How to Photograph Family Portraits

Portrait Photography (2)

Of all things photography I love photographing family portraits. For me, family portraiture is generally more flexible than any other type of photography, and it gives me lots of opportunities to express my creativity. If you are thinking about getting into family portraiture or perhaps someone asked you to photograph their family, you might not know where to start and how to plan it all out. In this article, I will talk about photographing family portraits and provide some tips on simple things you can do to come back with photos that the family will treasure for years to come.

Family Portraits

1) Communication

It goes without saying that communication is key in people photography. From the day you receive the first e-mail from the client, make sure that you stay continuously engaged. Respond to inquiries promptly and keep your clients informed at all times, especially on any potential schedule changes. Portrait sessions are not weddings and there is always a chance that your client might forget when and where the photo shoot is supposed to take place. Therefore, put some reminders in your calendar to notify your client several days in advance about the upcoming session. I typically remind my clients about a week in advance via email, phone or Facebook first, then send another reminder the day before the session. If my client does not respond, I call them and make sure that they get my message. Effective communication is important for a busy pro, because the schedule can get packed very quickly. Rescheduling a missed photo shoot can get costly, especially if you have that one weekend day planned for a family outing.

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Time Saving Tips for Wedding Photographers

1 Laura Murray Wedding Photography Tips

Summertime for wedding photographers in the northern hemisphere can be quite hectic! Since the beginning of May I have been shooting 3-5 portraits sessions and 1-2 weddings per week – that means before I have little time to process, edit, and complete a session/wedding before I am already onto the next one. It goes without saying that good time management is crucial for not falling behind. In this article, I will share a few time savings tips for busy photographers like me.

1 Laura Murray Wedding Photography Tips

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Hiring a Second Shooter for Wedding Photography

Hiring a second shooter (7)

Many photographers prefer to have second shooters to help them out during events, especially big weddings. Hiring or becoming a second photographer to work along with you on a job might be very complicated, tricky and sometimes downright nightmarish. You hire a photographer to come and help you out during one of the biggest weddings of your season, and the photographer shows up late, completely unprepared, with empty batteries, no flash and a completely different camera system. If you wish to avoid such situations, read this post up and make yourself thoroughly prepared. It sure is a hard job to let someone else represent your business. But when you are ready, you can make the experience both pleasant and even memorable for all parties involved.

Hiring a second shooter (7)

1) The difference between a second shooter and an assistant

First things first, without diving into semantics too deep, I want to clarify the difference between a second shooter and an assistant. A second shooter is a photographer that is called/asked/hired to work alongside the main photographer for a particular event. An assistant, on the other hand, is not necessarily a photographer – it could be anyone that is hired to assist the main photographer in carrying his/her gear and perform simple tasks like holding lights, reflectors, etc. While second shooters can also perform assistant roles (if agreed upon earlier), keep in mind that they could be skilled professionals, just like you. Assistants, on the other hand, can be interns or student photographers, who are hired to assist and who are there to learn. Regardless of who you choose to work with, a binding contract with clearly stated duties and dues should be put together and signed in advance.

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How to Photograph High School Seniors by Mario Masitti

Mario Masitti Seniors 1

We are continuing our education series from some of the best photographers in Colorado and this time we are proud to feature Mario Masitti, who is without a doubt, one of the most successful high school senior photographers in the nation, not just Colorado. In this article, Mario will shed some light on high school senior photography and share his technique, style, gear and provide some sound advice for aspiring photographers. We hope you enjoy reading this article and learning from him.

Mario Masitti Seniors 13

Canon 1Ds-II | 85L at f/1.2 | ISO50 | 1/400s | Existing Light

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Wildlife Photography Tips: Take a Kid Shooting

Take a kid shooting

Ok, I know you may be thinking, “How is take a kid shooting a wildlife photography tip?” Maybe it isn’t in the traditional sense. Regardless, I was thinking about an ad campaign here in the United States that promoted fishing whose slogan was “Take a kid fishing” and it got me to thinking about photography and a similar slogan that could be “Take a Kid Shooting”. I have a grandson that has taken a liking to photography having been influenced by his father and grandfather’s love of taking photos. His interest has given me the pleasure to take him out and have him shoot with me from time to time.

Take a kid shooting

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How to Use a Reflector

Reflectors

In the world of photography, nothing happens without light. In most cases, there are two types of light that photographers work with: natural light and artificial light. Although I often find myself using artificial light sources, I prefer using natural light whenever possible and consider myself to be a natural light photographer. One of the tools that has made the biggest difference to my natural light photography (and, for that matter, studio photography) is a reflector. In this guide, I will show you how to use a reflector effectively to enhance your photographs by simply bouncing natural light.

1) Choosing a Reflector

If you have never purchased a reflector before, the options that you find once you start looking might be overwhelming. There are large and small reflectors. There are round, rectangular and triangular reflectors. There are white, gold and silver reflectors, as well as combinations of these three colors with names like Sunfire, SoftSilver, Zebra and Sparkling Sun.

