Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Unfortunately, as you might have noticed when importing files, Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD when an image is captured. In this article, I will talk about getting accurate colors from a Canon DSLR in Lightroom.
Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Unfortunately, as you might have noticed when importing files, Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD when an image is captured. In this article, I will talk about getting accurate colors from a Nikon DSLR in Lightroom.
A while ago, I wrote an article explaining how to use Lightroom with external editors. Since then, I’ve been asked specifically about merging panorama images. In this article, I will show you all the steps you need to take to successfully merge a panorama and have it back in your Library with minimal fuss. I will be using Lightroom 5.2 and Photoshop CS5, but the process is virtually identical with (reasonably) older versions of both software tools. This tutorial will focus on the process of stitching a panorama image while using Adobe Photoshop Lightroom as the heart of your post-processing and image management workflow.
As any reader of our previous Mastering Lightroom series articles will know, one of the biggest strengths Adobe’s popular RAW converter has is presets and templates. With its emphasis on speed, Lightroom allows you to create a preset or template for more or less anything, from Metadata, to slideshows or book design. I have already talked about the super-useful Develop Presets. In this article, I will show you how to use Filename Template Editor so that you learn how to name your images as quickly and efficiently as possible.
Since Lightroom version 3, Adobe has been providing a Lens Corrections sub-module within the Develop Module to correct various optical issues commonly seen on all lenses. It is a very powerful and complex tool that can be applied to one or many photographs with a couple of quick steps, potentially saving many hours of post-processing time. In this article, I will explain what the Lens Corrections sub-module is, how it works and how you can effectively use it to correct optical issues in your photographs. I will also show you a method of adding a lens profile manually, if you have unsupported lenses in your arsenal.
One of the key areas that we will be focusing during our upcoming post-processing workshops, is image management and its effect on your workflow process. Unfortunately, many of us end up using Lightroom just for editing images and might not be aware of the powerful filtering and image management tools built right into the software. Before I started using Lightroom, I used to have a very messy folder structure in my computer, with images residing in multiple folders and several drives. I never really bothered to organize images in my file system, because there was no good way to do it – most operating systems cannot even properly read image EXIF data and lack built-in functionality to effectively sort through thousands of images. After discovering Lightroom, I was able to finally organize all of my images in my computer and once I developed a good methodology, I have been using the same process successfully for many years now. I wrote a detailed guide on this a while ago in my “how to organize images in Lightroom” article, where I go into more details on the import process. In short, if you have a messy folder structure today, I highly recommend that you organize it as soon as possible. Not only will it save you from a lot of headaches when searching for a particular image, but it will also standardize your workflow process and make your backup process simple.
In our previous Mastering Lightroom series articles we covered what Lightroom is and how it works. We also took a quick tour around Lightroom’s working environment. After highlighting the basic function and capability of each Module, it is now time to talk about them individually more in-depth, starting with Library Module. Before we can actually start using all Library tools, however, we need images to work with. That is why our first step is to learn how to import photographs in Lightroom. I will be using the latest (at the time of writing) version, Lightroom 5, to guide you through the process of Importing images. Virtually everything but Smart Previews is equally applicable to earlier releases.
Happy Sunday everyone! New week is about to start so I thought I’d run this Lightroom Question & Answer session. For the next few days (depending on how active you are) you are welcome to ask any question you like about Lightroom and I will do my best to answer them! Each time a question is posted by you in the comments section below, I will update the article as soon as I come up with the answer. If there are any questions very specific to a certain case, I may answer them in the comments section. Specific, to-the-point questions will be answered in this article, while questions requiring more extensive explanation will be covered in separate articles in the future. I know many of our readers know a lot about Lightroom and you are most welcome to participate. If you are new to Adobe’s Lightroom and find it difficult learning what’s what, this is the time and place to ask for help!
In our two previous Lightroom articles, I explained what Adobe Photoshop Lightroom is and how its catalog-based file management and post-processing system works. Now that we are done with the basics, it is time we move to something a bit more practical. In this article, I will introduce you to the Lightroom environment. You will learn to understand the most notable elements of its user interface – Lightroom Modules. I will explain what the seven Modules are used for and how to switch between them. This article will also outline some of the basic tools within each Module. Hopefully, this article will help you see Lightroom’s full potential and understand that it might be more than enough of a post-processing and image management software for most of your digital photography needs.
You may have heard about Catalogs before as there are two main opinions among photographers. Some think Catalogs are the best way to work with images. Others remain skeptical and prefer to access and manage their image files directly without a catalog-based management tool. But what exactly are Catalogs? What are the strengths of database driven catalog systems and are there any downsides to this approach? In this article I will talk about Catalogs and explain the benefits and downsides of such post-processing and image management systems. I will also show you how to create and efficiently manage new Lightroom Catalogs.