Olympus E-P5 Mirrorless Camera Announced

Today, one of the oldest mirrorless camera manufacturers has brought out a refreshed model, the Olympus PEN E-P5. It is a direct replacement for outgoing high-end E-P3. As you might expect, latest Olympus cameras features the usual technological improvements from Olympus, some being borrowed from the very successful OM-D E-M5, which we loved. Obviously, Olympus hopes the new camera will be as successful. Let’s see what they have to offer.

Olympus Pen E-P5

Olympus Pen E-P5

Featuring the same 16 megapixel m4/3 CMOS sensor as its older brother, the new E-P5 packs a lot of punch under the tiny all-metal body. There’s a tilting LCD touchscreen with 1.036 million dots, a superb in-body image stabilization that compensates movement in five directions simultaneously and manual focus aids. Most impressively, perhaps, you can shoot it at 9 frames per second with shutter speeds of up to 1/8000s, which is a first for a mirrorless camera. The same speedy AF system as found in OM-D E-M5 helps to make sure those shots are in accurate focus and works with continuous shooting of up to 5 frames per second. Even though we find contrast-based AF systems to be quite poor at tracking moving subjects, as with E-M5, all these specifications promise E-P5 to be a snappy performer. 1/320s flash sync speed and 44ms shutter lag (when set up properly in the menus) compliment such assumptions. Showing a good example to much more expensive cameras of all classes and, frankly, putting them to shame, E-P5 has built-in Wi-Fi connection.

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Upcoming Carl Zeiss lenses for Sony E and Fujifilm X mounts

For quite some time now photography enthusiasts have been very eager to know what Carl Zeiss has in store for Sony E-mount and Fujifilm X-mount cameras. Ever since the legendary optics manufacturer announced that it will be making autofocus lenses for the two mirrorless camera systems, they’ve never stopped receiving requests for more details on their blog. What’s the big deal, you may ask? Well, the only photographers able to enjoy autofocus Carl Zeiss lenses were Sony Alpha and NEX users. The rest of the world had to make do with manual focus lens lineup. Carl Zeiss has been known for their extremely high quality optics for many decades, but avoided implementing AF motors, which many consider an essential in a modern lens. DSLR shooters are still left wanting, but Sony NEX and Fujifilm X series owners will now have a chance to enjoy possibly some of the sharpest optics around (assuming CZ lives up to its name).

Carl Zeiss Touit 12mm f2.8 Lens

The new CZ Touit Lenses

Carl Zeiss states that “Touit” (that’s how the line is named) is designed to take full advantage of the size potential offered by APS-C sensor mirrorless cameras. The new lenses are designed to be much more compact than their SLR counterparts. I, for one, am very glad to see such an initiative. We are yet to see if what Carl Zeiss promises turns out to be true. Fujifilm has been doing a pretty good job at keeping its lenses reasonably small, but quite a few Sony NEX lenses are rather large and feel poorly balanced when mounted on minuscule NEX cameras.

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Could Compact Camera Systems Replace DSLRs?

“I’d rather have a DSLR for the money” – I’ve heard these words one too many times when talking about mirrorless cameras with beginner photographers. DSLR cameras have been the staple of image quality for a very long time now, and a sort of natural companion to any professional shooter. Many beginner photographers asking for advice on which DSLR to buy, especially those coming from point-and-shoots, find it very difficult to understand how a camera barely bigger than a compact can be a match to a big, solid-looking DSLR. After-all, wedding photographers, photojournalists, sports, wildlife photographers – basically anyone who is serious about digital photography – all carry DSLRs (with the exception of select few that rely on medium format and other specialized cameras).

