I have been playing with the new Nikon 16-35mm f/4.0 VR lens and I must say, this thing is sweet! The first thing that wondered me when I grabbed the lens, was to see if VR is truly useful on an ultra wide zoom lens like this. Well, after some quick tests, I must say that VR truly does work the magic!
Take a look at this shot at 1/10th of a second that I shot hand-held in a very dark restaurant:
Nikon 16-35mm f4.0 VR - 17mm, 1/10 @ f/4.0, ISO 3200
Big thanks to our readers for continuously sending questions to us and participating in the comments section of our blog. We truly value your feedback and we do our best to respond to your queries as soon as we can. Here is the compiled list of FAQs from the last two weeks:
Please let me know if you have any questions. Have a good day!
In this tutorial, I will show you how to transform boring landscape pictures to vibrant and beautiful images in Lightroom in quick and easy steps. I will show you the real benefits of using the RAW image format and just some of the possibilities it gives you to non-destructively enhance your photographs without ever leaving Lightroom. I personally use this technique for post-processing my landscape photography all the time and I hope you find it useful.
Read on if you want to be able to take an image like this (original, as came out of the camera):
and transform it to an image like this:
As I have noted before, Nikon is currently offering rebates for customers who are buying a DSLR together with a lens. Although not all Nikon lenses are available with this offer, some of the best Nikon lenses such as Nikon 70-200mm VR, Nikon 70-300mm VR and Nikon 24-70mm are available for an instant rebate.
NOTE: All camera and lens rebates have expired.
Since I get a lot of requests from our readers to provide a comparison the two entry-level DSLRs – Nikon D3000 and Nikon D5000, I decided to post a quick “Nikon D3000 vs D5000” article to highlight the key differences and provide my recommendations.
 |  |
I recently borrowed a Nikon D90 with a Nikon 35mm f/1.8G DX lens from a good friend to perform some tests of this combo at home. The weather has been bad for photography lately and I really have not had a chance to take the camera and the lens out to do some real shooting. A couple of days ago, Lola decided to try it out for her food photography while she was preparing my favorite baked pear salad and cooking a new chicken soup with eggs.
While I was shamelessly playing the Prince of Persia game on Wii (I do not even want to mention how many hours I wasted playing it), as soon as she took the first picture, she said “wow!”. Then she took a couple of more pictures and said “I love this lens! It is great for food photography”. I stopped playing for a second to take a look at what she was raving about on the camera LCD.
As soon as I looked at the magnified picture on the LCD, I said “wow” myself. The picture was tack sharp, image quality and contrast were outstanding. Here is the shot of the baked pear recipe that Lola just posted in her recipe blog:
I highly recommend opening the above image in full size and looking at the details of the shot.
We fell in love with this combo right away…what a great lens, what a great camera!
If you have been wanting to buy a DSLR with a good lens, then wait until this Sunday. Nikon is announcing great rebates on some of the best Nikon lenses, including the new Nikon 70-200mm f/2.8 VR II and the outstanding Nikon 24-70mm f/2.8G lens that I use primarily for my landscape photography. The recently reviewed Nikon 70-300mm f/4.5-5.6 VR lens is also going to qualify for an instant rebate, as outlined below:
These are some great incentives by Nikon and the first three are definitely great performers and Nikon’s best lenses. It would have been even better if the incentives were for the lenses only, but those deals do not normally happen until around Christmas time, or when Nikon needs to clear out the shelves.
The Nikon 70-300mm VR lens is targeted towards sports, nature and wildlife photographers that need a lightweight, versatile telephoto lens with great optics and vibration reduction technology, at an affordable price. The lens works on both Nikon FX (full-frame) and DX (cropped) sensors and has an equivalent field of view of approximately 105-450mm on DX sensors, which makes the lens particularly good for reaching distant subjects. The Nikon 70-300mm f/4.5-5.6G ID-ED VR lens features two “ED” (extra low dispersion) glass elements that are used in all Nikon professional lenses, providing higher contrast, lower chromatic aberration and higher resolution, due to less air bubbles and glass deformities within the glass elements. In addition, the lens sports the latest vibration reduction “VR II” technology, giving up to 4 full stops of advantage over non-VR lenses at low shutter speeds. Vibration Reduction, especially the latest VR II generation, makes this lens particularly useful for hand-held shooting while hiking and traveling. Autofocus is practically silent, thanks to the Silent Wave Motor (AF-S) within the lens.
