Why Zeiss Does Not Make Autofocus DSLR Lenses

One of the frequently asked questions by our readers when we post information on Zeiss lenses (which are often optically stellar), is why Zeiss does not make autofocus lenses for DSLR cameras from Nikon and Canon. As you may already known, Zeiss is currently making autofocus lenses only for two specific mounts – Sony E (for NEX / Alpha series mirrorless cameras) and Fuji X. This line of autofocus lenses labeled as “Touit” is limited to a few lenses at the moment, with full autofocus capability and compatibility with both Sony and Fuji mirrorless cameras. So one might naturally ask why Zeiss has finally started making autofocus lenses and wonder if it has plans to start developing autofocus lenses for Nikon and Canon mounts. Although I have known the reason behind this for a while now, I decided to ask the question again from the Zeiss team at the Photo Plus show in NY last year. Specifically, I wanted to find out if Zeiss is planning to change their strategy in the future in regards to DSLR lenses.

Zeiss Otus 55mm f/1.4 Lens ZF.2

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The Question of 18-300mm Lenses, Part Deux

This article is written in response to “The Question of 18-300mm Lenses” article written by Romanas Naryškin. I used to like my 18-300mm zoom – I called it my Guilty Pleasure Lens (GPL). It was hands-down the most fun lens I ever shot with. When I wanted to just go out on an adventure outside and had no idea what I’d run into, instead of grabbing my FX body, my 16-35mm zoom, 50mm prime, 105mm macro, 80-400mm zoom and of course a manservant to carry all that gear, I’d grab GPL and my D7000 and blast on down the trail. Sure GPL wasn’t the sharpest knife in the drawer, but neither am I. In our shared ignorance we’d shoot grand vistas or cool nature abstracts or maybe even crawl through the dirt for a close-up or two. What a fool I was thinking I’d found a partner that liked to do all the things I liked to do.

Well, I’ve seen the light and it was time to get even with GPL for deceiving me into thinking we had something special. Before tossing GPL into the dumpster I was going to show it how a real lens behaved. Enter the 10 lb 1 oz Baby Jesus, AKA the Nikkor 800mm, AKA BJ. Yep, the top stud in the Nikon stable. The lens that doesn’t have a MTF curve – it has a WTF curve. And GPL, well suffice it to say we know what gets shoveled up from the stable floor. I figured I’d go out on one last shoot with GPL, ostensibly for “old times sake”, but really to show GPL how a real lens like BJ would handle those situations.

Right off the bat I think GPL knew something was up. GPL insisted we shoot a selfie. This is what it looks like when an 18-300 owner takes a selfie:

Verm-selfie-100-Sunset-Crater-0622

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Why You Should Only Buy from Authorized Dealers

There is a lesson here for all, especially when purchasing expensive gear. Expensive is a relative term with a value that varies per individual and can’t be generalized, the stuff being said here applies to all values of items. It comes down to how much value the item has to you and whether you are willing to risk that value versus the warranty programs being offered. Obviously the bigger the expense, the higher the risk.

Warning-Authorized-Dealer-Rob-A

I usually always buy my all of my camera gear right here in the US of A, because that is where I live and I like to go buy the expensive stuff in person at a Hunts Photo and Video store to make sure it arrives safely.

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How shooting video led to me selling all my Nikon DX gear

Whether you’re an amateur or professional shooter the choice of which camera brand and format to buy can be daunting. Often after you’ve shot with it for a while another round of soul-searching can happen as you better understand the strengths and limitations of your gear, and consider where your photography and/or videography is going to take you. I suppose we all go on our own ‘gear journey’…this is mine.

Nikon D600 vs D7000

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Nikon and Canon lens rebates expiring in a couple of days

Just wanted to post a quick reminder that the Nikon and Canon Lens and Speedlight rebates will be expiring in just two days and will not come back, probably till the holiday season at the end of the year. Nikon has already extended its rebate program until the end of March and with the end of the tax season, it will also end the rebates. As you may already know, there are two types of rebates taking place right now – lens-only rebates and camera combo rebates. I won’t go over these rebates in detail and provide my recommendations, because I have already done that in the previous article.

Nikon Lens Rebates

If you are a Canon shooter, you can still take advantage of the killer promotions for the Canon 24-70mm f/2.8L II USM and Canon 70-200mm f/2.8L IS II USM, both of which get double promotions. Basically, the 24-70mm f/2.8L gets an instant $300 rebate and you can shave another $200 off the price with a mail-in rebate, bringing it down to $1799 (total $500 off). The 70-200mm f/2.8L IS II gets a $140 instantly off and you will also get a $200 mail-in rebate, so you pay $2159 for it.