Nikon 1 V1 Image Sample (5)

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Olympus OM-D E-M5 Review

Overview

The Olympus OM-D E-M5 mirrorless camera was released on February 7, 2012 right before the CP+ Camera and Photo Imaging show in Japan. Along with the E-M5, Olympus also released two lenses for the Micro Four Thirds mount – the 75mm f/1.8 and the 60mm f/2.8 Macro. The E-M5 generated a lot of buzz among the photography community when it was released, because of its impressive specifications, compact weather sealed body and a beautiful retro style design – all to satisfy the demanding needs of the enthusiast and professional crowd. Within a relatively short period of time, the camera became a huge success, thanks to raving reviews from respected photographers. I did not pay much attention to the E-M5 at the time, because I was too busy with the Nikon D800/D800E announcements and tests. However, I really wanted to check it out sometime later, after all the dust settles. Summer and Fall were very busy seasons for me professionally, so I had to postpone my plans even more. The camera finally arrived in mid November, along with a bunch of other mirrorless cameras from Sony, Nikon and Canon. It only took me a week with the E-M5 to realize that it was exactly the camera I had been longing for.

Olympus OM-D E-M5

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New Nikon 1 Cameras and Lenses, Same Mistakes

We may be a bit late to publish this particular announcement, but it did take some time to comprehend what Nikon has done, or, to be precise, hasn’t done. Along with the USA availability of their D5200 DSLR camera, they have also introduced two new Nikon 1 cameras and lenses. Firstly, there’s the J3, which is a successor to the J2, which was announced less than half a year ago (click here for our review). If, previously, the J-series were thought to be entry-level Nikon 1 offerings, such positioning has changed with the introduction of a lower-end S1 camera. The two lenses are 6.7-13mm F3.5-5.6 VR wide-angle zoom (18-35mm equivalent) and 10-100mm F4-5.6 VR super-zoom (27-270mm equivalent).

Nikon 1 J3 Front

Key Specifications and Commentary

Lets start with the recent update to Nikon 1 J-series, the J3.

1) Nikon 1 J3

1.1)Specification Highlights
  • 14.2 megapixel CX (1″ sized) CMOS sensor with 4608 x 3072 image size and 2.7x crop factor
  • Tough metallic body construction, as with previous Nikon 1 cameras
  • Well-received Hybrid AF with both contrast- and phase-detect systems for very fast and accurate focus acquisition and up to 135 focus points
  • 3″ 921k dot LCD screen
  • Shutter speed range of 30s-1/16000s
  • 15 frames per second shooting speed
  • 1080p/60 video support with max 1200 frames per second recording at 320×120 resolution for super-slow motion playback
1.2)Commentary

In short, this is a Nikon V2 camera in a J2 body. If previously the J2 was only a minor update to the original J1, this time the newest camera in J-series gains 14.2 megapixel sensor from its bigger brother. As usual, it is very fast in both shooting speeds and autofocus, offering 15 frames per second with continuous AF. The high build quality is also a reassuring factor, no doubt. However, all is not so good when you take a closer look at what Nikon has done with the controls. I am about to rant now.

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Fujifilm X100S Announced

Fujifilm’s storming 2013 with two refreshed models. Today, the Fujifilm X100S and X20 were announced (along with some other compact cameras). Both X100 and X10 were, and still are, immensely popular and well received by photographers of all levels. Strangely enough, their popularity is not due to outright perfection, but a very subtle balance between quality and… character? By all means, these cameras are not exactly easy to live with due to an enormous amount, for a finished product, of quirks. Luckily, Fujifilm is big on customer opinions – they seem to have heard the more known complaints and reacted accordingly. As a result, the two updated compact cameras carry certain welcome improvements. Lets see what those are in more detail, starting with the X100S and the X20 covered in a separate article.

Fujifilm X100S Front

Fujifilm X100S

1) Commentary

Having mentioned quirks, Fujifilm X100 (click here for our review) was received very enthusiastically by most photographers. Carrying a sharp fixed lens with the equivalent focal length of 35mm, large sensor and unique at the time hybrid viewfinder, its biggest complaint was overall sluggishness. Start-up time wasn’t exactly brilliant, nor card write speed. Most unfortunately, AF was also average at best with manual focus hardly usable at all due to very long focus throw. Despite these and other shortcomings, some of which have since been fixed via firmware updates, X100 still remains a very desirable camera. The X100S builds upon the strengths of its predecessor and promises to fix some of the shortcomings while carrying virtually the same attractive design, save for a small S at the front of the camera. Being Fujifilm, we are yet to see how much of promises turn out to be true, but already I’ve forgotten all about Sony’s RX1. X100S sounds fantastic!

