Why I Love the Nikon E Series (AKA Really Cheap) Lenses

Nikon E Series Lenses (8)

At a time when the digital photography world was buzzing with new gear announcements, I managed to fall in love with some of Nikon’s very old and cheap lenses, the E Series lenses. My experience with these lenses taught me a great lesson: it is really not about the gear. It is rather about being creative with what gear we already have, despite how limited and incapable we might think of it. This was a great inspiration to me, especially with my nagging habit of lusting after the latest and greatest gear announcements. The fact that I’m writing this article goes to show that I still struggle with GAS (gear acquisition syndrome), but for a change, this is a case about some of the cheapest lenses available.

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Nikon 35mm f/1.8G FX Superb Performance Sample

Nikon AF-S NIKKOR 35mm f/1.8G ED

Having been testing lenses extensively for the past few years, I have seen all kinds of optical defects on even the most expensive / exotic lenses that cost thousands of dollars. One of the most common issues I have seen so far is lens de-centering, where a single optical element or a group of elements are not properly aligned with others, resulting in uneven performance across the frame. Some lenses have very slight de-centering, which only software like Imatest can reveal, while others have very noticeable de-centering (particularly lower-end zoom lenses), where a portion of the frame would always appear less sharp in images. Then there are other optical issues that also impact the overall contrast and sharpness of lens. And testing lenses with all kinds of optical issues can often be a challenging task.

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Telephoto Setup with Nikon 1 V2, FT-1 and Nikkor 85mm f/1.8G

Nikon 1 V2 FT1 Nikkor 85mm f/1.8G

Grimsby Ontario is on the raptor migration route and every year the town holds an indoor “RaptorFest” event at the local hockey arena during which various presentations of live birds, and educational initiatives are conducted. A fast, mid-range telephoto like the Nikkor 200mm f/2G VR would be the perfect lens to photograph birds during this indoor event. Like most people, I don’t have the $6,000 or so it would take to own the 200mm Nikkor…but I thought I might have a reasonable solution in my camera bag.

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The Question of 18-300mm Lenses, Part Deux

Verm-selfie-800-test-0205

This article is written in response to “The Question of 18-300mm Lenses” article written by Romanas Naryškin. I used to like my 18-300mm zoom – I called it my Guilty Pleasure Lens (GPL). It was hands-down the most fun lens I ever shot with. When I wanted to just go out on an adventure outside and had no idea what I’d run into, instead of grabbing my FX body, my 16-35mm zoom, 50mm prime, 105mm macro, 80-400mm zoom and of course a manservant to carry all that gear, I’d grab GPL and my D7000 and blast on down the trail. Sure GPL wasn’t the sharpest knife in the drawer, but neither am I. In our shared ignorance we’d shoot grand vistas or cool nature abstracts or maybe even crawl through the dirt for a close-up or two. What a fool I was thinking I’d found a partner that liked to do all the things I liked to do.

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The Question of 18-300mm Lenses

Nikkor 18-300mm f3.5-5.6G VR DX

Today, Nikon has announced a new DX zoom lens for beginner photographers. Covering a vast focal length range of 18-300mm, it’s not the first Nikkor with such parameters – the similar 18-300mm f/3.5-5.6 VR lens has already been announced a while ago, not to mention all the third-party competition from Tamron and Sigma. However, the new lens is designed not to just deliver a very wide zoom range, but deliver it in a smaller, lighter package. To put it into perspective, the new lens weighs a whopping 280g less than the bigger version. Quite an achievement and will surely be tempting for those few who need such a lens, but it came at a bit of a price both literally and figuratively. And that raises a question – who is actually going to need such a lens?

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Nikon 35mm f/1.8G Sample Images

Nikon 35mm f/1.8G Sample Image (2)

I have been playing with the new Nikon NIKKOR 35mm f/1.8G ED FX lens for a week now and have taken it out a few times when the weather got a little better (it has been snowy and extremely windy during the past week here in Colorado). So far the lens seems like another winner. It is small, lightweight and is capable of rendering images with beautiful colors and high contrast. While I have not performed any lab tests, judging from the images I have captured so far, it seems to be very sharp optically, from the center to the corners at infinity:

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Raptor Photography Tips Part Two

Bald Eagle Grab Pose

I got a lot of feedback and questions from my last two posts and it seems like there is some interest in my articles, so I am yet again inspired to give this writing thing another shot. I just want to re-iterate that what I suggest or talk about here is what I do and what works for me – you will have to find your own way to your photography success.

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New Nikon Lens Rebates – Up to $400 Off

Nikon Lens Rebates

You are going to like this. Each time Nikon did a rebates program for its lenses, one had to buy a DSLR body first to take advantage of the savings. It has really been a while, but not this time. The savings range from a welcome $20 for the AF-S 50mm f/1.8G lens all the way to frankly impressive $400 for the likes of AF-S 80-400mm f/4.5-5.6G VR. More than that, there are a total of 15 lenses that are part of the rebates program. The offer expires on the 1st of March.

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New Zealand – A Photographer’s Dream

Bay of Islands

I had the opportunity at the end of 2013 to re-visit New Zealand for three week self-drive holiday and take a wide range of photos. Since New Zealand is on the ‘bucket list’ of many photographers, I thought I would share some thoughts on which areas of the country provide some of the best photographic opportunities. All of these suggestions are based on personal experience, having spent about 6 weeks driving thousands of kilometers throughout the country on a couple of different trips.

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Raptor Photography Tips

Snowy Owl Launching from Rock

I recently wrote an article on hand-holding large and heavy lenses, which attracted quite a bit of attention and some nice comments and questions from PL readers. I am not really a writer, but a few people asked me about my technique for getting those shots. Let me start by saying that I am not an expert and there are many ways to skin a cat. So this is the way I get my shots and you will have to find your own way to achieving what you want. Let’s start with a “money shot”: what I would say is the shot of the day, the shot that made it all worth it.

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