At one point or another, we all stall. Whether it is because we are drowned by our daily routine or because we simply lose interest in doing what we love. We stall and it’s not quite that simple to get back on track. On the contrary, we dig ourselves deeper. We sit cozily in front of our computers, read about gear and people we admire. Why do we admire them? It’s because they keep on doing while we stall, while we stay put and touch nothing unless absolutely necessary. It’s because they do everything we don’t.
In this short tutorial I will show you how to use one of the easiest and most powerful tools found in Lightroom – the Tone Curve. In my previous tutorial about black & white conversions, I briefly showed you how to use the HSL Panel’s Luminance section to control the lightness of separate colors of the image. Using the Tone Curve Panel is very similar as it also allows you to control the lightness and darkness of various parts of a given photograph, however, rather than altering separate colors, the Tone Curve tool controls certain ranges of actual tones in the image.
Lightroom is an amazing program with a myriad of great features to improve the look of your photographs. In addition to all the image editing and cataloging tools, Lightroom also has some cool built-in features to make it a little more personal. In this short tutorial, I will show you how to brand and customize your favorite RAW converter. A little :)
Lightroom has many features that can easily confuse those who are new to it. While the program offers plenty of different editing opportunities, in order to achieve the best results and user experience, it is important to understand the very basics of Lightroom. In the series of upcoming short articles, I will try to explain each of the most important Panels in Lightroom, so that in the end, you will find it to be a simple, quick and easy to use software for your post-processing needs. Lets start with the Basic Panel.
I’ve always found photographing engagement sessions and weddings to be rather stressful for both the couple (and the guests, too) as well as myself. But stress, at the same time, has proven to be the force that makes me want to do as well as I can. I get over it, eventually, because I have an obligation to do my best. My couples, on the other hand, sometimes have a harder time getting over their nervousness just as fast. The trick is in keeping it fun for them until they’re as comfortable with you around as if they were alone.
We as photographers often make the final call on deciding the life span of an image according to our own perception, imagination and expertise. As much as we should be open to constructive criticism, I have always thought our own satisfaction from a photograph should come first. My own self-criticism is always the deciding factor on where I take my craft going forward. While those creative juices affect what I do behind the camera, knowing the technical aspect of photography to give life to any idea is very essential. It can take the story telling ability to a whole new level. Being able to analyze each shot before it is taken eventually will become a second nature as you photograph. I hope the below steps will help you get there a little faster.
Photography is an art meant to invigorate our creative side and facilitate our ability to see our world in new and interesting ways. Many books, articles, tutorials, and blogs focus on various aspects of the artistic and technical merits of photography. Rarely discussed, however, are some of the strange maladies that afflict photographers. There are the occasional whispers and, “Did you hear about Joe?” types of exchanges, but all too often, such problems are rarely acknowledged and dealt with openly.
Photographing formals during weddings can be very tiresome and stressful to all parties involved. It’s the part of the day both the guests and the photographer often want to get past as quickly as possible. Friends and family want to enjoy the cocktail with others. Bride and Groom are tired from standing far too long and a looking forward to get some rest before the reception. Could anyone blame them?
Infrared, or “IR” photography, offers photographers of all abilities and budgets the opportunity to explore a new world – the world of the unseen. Why “unseen”? Because our eyes literally cannot see IR light, as it lies just beyond what is classified as the “visible” spectrum – that which human eyesight can detect. When we take photographs using infrared-equipped film or cameras, we are exposed to the world that can often look very different from that we are accustomed to seeing. Colors, textures, leaves and plants, human skin, and all other manner of objects can reflect IR light in unique and interesting ways, ones that cannot be mimicked with tools such as Photoshop (yes – there are limits to what Photoshop can do!). Like any form of photography or art however, it is a matter of taste. I would strongly urge people to explore the world of IR. As the number of cameras-equipped devices proliferates and the associated technologies improve, IR photography may offer the opportunity for photographers to expand into new arenas and differentiate their offerings from those of others.
Yesterday I took the plunge and joined 500px.com and uploaded some of my landscape photos. 500px is a great resource with lots of talented photographers. I have visited the site before and some of the photographs are breathtaking and inspiring (except for all that nudity that seems to dominate the site – had to turn it off from my profile). While uploading images, I realized that I have not updated my Google+ photos either, so I decided to do that as well. Then, somebody contacted me through my long forgotten Flickr account, asking a photography question. All this is happening while I am trying to simultaneously update my Twitter and Facebook accounts. And I won’t even go into talking about all the YouTube, Pinterest, Myspace, Tumblr, LinkedIn, Reddit, StumbleUpon and LiveJournal requests and comments that keep pouring into my email address.