Nikon 400mm f/2.8E VR Announcement

Nikon has announced a new Nikkor 400mm f/2.8E FL ED VR lens which will be loved by wildlife and sports photographers. As you know from Nasim’s review of the previous version of the Nikkor 400mm f/2.8G lens, this is one sharp lens but weight was a big drawback. Nikon has taken action to reduce the weight by almost 2 pounds and is now actually 3 ounces lighter than the 500mm f/4G, making it hand-holdable for many of us! Some of the weight savings is from using 2 Flourite lens elements. The new 400mm f/2.8E is also lighter than the legendary Canon 400mm f/2.8L IS II.

Nikon 400mm f/2.8E VR

In addition to saving weight, the minimum focusing distance of the new lens is approximately 12 inches less than the old version. There are 16 lens elements in 12 groups in the new lens, compared to 14 elements in 11 groups in the old lens. The front element diameter of the lens remains the same while the overall length of the lens is slightly shorter by 10 mm. Speaking of the front element, it is the first Nikkor lens to receive the fluorine coating, which Nikon claims will “effectively repel dust, water droplets, grease or dirt, ensuring easy removal even when they adhere to the lens surface“. This new fluorine coating will also be used in the new AF-S teleconverter TC-14E III which was also just announced.

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Using a Polarizing Filter with Nikon 1 Cameras

One of the biggest knocks against the Nikon 1 series of cameras has been, and continues to be, the small sized CX sensor. While this sensor has some distinct advantages when shooting birds and wildlife with the FT-1 adapter and the resulting 2.7x crop factor, it is challenged with landscape photography where dynamic range and color depth are important factors.

Nikon 1 V2 with Polarizing Filter

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Depth of Field Comparison Between Nikon FX and CX sensors

There have been some interesting discussions about the pros and cons of various sensor sizes and how they impact angle of view, lens focal length and the depth-of-field that results. For example, some photographers bemoan the fact that it is difficult to achieve a shallow depth of field at a particular equivalent-field-of-view with a CX sensor using 1 Nikon lenses, while others find it useful to be able to get deeper depth-of-field at more open aperture settings such as f/1.8 and f/2. Some D800 shooters are concerned about diffraction setting in above f/8 when trying to achieve deep depth-of-field with a high pixel density 36mp FX sensor, as are many photographers who use high pixel density sensor DX bodies.

At the end of the day there is no such thing as a perfect camera body or format that will suit everyone’s needs. The camera body and sensor format you choose, along with your choice of lenses,comes down to the creative requirements that you have as a photographer based on the work you do.

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Nikon 35mm f/1.8G FX Superb Performance Sample

Having been testing lenses extensively for the past few years, I have seen all kinds of optical defects on even the most expensive / exotic lenses that cost thousands of dollars. One of the most common issues I have seen so far is lens de-centering, where a single optical element or a group of elements are not properly aligned with others, resulting in uneven performance across the frame. Some lenses have very slight de-centering, which only software like Imatest can reveal, while others have very noticeable de-centering (particularly lower-end zoom lenses), where a portion of the frame would always appear less sharp in images. Then there are other optical issues that also impact the overall contrast and sharpness of lens. And testing lenses with all kinds of optical issues can often be a challenging task.

Nikon AF-S NIKKOR 35mm f/1.8G ED

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Why Zeiss Does Not Make Autofocus DSLR Lenses

One of the frequently asked questions by our readers when we post information on Zeiss lenses (which are often optically stellar), is why Zeiss does not make autofocus lenses for DSLR cameras from Nikon and Canon. As you may already known, Zeiss is currently making autofocus lenses only for two specific mounts – Sony E (for NEX / Alpha series mirrorless cameras) and Fuji X. This line of autofocus lenses labeled as “Touit” is limited to a few lenses at the moment, with full autofocus capability and compatibility with both Sony and Fuji mirrorless cameras. So one might naturally ask why Zeiss has finally started making autofocus lenses and wonder if it has plans to start developing autofocus lenses for Nikon and Canon mounts. Although I have known the reason behind this for a while now, I decided to ask the question again from the Zeiss team at the Photo Plus show in NY last year. Specifically, I wanted to find out if Zeiss is planning to change their strategy in the future in regards to DSLR lenses.