One of the first things you’ll want to decide on is the size of reflector you’ll need. If you’re mainly shooting individual portraits, a smaller reflector might work better for you than a larger one. Of course, a larger reflector will generally produce a larger area of softer light, but larger reflectors are also more difficult to handle, so there is a compromise to be made. A 42″ reflector is a pretty common size that is a nice combination of ease of use and nice light.

Once you know the general size you’re looking for, you can start looking at different brands and shapes. You’ll find reflectors that have handles, brackets or frames. You’ll also find reflectors that don’t have any fancy features. You’ll usually pay a premium and have fewer options if you choose a reflector that has a handle or a frame, but the added ease of use might just make it worth the extra money.

Reflectors

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Defining Success

Photography Life Logo

Ladies and Gentlemen, I present to your attention a masterpiece video from Fstoppers interviewing creme de la creme of current photographic community. Zack Arias, John Keatley, Joe Mcnally, Peter Hurley, Scott Hargis, David Burnett, Greg Heisler, David Hobby – each share their struggles, experience and goals they’ve had throughout their career, which ultimately shaped them into what they are today. I hope Patrick and Lee will not get offended if I say that this is by far the best video they have produced throughout their original series. Although the original title says “Success in Photography”, after watching this video what appealed to me most was how these successful people integrated photography to their lives and how photography changed their outlook on the world.

I find this philosophy to be practically universal for almost every career out there. If your opinion differs, I would love to hear your thoughts about it.

Food Photography Tips: Introduction

Food Photography

My personal food photography journey started slightly earlier than my love for wedding and portrait photography. Since I cook a lot, one day Nasim suggested that I document it and possibly turn my recipes into a blog. It started with one single shot of the final look of the dish before we devoured it, and ended up developing into step-by-step recipes that started gaining popularity. Although I took a break from food photography, I still kept on getting questions regarding the craft of food photography. So, I decided to start writing articles dedicated to food photography tips and techniques and how to work with food in various situations.

Food Photography

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Wildlife Photography Tips: Go to the Park

Mandarin Drake Profile

Many people enjoy photographing wildlife but sometimes don’t seem to know where to go to find the opportunities. It doesn’t need to involve going to exotic locations or spending big money for a guided trip. Oftentimes, some of the most accessible wildlife is found if not literally in your backyard, then close by. In this quick tip for the beginner wildlife photographer, we advise you to get out and go to the park.

Common House Finch in Crabapple Blossoms

Living in an urban setting doesn’t mean you don’t have access to wildlife. In fact, much of the wildlife found in urban settings, give photographers an advantage over their more rural counterparts – they are more approachable. Any animal that is more acclimated to humans, tends to be less skittish and will allow closer interaction. In local parks, there are people walking, riding bikes, jogging, fishing, boating, playing, etc. and due to this increased human activity, the animals tend to recognize our behavior as less threatening. They recognize things that are out of the norm and will heighten their alert mechanisms only when something is different.

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Look Through Your Window

Look Through Your Window

I’ve always admired landscapes and portraits taken by much more talented photographers than myself. Looking at their work – take landscapes photographed by Nasim – I see a world completely different to my own. I see colorful forests and tall mountains inviting me, tempting me. It’s as if they’re saying – come. We look gorgeous from every angle. Come. We are the very bones of Earth. We have valleys and rivers, there are canyons and caves, meadows and snowy peaks to be found. Whatever the time of day, whatever the season or weather, we look gorgeous from every angle. Much unlike the nature around my home, you know. All I’d need to do is choose the one angle I like most. How wonderful would that be.

I had the honor once of traveling with a British professor on train. He saw me photograph passengers aboard and we engaged in a conversation. Halfway through it, he pulled out his beaten laptop and showed me lots of images from his travels all around the globe. He was no photographer, but the places he’s been to were so mesmerizing, I felt a sudden rush of sadness. Why is Lithuania so boring? I’ve seen portraits of exotic people. I’ve had friends travel and come back with breathtaking images from Thailand, Malaysia and Africa, and they always brought something back with them that made me envy their chance. Portraits of people so different from those around me – deep, true. Living. I’ve seen foggy eyes of old wise men, I’ve seen carefree laughter of youngsters out in the streets of Delhi. I’ve seen French lovers in embrace. Why are French so different from the rest of us? Why a simple market suddenly becomes so interesting, if it’s in Japan or Vietnam? Why are taxis so iconic in New York City and London underground trains so full of street photography opportunities? The answer would seem very simple, of course. It’s because they’re better places than where I am. It’s because they’re more interesting people than those around me. There are no exotic people in here, no foggy-eyed wise men, no French flamboyance and certainly, certainly no beautiful, breathtaking, colossal mountains to behold.

Wrong. So very, very wrong of me to ever say such a thing.

Look Through Your Window

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