After reading slews of posts by others that received their D800s, I finally received my camera from B&H last week. I have to admit that my initial enthusiasm was a bit tempered by the many reports of the D800 having autofocus issues. I began to wonder, “Just what am I getting – a good D800 or a bad D800?” (think Wizard Of Oz…). Or perhaps more appropriately, did my camera fall into the Caviar, Sardines, or Spam category?
The last two weeks have been very busy for me. I am working on multiple reviews of Canon, Nikon and Fuji lenses and you will be seeing many lens reviews coming up this summer. At the same time, I have been shooting with the Nikon D3200, D4 and D800E DSLR cameras, so I will be sharing my thoughts on these fairly soon as well. One question that keeps popping up over and over again from our readers, revolves around the autofocus problems on Nikon DSLRs. Specifically, these questions are on front focus/back focus problems with lenses, the left AF focus point issue found on some Nikon D800 bodies, use of 2x teleconverters with the new Advanced Multi-CAM 3500FX (on D4 and D800/D800E), etc. Since there is a lot to cover, I will be publishing articles on each topic with my findings and thoughts I have thus far.
With the ever increasing rate of technological innovation in the photography arena, it is not too difficult to get caught up in the latest camera model, lens, or other gizmo, all designed to take our photography to the “next level.” The recent hype and debates surrounding noise levels and resolution differences between the Nikon D800 and Canon 5D Mark III alone could likely fill a few petabytes of disk space. In the midst of our obsession with the “latest and greatest,” we need to remember that photography is, at least on some level, supposed to be… well… fun! One of the best ways I know to inject a bit of fun into my photography exploits, is to attach a fisheye lens to my DSLR. These marvels provide a unique curved distortion (in some cases a full 360 degrees) that add a bit of character and spice to otherwise rather common photos and provide a unique perspective.
I have just updated the Fuji X-Pro1 Review with detailed camera comparisons with the Canon 5D Mark III and Nikon D800. RAW support has finally become available with the latest updates from Adobe for both Lightroom and Photoshop, so I was able to extract RAW files from all cameras to do a comprehensive analysis. My findings? The Fuji X-Pro1 RAW images look as impressive as the JPEG images. Despite the fact that I down-sampled the Nikon D800 and Canon 5D Mark III images, which should give them an advantage in terms of handling noise, the pixel level quality of the Fuji X-Pro1 sensor is still superior at low ISOs! At first, I thought that I did something wrong in Lightroom – maybe accidentally applied noise reduction to Fuji X-Pro1 images. However, after looking through the images in detail and resetting to RAW file defaults, I was surprised to find out that the Fuji X-Pro1 RAW files indeed looked cleaner. Here is an example comparison at ISO 200 between the Fuji X-Pro1 and the Canon 5D Mark III:
The more time I spend in my photography pursuits, the more I appreciate cameras that capture and photos that exploit their maximum dynamic range potential. Digital cameras have undergone dramatic improvements over the last 12+ years, but they still don’t come close to the human eye’s dynamic range capabilities. By some estimates, the human eye can distinguish up to 24 f-stops of dynamic range. Higher end DSLRs such as the Nikon D800 by comparison, can capture up to a theoretical max of 14.4 f-stops of dynamic range. The usable dynamic range of most DSLRs, however, is closer to 5-9 f-stops, considering the impact of noise, which can render some of the DSLRs’ f-stop range impractical to exploit. Thus your eyes – at least for now – are still far more capable than the best DSLR relative to recognizing various tonal gradations. As I will demonstrate via my new model, “Doris” (shown below) of the Pittsburgh Zoo, even photos taken with high quality DSLRs sometimes need a bit of extra processing to match what your eyes can see. The photo below is the result of a processing technique I often employ to boost dynamic range when it is apparent that my camera’s sensor failed to capture what I remember seeing.
Nikon has released new firmware update version 1.01 for the Nikon D4, D800 and D800E camera bodies. The major issue resolved is the reported lockup problem.
To start out on a positive note, let me say that I think the story of Pinterest is inspiring. It is tempting to believe that many of the simpler ideas associated with innovation have been thought of, and only very complex, time consuming, expensive initiatives can break new ground. Along comes Pinterest, offering an extremely simple idea – providing the electronic paradigm of a corkboard with photos, recipes, and other notes that people want to keep handy and visible, and giving them the opportunity to link to those of others. If anyone doubts that there is always a simple, yet powerful idea lurking around the corner, look no further than Pinterest.
As I, like many of you, have been waiting for a new Nikon camera body to arrive, a recurring thought has come to my mind. It comes from the words of my father and it might hold a cure for what ails you if you, like me, suffer from common Diseases that Plague Photographers. Whenever I wanted something badly, but couldn’t seem to get it fast enough, he would say, “Anticipation is greater than realization”. To a young, impatient boy then and to an older, impatient man now, those words never seemed to comfort me as my father might have liked. Although never very comforting, they were very true.
A little more than a week ago, I realized why I had not received my Nikon D800. Through sources that cannot be named, I was informed that Greta Van Susteren, the well-known commentator at the Fox News Network, received the camera originally assigned to my order. I was further surprised to find this unique note (below) from the delivery service. Today’s GretaWire confirmed that my D800 was already being used!
I have been super busy working on a couple of big projects lately and this weekend I helped out Lola with her bridal work. While setting up the lights, I decided to try out and shoot with three different cameras – the Nikon D800 (see the recently published review of the Nikon D800), the Canon 5D Mark III (a full review is coming up in a couple of weeks) and the Fuji X-Pro 1 (also coming up for a review soon).