to Ask?

Street Dancer (6)

We rarely get to see extraordinary people in our everyday lives. Have you had one of those moments when you saw a stranger that you really wanted to take a picture of? I am sure you have. So what did you do? Did you just photograph the person from afar without them knowing, try to talk that person into being your 30 second model or perhaps you might have tried to sneak up and take a picture? Or even worse, maybe you did not take a picture at all? I guess it has to do with our personality. If you are of shy type with a low confidence level (often a photography rookie), you might be even afraid to ask. That dreaded “No” can be quite discouraging to say the least and many of us don’t even bother to ask for that very reason.

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The Greatest Post-Processing Tool

Wall

I often get asked if there is a certain way of achieving a particular look in a photo. How to make colors and people “pop”? How to properly color correct? How to make the skin blemish free? While there are lots of different ways to post-process photos using tools like Lightroom and Photoshop, the most powerful tool in any visual artist’s arsenal is typically forgotten – your eyes!

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Selective Color Correction in Lightroom and Photoshop

After

In my previous Lightroom Dodging and Burning Tutorial I chose a photograph that had multiple issues. I addressed most of them in that tutorial but specifically left out one major issue (which was quickly discovered by one of our readers) to be a subject for fixing selective color in Lightroom and Photoshop. If you take another close look at the photograph I chose in that tutorial, the face of the model is visibly brighter than the color of the rest of her body. While in many cases our facial color tends to differ from the rest of our body, it can look rather awkward in photographs. Especially in this particular photograph, it is obvious that the foundation on model’s face did not match to rest of her skin color.

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Lightroom Dodging and Burning Tutorial

final

This is a simple tutorial on how you can utilize Lightroom tools to Dodge and Burn selective areas of a photograph to your liking without using Photoshop. During the process I will also go through some simple steps to show how you can enhance an image directly in Lightroom. I chose a sample portrait to show the process, because I often rely on Lightroom to do most of my post-processing work.

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Nikon vs Canon vs Fuji in a Studio

Nikon vs Canon vs Fuji #3

I have been super busy working on a couple of big projects lately and this weekend I helped out Lola with her bridal work. While setting up the lights, I decided to try out and shoot with three different cameras – the Nikon D800 (see the recently published review of the Nikon D800), the Canon 5D Mark III (a full review is coming up in a couple of weeks) and the Fuji X-Pro 1 (also coming up for a review soon).

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Reach Out and Touch…

Baby and Dad

As photographers, we are bombarded with messages urging us to see the world through our own eyes, or find our “unique vision”. Apart from the photo club outings and occasional seminars, photography is primarily an individual pursuit. And as we all know from Diseases That Plague Photographers and other articles on Photography Life, photographers can be a bit consumed (ok – downright obsessive!) with their equipment, and have extremely strong opinions concerning it!

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How to Convert Portraits to B&W with Lightroom 4

B&W Result: HSL desaturation

In this tutorial I will show you how to convert a portrait (shot in RAW format) to a black & white image using Lightroom 4. By the end of the tutorial, and with some practice, I hope to teach you how to have full control over the look of your B&W images. While I chose this particular look for this particular portrait, Lightroom offers many kinds of different ways to convert your images to black & white, and so it’s impossible to put all the looks into one tutorial. Certain conversions fit certain images better than others, and it also depends on taste and goal of the author. In the future, I hope to make more tutorials for both black & white and color photography with different conversion methods and looks.

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The Significance of Depth, Background and Color in Storytelling

Shallow depth of field

We as photographers often make the final call on deciding the life span of an image according to our own perception, imagination and expertise. As much as we should be open to constructive criticism, I have always thought our own satisfaction from a photograph should come first. My own self-criticism is always the deciding factor on where I take my craft going forward. While those creative juices affect what I do behind the camera, knowing the technical aspect of photography to give life to any idea is very essential. It can take the story telling ability to a whole new level. Being able to analyze each shot before it is taken eventually will become a second nature as you photograph. I hope the below steps will help you get there a little faster.

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