Nikon High ISO Comparison using D600, D800E, Df, D4 and D4s

After I posted my last article comparing the high ISO performance of the Nikon D4s vs D4, a number of our readers requested that I provide a similar comparison with other cameras such as the Nikon D600/D610, D800 and Df. Instead of posting multiple articles that show these comparisons, I decided to put it all into a single article, so that our readers could look at the side by side comparisons, or download the files to their computers for closer examination. Before you start comparing the below images, however, I would like to point out that the images are just provided as a reference, and only represent one side of the camera performance – high ISO in low-light, indoor conditions. Each camera comes with its own set of features, strengths and weaknesses, so please do not draw conclusions from these shots. Please note that ISO performance might vary in different lighting conditions. My recommendation would be to read the comment exchange I had with Brad Hill of Natural Art Images in the previous Nikon D4s vs D4 comparison article, where we discuss the topic of comparing sensor performance in detail.

Nikon D610 vs D800E vs Df vs D4 vs D4s

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Camera System Comparison

One of our readers, Rudiger Wolf, has done some pretty extensive research to decide on what camera system he wanted to settle on. In this article, he wanted to share his findings with our readers and hopefully make it easier for others to select the system based on their particular needs. When Rudiger sent me an email earlier last week and asked if it would be helpful to share his findings, I responded to him that it would surely be beneficial. Photography Life is all about sharing knowledge and helping others to make healthy choices, so I was thrilled to have the opportunity. Enjoy!

Fuji X-T1 vs Olympus OM-D E-M1

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A Few Thoughts on Brand Loyalty

I am sure by now you are all very tired of hearing about the Nikon D600. And I think it is about time we wrapped it up for the last time. This article has been maturing inside my head for a while now and the latest events in the interchangeable lens camera market, along with a couple of scandals that appeared on the news, have only pushed it forward. Only a short while ago I read a comment under the “Nikon D610 Does Not Have a Dust Issue” article left by one of our readers who quoted a response he received from Nikon Europe Support about Nikon D600 dust accumulation problems. Here is the response:

Nikon D600

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Nikon 35mm f/1.8G FX Preview

A number of our readers have been asking us for some information regarding the new Nikon 35mm f/1.8G FX lens, requesting a review and a comparison with the Sigma 35mm f/1.4 lens (see my in-depth review). While the review is definitely in the pipeline, I thought it would be nice to provide a preview of my observations so far, along with some image samples from my recent trips. At $600, the full-frame Nikkor 35mm f/1.8G is another “value” lens from Nikon when compared to its super expensive brother, the Nikon 35mm f/1.4G. It is $300 cheaper than the Sigma 35mm f/1.4, and both significantly smaller and lighter in comparison. So for those that are looking for a lightweight alternative to the Sigma 35mm f/1.4, the Nikon 35mm f/1.8G FX might be a great lens to buy. Let’s take a look at the lens in a little more detail.

Nikon 35mm f/1.8G FX Image Sample (3)

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Nikon D4s and Nikkor 800mm f/5.6 for Bird Photography

My D7000, Nikkor 500mm and I have had some wonderful times together – the shots of a Peregrine chick jumping off the ledge for the first time, the yoga-stretching Osprey that made Audubon’s Top 100, and who can forget the Night Heron flying past with a baby alligator in it’s mouth. But like all relationships, it seemed the initial pizazz was fading. I began to notice how she had trouble staying focused and got noisy when I pushed an issue. Furthermore, with 190,000 clicks under her belt, well, let’s just say her shutter curtains were starting to droop a bit. It was time to move on, but don’t get me wrong, we’ll always be friends. Now I hate to admit it, but I’d been having an online affair with the new Nikkor 800mm for almost a year – I’d link over to her B&H page and run my finger gently around her buy now button. Oh how we teased each other… Then one day we went all the way.

Next week she was there in front of me, the ten pound, one ounce Nikkor 800mm f/5.6E FL ED VR OMG BFF. However, when I unpacked my new lens, it was obviously lacking a proper rear lens cap. How inconsiderate of Nikon not to include a D4s to keep the rear element clean. Nothing a few years of crippling debt couldn’t solve. I dusted off my backup credit card and a few days later the D4$ showed up. So without further ado, my first 29 hours testing the 800mm/D4$ combo for reach, handholding, buffer, burst rate, high ISO ability and general BIFiness.

Reaching Out

Let’s start at the end of the day and half of testing – 800mm of reach allowed me to maintain a non-threatening distance from this Common Black-hawk posing in front of the moon sneaking through the clouds. 1/1250, f/6.3, ISO 2500, 800mm, D4s. I cut loose with some artistic experimentation with this – embrace the post-processing noise – it’s pretty much the last you’ll see in the article:

Black Hawk Moon Page Springs

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