This long overdue review of the Nikon D3200 is based on my 2 months experience with the camera – first when it came out and later when then I received the Nikon D5200 for testing. Due to an extremely busy schedule and a huge number of lens and camera reviews that I went through in 2012, I did not get a chance to review this camera. So before I start working on any other articles, I decided to first post the Nikon D3200 review.
Nikon has a long history of making professional 70-80 to 200mm focal length zoom lenses, but aside from the very old 70-210 f/4 AI-S and AF lenses, it has never had an affordable and lightweight constant aperture f/4 model in its line. With its arch-rival Canon making a 70-200mm f/4L lens since 1999, and the high cost of the 70-200mm f/2.8G VR II model, Nikon was often criticized for not providing an f/4 alternative. After many years of delays, Nikon finally announced a lightweight alternative to the f/2.8 version in October of 2012 – the AF-S Nikkor 70-200mm f/4G ED VR, which is designed to work on both full-frame (FX) and cropped-factor sensor (DX) DSLR cameras.
This is an in-depth review of the Nikon 1 J2 mirrorless camera that came out on August 9, 2012, less than a year after Nikon debuted its mirrorless system with the introduction of the Nikon 1 J1 and V1. Along with the J2, Nikon also released the 1 Nikkor 11-27.5mm f/3.5-5-6 zoom lens, a very compact lens to complement the J1/J2 cameras. In this review, I will go over the features of the camera, talk about its pros and cons and compare it to other mirrorless cameras such as Sony NEX-series, Canon EOS M and Olympus OM-D E-M5. This is the first camera from the “Battle of the Mirrorless” series. The recently evaluated Nikon 1 V2 will be featured in the second part.
After many months of rumors of a budget full-frame camera, Nikon finally announced the Nikon D600 right before the Photokina 2012 show. Priced at $2,099 MSRP, the D600 is currently the cheapest full-frame DSLR from Nikon, around $900 cheaper than its bigger brother, the Nikon D800. The camera is designed for any kind of amateur and professional photography – from landscape and studio, to event and wildlife photography. In this review, I will not only provide detailed information about the camera, but will also try to answer the many questions and requests that we have gotten so far on it, along with comparisons to other DSLRs such as the Nikon D700, D800 and D3s.
While most of the features and components are borrowed from the D7000, the D600 is physically larger in size and comes with a brand new 24.3 MP CMOS sensor. And as you will see on the next pages of this review, with a native ISO range of 100-6400, the Nikon D600 provides pretty clean images throughout the ISO range for both daylight and low-light environments. Built to be affordable, it does not have the same robust autofocus system used on the D800 and D4 cameras, so it comes with an older 39 point AF system used on the D7000. Its shutter speed is limited to 1/4000th of a second and its flash sync is also limited to 1/200th of a second, which might be a disappointment for some photographers out there. However, it has 100% viewfinder coverage, 5.5 fps speed, which is faster than the D800′s 4 fps and has the same 3.2″ LCD monitor with 921,000 pixels used on the latest Nikon DSLR models. And movie fans will be delighted to see impressive 1080p video with uncompressed HDMI output.
This is an in-depth review of the Nikon 24-85mm f/3.5-4.5G VR lens, also known as “AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR”, which was announced together with the Nikon 18-300mm f/3.5-5.6G ED VR DX in June of 2012. The Nikon 24-85mm VR is an affordable consumer-grade lens targeted at photo enthusiasts that need a mid-range zoom lens with optical stabilization for everyday photography. It is an update to the short-lived Nikon 24-85mm f/3.5-4.5G IF-ED that was introduced in 2002 and discontinued in 2006, and it might also replace the older Nikon 24-85mm f/2.8-4D IF that is still in production as of today. With an equivalent focal length of 36-128mm on DX sensor, it is better suited to be used on full-frame cameras. When the full-frame Nikon D600 budget DSLR was announced in late 2012, Nikon included the 24-85mm VR as a kit lens option, so I think we will be seeing this lens bundled with FX cameras in the future.
After testing a set of brand new 28mm lenses for my Nikon 28mm f/1.8G Review a couple of weeks ago, I was rather disappointed by the overall performance of the lens. Both samples that I tested exhibited visible focus shift and field curvature issues, which impacted performance in a “wavy” pattern. This weekend, I decided to give another Nikon 28mm f/1.8G a try and see if it has the same optical issues (borrowed from our team member Bob Vishneski).
