Thanks to the rise of the mirrorless camera market, manufacturers are now creating more and more segments in their camera lines. With the introduction of the X-T1, Fujifilm now boasts a total of 5 different cameras, all targeted at different segments. Today Olympus also extended its line of mirrorless cameras by introducing the new Olympus OM-D E-M10, a budget version of the OM-D premium mirrorless cameras. Next to the OM-D E-M1 and OM-D E-M5, this is now the third premium camera designed to appeal the enthusiast crowd. It borrows most of its guts from its bigger brother, the OM-D E-M5, but in a smaller and lighter package. Priced at $699 MSRP, it is significantly cheaper than other OM-D series cameras. In a way, it is a confusing release, because it is even cheaper than the PEN E-P5 (currently at $799). Since all PEN series do not come with a built-in electronic viewfinder or weather sealing options, they are technically inferior to OM-D series. Now with the the OM-D E-M10, it is hard to say exactly what market this camera is targeted for, with its features and price range in comparison. Let’s take a look at the camera in more detail.
The Internet has been buzzing with details about the new Fujifilm X-T1 mirrorless camera, yet we are still excited to see it officially unveiled. Slotting between the flagship X-Pro1 (see our review) and the capable X-E2 (see our review), the new model takes a formerly vacant spot in the line-up of attractively designed, innovative cameras from the Japanese manufacturer. But it is not just the price tag of $1,299 that differentiates the X-T1 from its siblings. Its design and ergonomics also hint at, possibly, new priorities.
HandeVision has also published a few sample images taken with their new IBELUX 40mm f/0.85mm lens (a pre-production unit, I assume). The image samples, taken with Sony NEX-7 and FujiFilm X-Pro1 mirrorless cameras, are, unfortunately, of low resolution, so it is hard to judge optical performance of the lens. Aesthetic properties (or “character” of the lens, if you like), on the other hand, are visible to a degree. That’s a start. The first four images were taken with the lens mounted on the Sony NEX-7 camera (although EXIF says Lunar), the latter five – when mounted on Fuji X-Pro1.
It is always interesting to see new manufacturers emerge. Mostly because the only way they can actually make an impact on a highly competitive market such as that of digital cameras and lenses, is by producing something truly innovative and new. They need to surprise the market. Break a few rules. HandeVision, a new lens brand that is a result of German and Chinese collaboration, aims to do just that by introducing a 40mm lens with the fastest aperture of f/0.85 for mirrorless cameras.
Let me start off this hands-on review of the Nikon 1 V2 with a reminder that no one camera can do everything that an owner may require. Regardless of the price paid, every piece of equipment comes with compromises. And, so it is with the Nikon 1 V2. I should also state upfront that I shoot more client videos with my Nikon gear than I do still photographs, so this review does contain a reasonable amount of evaluation from a video perspective.
A number of our readers have been asking our team about our recommendations on different mirrorless cameras. With so many different options on the market today, choosing a mirrorless camera can get very confusing. In the new series of articles, we will compare all the options on the market today starting from entry-level, mid-level to high-end. In this particular article, I would like to start off by comparing mirrorless camera systems that are available today from different manufacturers. This below charts will be updated periodically with new / updated information. Please note that the below comparisons are only for mirrorless interchangeable lens cameras. Discontinued systems such as Pentax K-01 and Ricoh GXR are not included. The list is sorted alphabetically and had to be split into two parts to fit. Also, please keep in mind that some of the benchmarks presented in this article are very subjective, based on our prior experience using the cameras.
DSLR cameras by design have some inherent flaws and limitations. Part of it has to do with the fact that SLR cameras were initially developed for film. When digital evolved, it was treated just like film and was housed in the same mechanical body. Aside from the circuitry required for a digital sensor and other electronics, new digital film media and the back LCD, the rest of the SLR components did not change. Same mechanical mirror, same pentaprism / optical viewfinder, same phase detection system for autofocus operation. While new technological advances eventually led to extending of features of these cameras (In-camera editing, HDR, GPS, WiFi, etc), DSLRs continued to stay bulky for a couple of reasons. First, the mirror inside DSLR cameras had to be the same in size as the digital sensor, taking up plenty of space. Second, the pentaprism that converts vertical rays to horizontal in the viewfinder also had to match the size of the mirror, making the top portion of DSLRs bulky.
It has been a very busy week for us here at Photography Life with so many new products announced and launched by several major camera and lens manufacturers. The marathon of announcement articles is coming to an end and the last (hopefully) camera that we need to mention is the new m4/3 sensor mirrorless Panasonic Lumix GM1. But, by all means, it is not the least interesting product to come out this week. In fact, the GM1 is rather special. Let me start by saying this – it is tiny.
Of all the announcements made recently by various manufacturers, including Sony’s groundbreaking step into full-frame mirrorless territory, we at Photography Life are most excited by Fujifilm’s news. Ever since the launch of X100, Fuji has been slowly winning over our hearts. Both with cameras themselves and the determination to improve their products and add features even after release impressed not only our team, but thousands of photographers worldwide. Don’t get me wrong, other manufacturers offer technologically brilliant alternatives and with the full-frame Sony A7 costing just $1700, the replacement for X-Pro1 will face tougher competition than before. Yet Fujifilm cameras, as we’ve written in our reviews, have something about them that makes you want to photograph all the time. The combination of drop-dead gorgeous looks, amazing prime lens selection, innovative hybrid optical/electronic viewfinder, analogue controls and quirks has, no doubt, made the Fujifilm X-series camera system one of the most charismatic on the market today. Fujifilm is not about to sleep on its laurels and is quick on learning from old mistakes. The X100s that we reviewed recently is a clear proof, and the newly introduced, highly-anticipated X-E2 promises to be at least as tempting. Read on to find out what has been improved.
With Sony taking over the major headlines this week, a number of our readers have been asking about the differences between the Sony A7 and A7R – two new full-frame interchangeable lens mirrorless cameras. As I have written in this article, Sony’s full-frame mirrorless cameras are shaking up the camera market and could potentially influence the future development and pricing of full-frame DSLRs in the future. Boasting impressive 24 and 36 megapixel sensors, the Sony A7 and A7R cameras are attracting a lot of potential buyers from different camps. But one question remains: what is the difference between the A7 and the A7R and which one should one pick? Although both cameras look very similar, there is a big difference in price: the A7 is priced at $1700, while the A7R is at $2300. In this article, I will go over the feature differences between the two cameras and provide personal recommendations on what lens(es) to choose. I believe the two cameras are targeted at completely different audiences. Please keep in mind that this Sony A7 vs A7R comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons will be provided in the upcoming Sony A7 and Sony A7R reviews.