Many photographers have been buying expensive wide gamut monitors in order to take a full advantage of their ability to display over a billion of colors. What many do not realize, is that their actual workflow is most likely limited to just 16.7 million colors due to software and hardware limitations. How does one achieve a true 10 bit per channel, or 30 bit workflow? What are the advantages and is it worth the effort? To answer these questions, I decided to dig into the 30 bit photography workflow in detail and explain its advantages, disadvantages and also discuss its future.
Most of my previous Mastering Lightroom series articles were about specific techniques and features of Adobe’s popular post-processing tool for photographers. Of course, learning these techniques is very important, yet for someone who’s just started using Lightroom, other questions come to mind first. Where do you start? What do you do first? How to keep your catalogs uncluttered and organized? Answers to these questions can be extensive, but in this article, I will try to describe a very simple, basic workflow I often use myself. This workflow allows me to keep my catalogs tidy yet at the same time helps me get to actual post-processing very quickly and in just a few steps. Many of you already have your favorite workflows, I’m sure, and some will involve different or more steps than this one. With this article, my goal is to get those of you completely new to Lightroom up and running quickly so that, with practice, you can decide on your own approach.
After I posted an article on Efficient Lightroom Workflow for High Resolution Images, Jason Schultz posted a video tutorial over on his blog on efficient aperture workflow. While I personally do not use Aperture (I don’t own a Mac), I liked Aperture’s ability to first import JPEG images, then only import matching RAW images after all the sorting and deleting is done.
Whenever Lola and I post images on our website and the Facebook fan page, we get plenty of requests on post-processing from our readers. One question that keeps coming back all the time is about Lightroom vs Photoshop – many beginners do not know differences between Lightroom and Photoshop and have a hard time choosing which one to get first. In this article, I will show the main differences between these two software packages from Adobe, what they are used for and what you can do in Photoshop that you cannot in Lightroom. Most of this article will also apply for Aperture vs Photoshop discussion, because Aperture and Lightroom share very similar functionality.
This is a review of the new Drobo S second generation 5-bay storage array by Data Robotics. Although the Drobo S is officially known as the 2nd generation unit, my PC recognized it as a 3rd generation Drobo S, so I’m not sure what I should call it. I guess I will simply call it the “new Drobo S” for this review. There are several reasons why I decided to write this review. First of all, Drobo products are gaining more and more popularity among photographers and in many cases are becoming a part of their workflow. While some well-known photographers have already endorsed Drobo as a photo storage solution, I wanted to see exactly how fast and reliable this unit is for storing photographs, compared to internal and much cheaper single/dual disk external storage. Second, I have been working with some of the best DAS/NAS/SAN storage solutions during the last 5 years (from small business to enterprise-level storage solutions like EMC Clariion) and having a pretty good idea on what to expect from a storage array, I wanted to see what Drobo has to offer compared to other similar products like Netgear ReadyNAS Pro. Lastly, I wanted to test and see how well the new Drobo S works with the latest technologies like USB 3.0 and how the new eSATA port performs in comparison. I will do my best to make this review as objective as possible, with plenty of data and screenshots to back up my words.
If you have been reading articles on photography and post-processing, especially from a professional photographer, you have probably stumbled upon the word “workflow” and wondered what it meant. In this article, I will explain what a workflow is and what it is comprised of in the world of digital photography. Please note that the workflow process can vary greatly from one photographer to another, because of too many variables involved and because there is no established, standard workflow that applies to everyone. Therefore, information that I provide in this article should only be used as a reference point to get an understanding of how workflows work in general. It will be totally up to you to establish your own digital photography workflow and you should ultimately design the process that works best for your needs.