To my surprise, the third lens sample performed much better in comparison to the first two. Here is the original chart that I published in my review:
This is an in-depth review of the new Nikon 28mm f/1.8G lens that was announced in April of 2012 together with the Nikon D3200 DSLR. Lately, Nikon has been busy releasing great and affordable fast prime lenses. First, it was the excellent Nikon 50mm f/1.8G, which turned out to be a better buy than its bigger brother, the Nikon 50mm f/1.4G. Then Nikon surprised us with the Nikon 85mm f/1.8G, which also turned out to be a phenomenal lens. And now we have the Nikon 28mm f/1.8G, which despite a difference in focal length could be a great alternative to the very expensive, but superb Nikon 24mm f/1.4G.
The Nikon 28mm f/1.8G lens is a professional-grade lens for enthusiasts and professionals that need high quality optics of a fixed wide-angle lens with a large aperture of f/1.8 for low-light situations and shallow depth of field to isolate subjects from the background. The lens is designed for both FX and DX sensors (equivalent of 42mm on DX). Nikon has incorporated the latest technology and optical formulas to this lens, including AF-S silent-wave focus motor and Nano crystal coating. With its focal length of 28mm, the lens is not as wide as the 24mm f/1.4G, making it a little more suitable for general everyday photography.
After reading slews of posts by others that received their D800s, I finally received my camera from B&H last week. I have to admit that my initial enthusiasm was a bit tempered by the many reports of the D800 having autofocus issues. I began to wonder, “Just what am I getting – a good D800 or a bad D800?” (think Wizard Of Oz…). Or perhaps more appropriately, did my camera fall into the Caviar, Sardines, or Spam category?
Here’s how I defined each, based on reports from those around the internet that have received this much lauded DSLR:
Caviar – Working perfectly, no autofocus issues
Sardines – Sharp center and right focus points, but the left bank of focus points noticeable out of focus and showing high chromatic aberrations
Spam – All autofocus points out of focus, even the center, with no amount of lens adjustments able to resolve the issue
Unfortunately, I happened to get the Sardine version of the D800. Sigh…
This is an in-depth Nikon 85mm f/1.8G review of the new, much anticipated prime portrait lens that was announced in January of 2012. The Nikon 85mm f/1.8G is a consumer-grade portrait lens for enthusiasts and seasonal pros that need quality optics of a fixed portrait lens at an affordable price point. Its large aperture of f/1.8 is great for low-light photography and the shallow depth of field helps isolate subjects from the background, beautifully rendering the background highlights, also known as bokeh.
The Nikon 85mm f/1.8G replaces the older Nikon 85mm f/1.8D lens that had been in production since 1994. Compared to the AF-D version that has 6 optical elements in 6 groups, the new 85mm f/1.8G has a very different optical design with 9 optical elements in 9 groups. You would think with so much glass inside the new 85mm f/1.8G would weigh more than its predecessor, but in reality it actually weighs 30 grams less. The lens is designed to work on both DX (cropped-sensor) and FX (full-frame) cameras from Nikon. On DX sensors, the lens is equivalent to a 128mm lens, which is a good range for portraiture, but may be a little too long for most other types of photography.
This is an in-depth review of the new Nikon D800 camera, one of the most anticipated DSLRs from Nikon that the photography community has been impatiently waiting for more than a year now. The camera was supposed to be released in the summer of 2011, but due to several natural disasters that heavily impacted Nikon’s capability to produce cameras both in Japan and in its Thailand factories, its launch was delayed until February of 2012. There has been a lot of hype about the D800 and while our team has been posting quite a few articles about this camera, there are still many questions pouring in on a daily basis from our readers about its features, capabilities, limitations and performance, especially when compared to the older cameras like Nikon D700, D3, D3s and the new Nikon D4. In this review, I will not only provide detailed information about the Nikon D800, but will also try to answer the many questions that we have gotten so far on the camera, along with comparisons to other DSLRs. Specifically, the comparison includes sensor ISO performance with the following DSLRs: Nikon D700/D3, D3s, Canon 5D Mark II, 5D Mark III and Fuji X-Pro 1 mirrorless camera.
Was it worth the wait? There has been a lot of buzz about the D800 before and after the camera was announced. One of the main reasons is the popularity of the existing Nikon D700 camera and the sheer number of people, especially part-time and full-time pros, who were dying to upgrade their aging cameras. In addition, the production delay further fueled the heat and spiked up the interest from the photography community that was getting rather impatient, wondering what Nikon would bring to the table for the next several years in the full-frame arena.