Zeiss Otus 55mm f/1.4 Lens ZF.2

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The Question of 18-300mm Lenses, Part Deux

This article is written in response to “The Question of 18-300mm Lenses” article written by Romanas Naryškin. I used to like my 18-300mm zoom – I called it my Guilty Pleasure Lens (GPL). It was hands-down the most fun lens I ever shot with. When I wanted to just go out on an adventure outside and had no idea what I’d run into, instead of grabbing my FX body, my 16-35mm zoom, 50mm prime, 105mm macro, 80-400mm zoom and of course a manservant to carry all that gear, I’d grab GPL and my D7000 and blast on down the trail. Sure GPL wasn’t the sharpest knife in the drawer, but neither am I. In our shared ignorance we’d shoot grand vistas or cool nature abstracts or maybe even crawl through the dirt for a close-up or two. What a fool I was thinking I’d found a partner that liked to do all the things I liked to do.

Well, I’ve seen the light and it was time to get even with GPL for deceiving me into thinking we had something special. Before tossing GPL into the dumpster I was going to show it how a real lens behaved. Enter the 10 lb 1 oz Baby Jesus, AKA the Nikkor 800mm, AKA BJ. Yep, the top stud in the Nikon stable. The lens that doesn’t have a MTF curve – it has a WTF curve. And GPL, well suffice it to say we know what gets shoveled up from the stable floor. I figured I’d go out on one last shoot with GPL, ostensibly for “old times sake”, but really to show GPL how a real lens like BJ would handle those situations.

Right off the bat I think GPL knew something was up. GPL insisted we shoot a selfie. This is what it looks like when an 18-300 owner takes a selfie:

Verm-selfie-100-Sunset-Crater-0622

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Why You Should Only Buy from Authorized Dealers

There is a lesson here for all, especially when purchasing expensive gear. Expensive is a relative term with a value that varies per individual and can’t be generalized, the stuff being said here applies to all values of items. It comes down to how much value the item has to you and whether you are willing to risk that value versus the warranty programs being offered. Obviously the bigger the expense, the higher the risk.

Warning-Authorized-Dealer-Rob-A

I usually always buy my all of my camera gear right here in the US of A, because that is where I live and I like to go buy the expensive stuff in person at a Hunts Photo and Video store to make sure it arrives safely.

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How shooting video led to me selling all my Nikon DX gear

Whether you’re an amateur or professional shooter the choice of which camera brand and format to buy can be daunting. Often after you’ve shot with it for a while another round of soul-searching can happen as you better understand the strengths and limitations of your gear, and consider where your photography and/or videography is going to take you. I suppose we all go on our own ‘gear journey’…this is mine.

Nikon D600 vs D7000

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Nikon and Canon lens rebates expiring in a couple of days

Just wanted to post a quick reminder that the Nikon and Canon Lens and Speedlight rebates will be expiring in just two days and will not come back, probably till the holiday season at the end of the year. Nikon has already extended its rebate program until the end of March and with the end of the tax season, it will also end the rebates. As you may already know, there are two types of rebates taking place right now – lens-only rebates and camera combo rebates. I won’t go over these rebates in detail and provide my recommendations, because I have already done that in the previous article.

Nikon Lens Rebates

If you are a Canon shooter, you can still take advantage of the killer promotions for the Canon 24-70mm f/2.8L II USM and Canon 70-200mm f/2.8L IS II USM, both of which get double promotions. Basically, the 24-70mm f/2.8L gets an instant $300 rebate and you can shave another $200 off the price with a mail-in rebate, bringing it down to $1799 (total $500 off). The 70-200mm f/2.8L IS II gets a $140 instantly off and you will also get a $200 mail-in rebate, so you pay $2159 for it.

Nikon High ISO Comparison using D600, D800E, Df, D4 and D4s

After I posted my last article comparing the high ISO performance of the Nikon D4s vs D4, a number of our readers requested that I provide a similar comparison with other cameras such as the Nikon D600/D610, D800 and Df. Instead of posting multiple articles that show these comparisons, I decided to put it all into a single article, so that our readers could look at the side by side comparisons, or download the files to their computers for closer examination. Before you start comparing the below images, however, I would like to point out that the images are just provided as a reference, and only represent one side of the camera performance – high ISO in low-light, indoor conditions. Each camera comes with its own set of features, strengths and weaknesses, so please do not draw conclusions from these shots. Please note that ISO performance might vary in different lighting conditions. My recommendation would be to read the comment exchange I had with Brad Hill of Natural Art Images in the previous Nikon D4s vs D4 comparison article, where we discuss the topic of comparing sensor performance in detail.

Nikon D610 vs D800E vs Df vs D4 vs D4s

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