If you took workshops and coursework on photography, chances are you’ve heard every mentor talk about understanding composition and learning to crop within the camera. Doing so will yield greatly composed photos and will limit your time in post production. But from time to time, you will come back with badly cropped photos which might have distracting elements in the background and the composition may not look spot on. If you are photographing portraits, even the slightest distraction may draw the viewer’s attention to something else than what you originally intended the viewer to concentrate on. At times like these, instead of deleting the photo, I want to give it another chance. Memories are precious and I do not mind cropping the photo to preserve what is important. Cropping images in post production will give you another chance to re-frame your shots and there are a number of different ways you can do this to achieve desirable results.
Of all things photography I love photographing family portraits. For me, family portraiture is generally more flexible than any other type of photography, and it gives me lots of opportunities to express my creativity. If you are thinking about getting into family portraiture or perhaps someone asked you to photograph their family, you might not know where to start and how to plan it all out. In this article, I will talk about photographing family portraits and provide some tips on simple things you can do to come back with photos that the family will treasure for years to come.
It goes without saying that communication is key in people photography. From the day you receive the first e-mail from the client, make sure that you stay continuously engaged. Respond to inquiries promptly and keep your clients informed at all times, especially on any potential schedule changes. Portrait sessions are not weddings and there is always a chance that your client might forget when and where the photo shoot is supposed to take place. Therefore, put some reminders in your calendar to notify your client several days in advance about the upcoming session. I typically remind my clients about a week in advance via email, phone or Facebook first, then send another reminder the day before the session. If my client does not respond, I call them and make sure that they get my message. Effective communication is important for a busy pro, because the schedule can get packed very quickly. Rescheduling a missed photo shoot can get costly, especially if you have that one weekend day planned for a family outing.
Summertime for wedding photographers in the northern hemisphere can be quite hectic! Since the beginning of May I have been shooting 3-5 portraits sessions and 1-2 weddings per week – that means before I have little time to process, edit, and complete a session/wedding before I am already onto the next one. It goes without saying that good time management is crucial for not falling behind. In this article, I will share a few time savings tips for busy photographers like me.
Many photographers prefer to have second shooters to help them out during events, especially big weddings. Hiring or becoming a second photographer to work along with you on a job might be very complicated, tricky and sometimes downright nightmarish. You hire a photographer to come and help you out during one of the biggest weddings of your season, and the photographer shows up late, completely unprepared, with empty batteries, no flash and a completely different camera system. If you wish to avoid such situations, read this post up and make yourself thoroughly prepared. It sure is a hard job to let someone else represent your business. But when you are ready, you can make the experience both pleasant and even memorable for all parties involved.
1) The difference between a second shooter and an assistant
First things first, without diving into semantics too deep, I want to clarify the difference between a second shooter and an assistant. A second shooter is a photographer that is called/asked/hired to work alongside the main photographer for a particular event. An assistant, on the other hand, is not necessarily a photographer – it could be anyone that is hired to assist the main photographer in carrying his/her gear and perform simple tasks like holding lights, reflectors, etc. While second shooters can also perform assistant roles (if agreed upon earlier), keep in mind that they could be skilled professionals, just like you. Assistants, on the other hand, can be interns or student photographers, who are hired to assist and who are there to learn. Regardless of who you choose to work with, a binding contract with clearly stated duties and dues should be put together and signed in advance.
We are continuing our education series from some of the best photographers in Colorado and this time we are proud to feature Mario Masitti, who is without a doubt, one of the most successful high school senior photographers in the nation, not just Colorado. In this article, Mario will shed some light on high school senior photography and share his technique, style, gear and provide some sound advice for aspiring photographers. We hope you enjoy reading this article and learning from him.
Canon 1Ds-II | 85L at f/1.2 | ISO50 | 1/400s | Existing Light
Ok, I know you may be thinking, “How is take a kid shooting a wildlife photography tip?” Maybe it isn’t in the traditional sense. Regardless, I was thinking about an ad campaign here in the United States that promoted fishing whose slogan was “Take a kid fishing” and it got me to thinking about photography and a similar slogan that could be “Take a Kid Shooting”. I have a grandson that has taken a liking to photography having been influenced by his father and grandfather’s love of taking photos. His interest has given me the pleasure to take him out and have him shoot with me from time to time.
In the world of photography, nothing happens without light. In most cases, there are two types of light that photographers work with: natural light and artificial light. Although I often find myself using artificial light sources, I prefer using natural light whenever possible and consider myself to be a natural light photographer. One of the tools that has made the biggest difference to my natural light photography (and, for that matter, studio photography) is a reflector. In this guide, I will show you how to use a reflector effectively to enhance your photographs by simply bouncing natural light.
1) Choosing a Reflector
If you have never purchased a reflector before, the options that you find once you start looking might be overwhelming. There are large and small reflectors. There are round, rectangular and triangular reflectors. There are white, gold and silver reflectors, as well as combinations of these three colors with names like Sunfire, SoftSilver, Zebra and Sparkling Sun.
One of the first things you’ll want to decide on is the size of reflector you’ll need. If you’re mainly shooting individual portraits, a smaller reflector might work better for you than a larger one. Of course, a larger reflector will generally produce a larger area of softer light, but larger reflectors are also more difficult to handle, so there is a compromise to be made. A 42″ reflector is a pretty common size that is a nice combination of ease of use and nice light.
Once you know the general size you’re looking for, you can start looking at different brands and shapes. You’ll find reflectors that have handles, brackets or frames. You’ll also find reflectors that don’t have any fancy features. You’ll usually pay a premium and have fewer options if you choose a reflector that has a handle or a frame, but the added ease of use might just make it worth the extra money.
Ladies and Gentlemen, I present to your attention a masterpiece video from Fstoppers interviewing creme de la creme of current photographic community. Zack Arias, John Keatley, Joe Mcnally, Peter Hurley, Scott Hargis, David Burnett, Greg Heisler, David Hobby – each share their struggles, experience and goals they’ve had throughout their career, which ultimately shaped them into what they are today. I hope Patrick and Lee will not get offended if I say that this is by far the best video they have produced throughout their original series. Although the original title says “Success in Photography”, after watching this video what appealed to me most was how these successful people integrated photography to their lives and how photography changed their outlook on the world.
I find this philosophy to be practically universal for almost every career out there. If your opinion differs, I would love to hear your thoughts about it.
My personal food photography journey started slightly earlier than my love for wedding and portrait photography. Since I cook a lot, one day Nasim suggested that I document it and possibly turn my recipes into a blog. It started with one single shot of the final look of the dish before we devoured it, and ended up developing into step-by-step recipes that started gaining popularity. Although I took a break from food photography, I still kept on getting questions regarding the craft of food photography. So, I decided to start writing articles dedicated to food photography tips and techniques and how to work with food in various situations.
Many people enjoy photographing wildlife but sometimes don’t seem to know where to go to find the opportunities. It doesn’t need to involve going to exotic locations or spending big money for a guided trip. Oftentimes, some of the most accessible wildlife is found if not literally in your backyard, then close by. In this quick tip for the beginner wildlife photographer, we advise you to get out and go to the park.
Living in an urban setting doesn’t mean you don’t have access to wildlife. In fact, much of the wildlife found in urban settings, give photographers an advantage over their more rural counterparts – they are more approachable. Any animal that is more acclimated to humans, tends to be less skittish and will allow closer interaction. In local parks, there are people walking, riding bikes, jogging, fishing, boating, playing, etc. and due to this increased human activity, the animals tend to recognize our behavior as less threatening. They recognize things that are out of the norm and will heighten their alert mechanisms only when something is different.