Many people who own Nikon 1 camera gear have an interest in close up photography. Unfortunately at the time of writing of this article there was no 1 Nikon macro lens available. Photographers can use their DX or FX Nikkor macro lenses on their Nikon 1 bodies by using an FT-1 adapter. I’ve done this in the past with my Nikkor 105mm Micro f/2.8 and found that the resulting set-up felt unbalanced as the lens dwarfed my V2 body. The autofocus on my macro lens tended to hunt quite a bit when used with the FT-1 I for close up work. As a result I typically used it on a tripod and manually focused the lens.
Earlier this week I made a quick trip to Letchworth State Park and I spent a few hours taking photographs. The autumn colours will soon disappear for another season so I was very happy to squeeze in this visit. [Read more...]
As a follow up to my recent Images in Greece article, this piece features some examples of street photography done while in Greece. This style of photography by its very nature is a very personal thing. What appeals to one person may leave others scratching their heads. So if you’re wearing a hat…take it off and be prepared to scratch.
Like many couples, my wife and I talked about going to Greece for many years. Fortunately for us the stars aligned this fall and we were able to go on a bus tour/island hopping holiday. While this type of holiday is not ideal from a photography standpoint it did allow us to cram a lot of sightseeing into a relatively short time frame. Greece is a very diverse and interesting country and I thought Photography Life readers may like to see some selected images.
Recently a Photography Life contributor, Alpha Whiskey, posted a great article here on some techniques that we can use to challenge ourselves as photographers. Finding ways to grow and stimulate our individual creativity is one of the most important things we can do to advance our skill level. I gave myself one such challenge this week and I thought I would share the results of it with you with images taken at the Metro Toronto Zoo.
Since buying my first Nikon 1 V2 in August of last year I’ve been having some fun trying to push the limits of this little, mirrorless camera and its small CX sensor to see what it is capable of producing. On the surface doing a macro image comparison between a Nikon D800 and a Nikon 1 V2 may seem like a David and Goliath match-up.
For the past 8 months or so I have been shooting a lot of static and perched birds with a Nikon 1 V2, FT-1 adapter, my Nikkor 70-200 f/4 VR lens and TC-17E II teleconverter. This set-up gives me an equivalent field-of-view of 918mm @ a rather slow f/6.7. Even though the teleconverter does cause some loss of sharpness I’ve been happy with the results as you can see from the sample below.
There have been some interesting discussions about the pros and cons of various sensor sizes and how they impact angle of view, lens focal length and the depth-of-field that results. For example, some photographers bemoan the fact that it is difficult to achieve a shallow depth of field at a particular equivalent-field-of-view with a CX sensor using 1 Nikon lenses, while others find it useful to be able to get deeper depth-of-field at more open aperture settings such as f/1.8 and f/2. Some D800 shooters are concerned about diffraction setting in above f/8 when trying to achieve deep depth-of-field with a high pixel density 36mp FX sensor, as are many photographers who use high pixel density sensor DX bodies.
Grimsby Ontario is on the raptor migration route and every year the town holds an indoor “RaptorFest” event at the local hockey arena during which various presentations of live birds, and educational initiatives are conducted. A fast, mid-range telephoto like the Nikkor 200mm f/2G VR would be the perfect lens to photograph birds during this indoor event. Like most people, I don’t have the $6,000 or so it would take to own the 200mm Nikkor…but I thought I might have a reasonable solution in my camera bag.
Having shot well over 10,000 frames since I got my Nikon 1 V2 in late August 2013, I thought it would be interesting to test this little mirror-less camera and two of its most popular kit lenses under some very difficult shooting conditions. So, I headed off to the International Auto Show in Toronto Canada with my Nikon 1 V2 and a couple of kit zoom lenses to see how this CX gear would perform. What makes an event like this challenging is the wide variance in lighting conditions. At times you’re shooting feature cars with numerous flood lights beaming down on them and lens flares can be a challenge. Other subjects can be in quite poor light, requiring either shooting at high ISOs, fast apertures, or slow shutter speeds.