Every photographer has a toolbox of camera accessories that are heavily used for photography. While some photographers have a large array of accessories for every type of situation and need, others only buy what they feel is necessity for their photography work. In this article, I will provide some detailed information about what accessories should be in every photographer’s bag – I call it a “must-have” list.
As soon as you buy a camera, you buy a camera bag, because you want to protect your investment and easily transport it between locations. But choosing the right camera bag is not always easy – there are so many different bags out there, that it gets frustratingly difficult to make the right decision. Often times, people end up buying a small camera bag, only to replace it in a couple of months with a different one, realizing that they need more room for their camera and lenses. This happens all the time and it also happened to me! I got my first Nikon D80 DSLR, thinking that I wouldn’t spend a penny more on an already expensive camera. I bought a compact camera bag that fits the camera and a couple of lenses and thought that I was good to go. Eventually, I ended up buying another lens and extra accessories and my bag was too small to accommodate everything. So I had to go and buy another camera bag with more room. Instead of wasting your money like this, you should buy a good camera bag from the get-go. I personally prefer a backpack, but some people like the convenience of using sling-bags and shoulder bags. It is a personal preference and you should definitely try before you buy…a local camera store is a great place to start. My personal favorites are LowePro and Kata bags, specifically LowePro Pro Runner 300 AW and Kata 3 in 1 Sling Backpack.
Kata 3 in 1 Sling Backpack
Rob Galbraith, a well-known and respected photographer from Canada, has recently posted an article on autofocus performance of the new Canon EOS-1D Mark IV after using the camera for a while photographing various athletes that were preparing for the Vancouver 2010 Olympics. After weeks of shooting the camera, he compared the autofocus performance of the Canon EOS-1D Mark IV with the new Nikon D3s.
Here is a quick excerpt from his article:
It’s worth noting one other fundamental difference between the AF system in the D3S and that of the EOS-1D Mark IV. When Nikon focus is out, it doesn’t tend to be way out. More often than not, peak action frames that are not perfectly focused aren’t that blurry, making some of them still viable. That is, if you’re of a mind that it’s better to have a slightly soft frame of a great peak moment than a totally blurry one. The EOS-1D Mark IV, on the other hand, produces many more frames that are too soft to use for anything, no matter how sweet the moment.
To sum up, our experience with the D3S’ AF system is that it’s trustworthy and dependable enough for us to be confident using it for peak action sports. Not perfect: it needs to be a bit faster off the line, in addition to the other quibbles we’ve mentioned. But it does work as needed most of the time, which is in stark contrast to the experience of the EOS-1D Mark IV in the last month.
The above review is pretty much in line with what many other sports and action photographers have said after doing comparisons between the two cameras – the Nikon D3s is currently, without a doubt, a leader in both autofocus and low-light photography (high ISO performance).
When I looked at some sample pictures of the Canon EOS 1D Mark IV, I got a little worried about Nikon D3s future. However, after seeing some high ISO comparisons and hearing from pros on autofocus performance of both cameras, it turned out that D3s is the leader and it looks like it will stay that way for at least another two years! Sure, it is unfair to compare Nikon’s full frame sensor with a 1.3x cropped sensor, but poor autofocus performance has been Canon’s biggest weakness (especially in 1D Mark III) and despite the fact that Canon re-engineered their autofocus system from scratch in 1D Mark IV, it is still worse than Nikon’s legendary 51 point autofocus system.
Nikon D3s wins, end of story.
