With the proliferation of all kinds of gadgetry not only for everyday needs, but also for needs we thought we would never have, the camera market sadly seems to be moving in the same direction. Actually, it is already half way there. New cameras, lenses and accessories keep popping up every few months and come in all shapes, forms and colors. The camera market seems to be experiencing the same over-saturation that other electronics companies are seeing today. People do not want to buy new TVs anymore, so manufacturers are trying to find new ways to sell more TVs by adding more features. The approach is built on typical consumerism – make something look shiny and more interesting than it was before and it might lure people into buying it every year. Camera companies are sadly following exactly the same practice. Announcements are becoming more important than the products themselves, so manufacturers are pushing more redundant choices year after year just to make headlines.
Along with the D3300 DSLR, Nikon has also introduced the new AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II kit lens, another iteration of the lens with a completely new design. Compared to its predecessor, the new 18-55mm kit lens is now much more compact and lighter, because of its retracting design similar to some of the Nikon 1 lenses.
Today Nikon announced the new Nikon D3300 DSLR camera – an update to the existing Nikon D3200 that was released in the spring of 2012. The D3300 is not a huge upgrade over its predecessor. Judging from its specifications, it is mostly a cosmetic release without major innovations, meant to keep Nikon’s entry-level line fresh. The image sensor is supposedly new that increases the native max ISO from 6400 to 12800, although its resolution stayed the same at 24.2 megapixels. The main difference in sensors is the removal of the optical low-pass / anti-aliasing filter, which has now become a trend even on entry-level DSLRs (the Nikon D5300 was also released without a low-pass filter). The D3300 comes with the new EXPEED 4 processor that we have seen earlier on the D5300, which allows the camera to record/process images and video at higher rates. For example, video recording at full 1080p is now possible at 60 frames per second. Continuous shooting frame rate has been increased from 4 to 5 fps and the viewfinder got a slight magnification boost from 0.78x to 0.85x.
Today Nikon announced that it will preview its next “professional flagship D-SLR”, the D4s, at this week’s CES show. How much will be previewed at the show remains to be seen since today’s announcement was thin on details. In fact, it only said that the D4s is “currently in development” and one could interpret that to mean that final specs are subject to change. Nikon did give a little insight to what the new model will offer over the existing D4. First they state the new pro body will feature “improved image quality with the adoption of a new image-processing engine” and second, the press release promises more advanced autofocus performance. That is about all Nikon revealed with this “currently in development” announcement.
The Consumer Electronics Show is taking place in Las Vegas this week, which means lots of announcements of all kinds of gadgets, including cameras and lenses. As usual, we will be picking and covering the most important announcements that are related to the photography industry. One of the biggest news today is the announcement of the Nikon 35mm f/1.8G full-frame lens. Ever since the Nikon 35mm f/1.8G DX lens came out back in 2009 (which got wildly popular for Nikon DX cameras thanks to its excellent performance and low price), many Nikon shooters have been asking for a budget version of the lens for full-frame cameras. Although the professional Nikon 35mm f/1.4G is an excellent chunk of glass (see our in-depth review), it is too expensive for many photo enthusiasts and hobbyists. And that’s exactly the gap that the Nikon 35mm f/1.8G is designed to fill. At an MSRP price of $599, the lens is over 2.5x less expensive than its big brother. It is also twice lighter!
This is an in-depth review of the new, much anticipated Nikon 58mm f/1.4G professional prime lens that was announced on October 17, 2013 along with the Nikon D5300 DSLR. Similar to the legendary classic, the NOCT Nikkor 58mm f/1.2, the AF-S NIKKOR 58mm f/1.4G is a specialized lens for such needs as portraiture, street, event / wedding photography and astrophotography. Thanks to its fast aperture of f/1.4 and a complex optical formula using aspherical elements, nano crystal coat and super integrated coating, along with a fast silent wave autofocus motor, the lens is also ideal for low-light photography needs. Unlike many of the Nikkor lenses that are optimized for maximum sharpness, the Nikon 58mm f/1.4G is the first modern lens of its kind that focuses on producing aesthetically pleasing images, rather than purely focusing on sharpness. I had a pleasure of shooting with this lens for the last 3 months and I wanted to get a full understanding of its strengths and weaknesses, especially when compared to the Nikon 50mm f/1.4G and f/1.8G lenses that I have been relying on for my photography needs. In this review, I will not only provide an in-depth analysis of the lens, but will also compare it head to head against Nikon’s 50mm prime lenses and the Voigtlander 58mm f/1.4 lens that I have been testing in parallel.
When Bob Vishneski wrote his “In the Nikon Df Crossfire – Heart vs Head” humorous article a couple of days ago, I had a hard time with hitting the publish button, because I knew it would create some controversy (especially from those that like their Nikon Df cameras). In addition, I did not necessarily agree with all of Bob’s points, since I look at the Df differently. But that’s the beautiful thing about our team here at PL – we can differ in opinion, share our thoughts / feelings and we do not have to agree! In this case, the below article is sort of a rebuttal to Bob’s article.
I have been shooting with the Nikon Df for over a month now and I do not see the Df as a huge mistake. In fact, I actually like a lot of things about it and see its place for some photographers. I am not trying to say that I love the Df, since there are some things I strongly dislike about it, like the single SD card slot on the bottom of the camera, some ergonomic issues and other limitations. I think the Df is a very controversial camera and Nikon knew very well that it would be before the release. In fact, I heard something very interesting – Nikon apparently told re-sellers that they expected the sales for the Df to be very low. At the moment, re-sellers are barely catching up with the demand and the number of units sold far exceeded their expectations! I was rather surprised by this, considering how vocal some people got on our site and others regarding the Df.
The following conversation is entirely fictitious. Any similarities to opinions expressed on this forum or elsewhere are purely coincidental.
Head: So you are pretty excited about the Nikon Df, huh?
Head: Just what is it about this new DSLR that has you so enthused?
Heart: Well, the Df brings us back to what some of us call “Pure Photography.” Sadly, it has been missing for quite some time. Then again, given your analytical mindset, which is utterly devoid of human emotion, I would not expect you to understand such a concept.
Head: Perhaps thinking is a bit over-rated at times, but it does come in handy, particularly when evaluating marketing slogans and attempting to discern the value of various camera models and lens choices. So help me out here – just what have those of us using digital cameras over the past 13 years or so been engaged in – “Impure Photography?”
I thought I was perfectly happy using the standard hard plastic Nikon screen protector that came with my D800. It does what it’s supposed to do, right? It protects the screen from getting scratched without getting in the way of actually seeing the screen. Why mess with a good thing? That’s what I thought until I was given the opportunity to try out an Expert Shield Screen Protector.
The Expert Shield Screen Protector is a flexible screen protector that is applied directly to your device’s screen. I’ve used screen protectors like this on cameras and phones in the past and always had issues with bubbles, scratches and peeling. Would this be the same or would I end up loving it and throw away the hard plastic screen protector that came with my camera? Only one way to find out.
Updated with Sigma lens rebates
More rebates are available from other manufacturers in addition to those already covered. First of all, some Nikon DSLR bodies and mirrorless cameras are offered with instant savings. Nikon 1 J1 with a 10-30mm zoom lens costs just $200! Canon also dropped the price of some of its cameras for the holidays. Then there is Sony E mount lens rebates with instant savings that range from $25 to $200, while Adobe Photoshop Lightroom 5 receives a discount with the price knocked down to $109 (from $141).
Most of these are also offered with free shipping within USA. The majority of Nikon rebates are valid through November 30th. We will keep this list updated with any new rebates that might become available.