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Canon EOS M Review

Overview

This is an in-depth review of the Canon EOS M camera that came out on July 23, 2012, the first mirrorless interchangeable-lens camera from Canon. Along with the EOS M, Canon also announced the first two lenses for the new “EF-M” mount: Canon EF-M 18-55mm f/3.5-5.6 IS STM and Canon EF-M 22mm f/2 STM. Among major camera manufacturers, Canon was the last to enter the mirrorless market. Aside from Panasonic and Olympus sharing the same Micro Four Thirds sensor and Nikon going with a smaller “CX” sensor, all other manufacturers chose large APS-C sized sensors (Samsung, Sony, Fuji and Pentax), each with its own proprietary lens mount. With the introduction of the EOS M system, Canon has officially joined the APS-C club. Instead of developing a new sensor format, Canon chose to reuse the same 18 MP sensor from the EOS Rebel 650D / T4i DSLR camera. Canon also released an EF-M to EF / EF-S adapter for mounting existing and future DSLR lenses on the EOS M, with full compatibility with all lens functions such as autofocus and image stabilization. In this review, I will go over the features and capabilities of the camera and compare it to other mirrorless options, including Nikon 1, Sony NEX series and Olympus OM-D E-M5.

Canon EOS M

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Full-Frame Sony NEX in 2013?

Back in September, just after major Sony announcements, we predicted an upcoming full-frame Sony NEX mirrorless camera. We are not usually ones to speculate and spread rumors, but this time evidence was rather convincing. First of all, NEX-VG900 35mm sensor camcorder, the first of its kind, was launched. As it packs NEX E mount we now know it’s compatible with full-frame image circle. This cleared out any technical reasons why a large sensor NEX would be out of question. Secondly, with the launch of latest NEX-6 camera, they’ve indicated and APS-C sized sensor at its heart on the camera body itself, something they’ve never done before. And the only reason for such an indication we can think of is the existence of a larger or smaller sensor. Now, a smaller than APS-C size sensor doesn’t make all that much sense, of course, and recently many other photography websites have been reporting rumors of the upcoming full-frame Sony NEX camera.

Sony NEX Sensor Comparison

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Sony NEX-5R Review

Overview

This is an in-depth review of the Sony NEX-5R mirrorless camera that came out on August 29, 2012, an update to the existing Sony NEX-5N that I reviewed last year. While I loved the image quality from the NEX-5N, its AF performance was a bit sluggish, certainly not anywhere close to the Nikon 1 series cameras. Sony revamped the NEX-5 series with the 5R, introducing its first hybrid AF system that uses both phase and contrast detect AF to acquire focus, added WiFi connectivity options and a couple of other layout/control tweaks, making the NEX-5R a compelling option for new and existing owners. In this Sony NEX-5R review, I will go over the features and capabilities of the camera and compare it to other mirrorless options, including the Nikon 1 J2, Olympus OM-D E-M5, Canon EOS M, Sony NEX-F3, NEX-6 and NEX-7 series cameras.

Sony NEX-5R

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Nikon 1 J2 Review

Overview

This is an in-depth review of the Nikon 1 J2 mirrorless camera that came out on August 9, 2012, less than a year after Nikon debuted its mirrorless system with the introduction of the Nikon 1 J1 and V1. Along with the J2, Nikon also released the 1 Nikkor 11-27.5mm f/3.5-5-6 zoom lens, a very compact lens to complement the J1/J2 cameras. In this review, I will go over the features of the camera, talk about its pros and cons and compare it to other mirrorless cameras such as Sony NEX-series, Canon EOS M and Olympus OM-D E-M5. This is the first camera from the “Battle of the Mirrorless” series. The recently evaluated Nikon 1 V2 will be featured in the second part.

Nikon 1 J2

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